'music'

Betty Martins – I Wasn’t always Dressed Like This

29th March 2013 by michael
activism | arts | collaboration | community | documentary | education | identity | music | politics | portraiture | trailer | video



I Wasn’t always Dressed Like This [Trailer] (2013, 120MB, 1:42 min)

If the substantive piece (which I gather is about 33 minutes in length) is
anything like as good as this trailer promises it will be stunning.

This has all the hallmarks of the previous piece by Betty Martins – When the Souls Arrive – we posted here : beautifully made, scrupulously attentive to those being observed/interviewed but with its own quite particular gentle and steely authorial stamp.
(I usually hate anthropomorphising art – you know the thing, ‘this piece investigates’ &c. – except here
I am sorely tempted to say that Martin’s work ‘knows how to listen’. Of course what I mean is Martins knows how to listen, carefully and empathetically, and then to re-configure parts of that listening and looking and understanding too as moving image soaked with detail and feeling.)
In addition the subject matter could not be more timely: a broadside of delicate
beauty in the face of bigotry.


Play Local

28th March 2013 by michael
arts | collaboration | community | documentary arts | education | event | music | participatory | place | video



Play Local (2013, 69MB, 3:58 min)

Enchanting video by Tom White of a sound/music outreach project he ran in Peckham, South London on behalf, appropriately, of the South London Gallery.
There are so many piss-poor arts outreach projects. So nice to observe that this one was clearly brilliant.


Morrisa Maltz & Lauren Lillie – The Caretaker

27th March 2013 by michael
arts | collaboration | experimental | fantasy | movie | music | narrative | performance | video



The Caretaker (2013, 397MB, 7:24 min)

We’ve been following Morrisa Maltz‘s work since just about the beginning and we’re delighted to show here her first longer, narrative (well, if you count fever dream as narrative), piece.
Quite a lot of firepower (lots of collaborators) deployed here, happily to excellent effect ( In fact the piece actually directed by Lauren Lillie although the look of it is pure & vintage MM). It all retains in buckets the goose-bump factor of earlier work but embeds it into a very satisfyingly rounded whole.
This is great work; it deserves to be seen widely.


Brian Eno – Mistaken Memories of Medieval Manhattan

31st December 2012 by brian
arts | conceptual | documentary | experimental | historical | music | observational | video



Mistaken Memories of Medieval Manhattan (1981, 43MB, 6:01 min)

A six minute excerpt from the 45 min beaut.
The DVD comes with ‘Thursday Afternoon’ and your
option of playing either movie vertically or horizontally.


I Don’t Want Your Lasagne Furnace – Donna Kuhn

28th December 2012 by michael
animation | arts | dance | experimental | music | performance | portraiture | video | vlog



I Don’t Want Your Lasagne Furnace (2009, 41.4MB, 2:23 min)

Artists I really care for tend to fall into two distinct categories.
The first is the extensive or Picasso category – refusing to be
bound by stylistic limitations or boxes they constantly
reinvent themselves, often seeming like ten artists in one skin.
The other might be called the Giacometti or Morandi model, where
the best part of a lifetime is devoted to an intensive, deep,
exploration of a limited set of themes and content.
They have in common more than would at first appear to be the case.
They are both led by a kind of shamanistic passion, a surrender to
the unconscious, to whim, to a playfulness which can be either infantile
or deadly serious, and they reject the most common practice which is the
dull conformity of making work which attempts to guess the market,
or follow fashion or whatever.
If Sondheim is the net exemplar of the first way then Donna Kuhn
must typify the second.
Small miracles of freshness & originality mined and chiselled from
a tiny pallette! Wit and sadness both! Wonder! Delight!


