DVblog’s Doron & Michael at HTTP Gallery, London


West of the Great Altar of Zeus (Doron, 2009, 27MB, 1:51 min)

About


9 Third Avenue Haiku (Michael, 2008, 52.7MB, 4:32 min)

About

We normally avoid posting our own work but this
time we’re going to make an exception.
Doron & I have a joint show at HTTP gallery & we’d like to
invite any DVblog readers in the area to come
along to the private view, this Friday, 16th January.
(Details on the HTTP site linked above)
I’ve posted a piece by each of us (which should
give you a feel for whether you’d love or hate us) but the HTTP
show is going to be a little different from our usual work
so please come along, have a drink, take a look & say hello…

Uffe Ellemann-Jensen in Tokyo


Uffe Ellemann-Jensen in Tokyo – (2008, 5.1MB, 1:18)

Bear with me here: have you ever felt lost? I don’t
mean existentially. I mean alone in a place that was
not your own, a foreigner in a strange land, a stranger
in a foreign land. I have on several occasions – including
during a solo trip to Japan a few years ago – and when
this commercial came on my TV about a month back, I
couldn’t tear myself away. No, it isn’t net art or experimental
animation, but it’s beautiful and haunting and something I
certainly see far too little of on television. If you think a little
Lost in Translation, you wouldn’t be wrong for that. The guys
behind the this piece admitted in a recent interview that they
paid special attention to reproducing LiT details for fans of the film.

Other facts: this is a commercial for SAS featuring former
Danish Secretary of State
, and two more similar follow-ups
are running/forthcoming (though not featuring Ellemann-Jensen or Japan,
sadly). The startlingly mournful music is appropriately from Babel.
The tagline reads, in English, “Almost home” or “As good as home.”

Ari Marcopoulos – Claremont


Ari Macopoulos – Claremont (2008, 50.5MB, 10:44)

Okay, this requires some breakdown and explanation.
So Adam Kimmel is an NYC men’s wear designer. This
video is a promo for his Spring 2009 line. And you’re
thinking, what does this have to do with video art or
conceptual cinema or animation? Right. Well, not much.

But what it does have to do with is the Internet. The way
that now, we get to see things we didn’t five years ago.
Five years ago, this video would have been shown at some
runway event that few to none of us would ever fathom
attending – not that they’d let us in the door. And I’m not
worried about that. But I am worried about not seeing great
video. And that changed.

So now, you can watch this insane video of two skater guys –
yes, in Adam Kimmel suits, that’s the point – ride down wild
hills, dodging cars, in southern California. It isn’t that this
has superior quality – the first two minutes are a little dry –
and it doesn’t say anything meaningful about the evolution
of digital video, though they did make an HD version, if that
sort of thing interests you. But you get to see it, and you
probably wouldn’t get this point of view unless you’re a
gifted skater in our midst and we had no idea. It would also
be tacky to hate on this kind of video because the skill of
skating, filming, and not wiping out is something laudable
on its own. This kind of extreme boarding? Well, it clearly
struck a chord with me. No one makes this video for a film
festival, and if they did, it wouldn’t be like this. The Internet
is the natural home for this sort of piece. I’m just saying that
I’m glad the house was built.

Video by Ari Macopoulos.

PES – Sneaux Shoes – Human Skateboard

Sneaux
Sneaux (2007, 7MB, 31 sec.)

Sneaux Shoes launched a consumer-generated video campaign
with a stop-motion video of a human skateboard. The TV ad
features a skateboarder using a kid as a skateboard and performing
classic tricks like ollies, grinds and 360s.
PES who directed the video made it entirely in-camera (Canon D20)
and on location through the use of a stop-motion animation technique
known as pixilation. Says PES: “This spot is a great example of the
breadth of stop-motion. If something exists in the real world, it can be animated.”

Editing and sound design was done by Sam Welch at Homestead, New York.