David Olmos//José M. Sánchez-Verdú – Paisajes del placer y de la culpa

22nd November 2012 by michael
adaptation | arts | collaboration | music | narrative | performance | tv | video | YouTube


Paisajes del placer y de la culpa #1
Paisajes del placer y de la culpa #1 (2008, 119MB, 7:49 min)

Paisajes del placer y de la culpa #1
Paisajes del placer y de la culpa #2 (2008, 74MB, 4:52 min)

José M. Sánchez-Verdú is a Spanish composer who creates richly textured and
sensuous music in an uncompromisingly contemporary idiom.
His richness is no frippery but properly fought for and won.
Here is a short movie, in two parts, made by David Olmos, about whom I can find
no information whatsoever, which blends a fictional narrative with footage of
an orchestral performance of one of Sánchez-Verdú’s works
Paisajes del placer y de la culpa – Landscapes
of Pleasure and Guilt.
The film is undoubtedly skillfully made but I remain slightly agnostic
about its premise or even necessity; however no such doubts about some
of the most extraordinary music of recent years.
I grabbed the film from YouTube and as you can see the image quality isn’t great
although in some ways the graininess appeals and seems apposite to the subject.


Curt Cloninger – Pop Mantra #4 (Rain Down On Me)

25th October 2012 by michael
arts | audio | conceptual | documentary arts | event | experimental | happening | live art | music | music video | new media art | performance | remix/mashup | somatic | video


rain down - 10:00 am
Rain Down On Me: 10:00 am (2012, 22MB, 1:27 min)

rain down - 3:43pm
Rain Down On Me: 3:43pm (2012, 20MB, 1:01 min)

rain down - 6:00pm
Rain Down On Me: 6:00pm (2012, 110MB, 6:32 min)

Black Mountain College Museum + Arts Center, 14 September 2012, 10am – 6pm:
Curt Cloninger repeatedly performs a short excerpt from the
Radiohead song “Paranoid Android” for eight hours blindfolded.
The performance is the fourth in an ongoing series.
Video documentation by Alice Sebrell

Full documentation


Tony Arnold – New Work

23rd October 2012 by michael
arts | conceptual | experimental | music | narrative | new media art | poetry | portraiture | video


Robert Loggia Trailer
Talkin’ Singularity Blues (2012, 186MB, 8:13 min)

Talkin
Robert Loggia [trailer] (2012, 43MB, 1:39 min)

We’ve shown work -very individual and promising work -
from Tony Arnold before and we’re delighted to do so again.
There’s an energy and freshness to his work and a kind
of volcanic flow of creativity which is invigorating.
The first of these pieces is accompanied by music from
Arnold himself, which I like very much. The second is a trailer
for a full length piece which you can view in its entirety here.


Barney Doodlebug at i-Kast 2012

13th July 2012 by michael
arts | collaboration | conceptual | experimental | happening | live art | music | performance | theatre | video


i-kast 2012
iKast 2012 (2012, 70MB, 3:23min)

i-kast voodoodoodles
iKast voodoodoodles (2012, 89MB, 2:35min)

voodoo1
voodoo 1 (2012, 362MB, 9:58min)

Here’s some more gripping work from Michael Barnes-Wynters a.k.a Barney Doodlebug
who previously opened my eyes to a thriving live arts scene in Manchester, UK.
Featured here are two videos of a new piece by Michael which figured in i-Kast,
“a live intervention transmission for www.artplayer.tv with artists roney fraser-munroe,
naomi kashiwagi and michael barnes-wynters” in May of this year.
The first video is an excellent short documentary overview of the event
with interviews with key figures.

Michael is going to be running an event for 15-25 year olds as part of the season
in the new Tate Modern space “The Tanks” on Thursday 23 August.


High Five Low Five/Tim and Puma Mimi

27th June 2012 by michael
arts | commerce | music | music video | performance | video



Tim and Puma Mimi: High Five Low Five (2012, 283MB, 4:22 min)

Slightly self-consciously kooky but, it must be said, splendidly
entertaining bit of both music and moving image, from -ahem –
Tim and Puma Mimi.
Curiously we were lobbied for this by a publicist type fellow.
We’re quite flattered here at DVblog that we’re thought of as having
any clout.
I should say we turned down the first couple of things he suggested
and he obviously then did his homework because this one we like, a lot.