Regina Célia Pinto –Andante Grazioso

andante_grazioso1.jpg
Andante Grazioso (2011, 26MB, 3:47 min)

Gosto muito do trabalho de Regina Pinto, simples e elegante
na superfície, ele toca o coração (e acopla a mente) e,
aparentemente, é isso que nos prende.
Esta profundidade lúcida, a embalagem luminosa do diário,
não é conseguida sem trabalho, mas Regina é demasiado
cuidadosa e modesta (no comportamento, não na ambição)
mas, visivelmente, está fazendo algo difícil, e este fato é,
ele próprio, parte de sua arte. Encantador!

Like so much of Regina Célia Pinto’s work, simple and elegant
on the surface, this touches the heart (and engages the mind)
seemingly without effort.
Of course ‘seemingly’ is the catch. This lucid depth, the luminous
encapsulation of the everyday, is not achieved without labour,
but Regina is too careful and modest (in demeanour, not ambition) an
artist to make heavy weather of it, and this fact is itself part of her art.
Lovely!

Emily Murdoch – Before Honeymoon

Before Honeymoon
Before Honeymoon (2011, 29MB, 1:39 min)

Another piece from a Writtle student, this from Emily Murdoch.
I think this is tremendous not only technically (I especially love the use of light)
but aesthetically too. It clearly owes a debt to Lewis Klahr but one can
see a very distinctive individual voice emerging too.
I do hope Emily continues to make art (and in particular moving image).
I find her work rich and moving.

Ruth Catlow – Landscape

love_is_a_wave.jpg
Landscape (2011, 114MB, 3:12 min)

Ravishing piece of work from my friend and colleague Ruth Catlow
who is also co-director of the indispensible Furtherfield.org

We’ve been talking a lot amongst ourselves and with our students about
continuities across art history and about hybrid techniques which
meld both the ancient and the newest.
Filmed in the New Forest, this piece (apart from its great beauty)
is an exemplar of this approach and pathbreaking in its way.
(More so than much which, dull-eyed, shouts and waves the latest thing
from the rooftops.)
The oldest kind of mark making, delicately but robustly realised,
captured on a tiny portable video camera in a semi-performative
way and then networked…
Beautiful and nourishing both.

Steven Ball – Aroundabout: Second Person Present

aroundabout
Aroundabout: Second Person Present (2011, 117MB, 4 min, silent)

Extracted from a longer work made for Steven Ball’s
Aroundabout blog


“I also showed it as part of a presentation of material from
Aroundabout I did at City Methodologies at the Slade,
where it was displayed looped continuously on a flat
screen monitor face up on the floor, while I ‘performed’
the blog with Powerpoint!”

Some of these expanded cinema folk do relish a challenge!

Even truncated & divorced from its performative context it stands
as a splendid bit of structural/formalist film/vid poetry.

Annie Abrahams

mathematics
Mutant #2 (2010, 64MB, 4:04 min)

Annie Abrahams is a singular and compelling voice, her singularity
ironically copper-bottomed by her willingness to embrace the network
& collaboration thereon fearlessly, inquisitively and to always
striking effect. This piece is described as a video arising out of
the second session of a
“Telematic Performance / Experiment investigating communication and
relational dynamics in a dispersed group.”

and it’s bewitching.
The pages documenting it bear the motto
“Communication is never clean, smooth and transparent”
True – and to turn that truth into crystalline & affecting art is a little miracle.

Sondheim & an Ad…

rilkes tongue
Rilkes Tongue (2006?, 73 MB, 1:44 min)

Alan:
“something to stare at

This is a few years old, but hasn’t been put up; the dancer is Maud
Liardon, either Foofwa or I held the camera and made the video and
effects reminiscent of G. Moreau come to life, the church is in the
Swiss Alps, Rilke was buried behind it, murals of tormented hell,
angelic world of Elegies, we were transported”

PLUS
tether

…Alan Sondheim is one of the artists whose work you can see if
you can get to Nottingham, UK this Thursday – Sunday, 11th-14th Nov, 12-5 pm, in the first offline
appearance by DVblog, where a 45 minute program of work first posted here
will be continuously screened at The Wasp Room, part of Tether Studios.

Details:
Tether Studios,
17a Huntingdon Street
Nottingham
NG1 3JH

tel: 07729124336

mail@tether.org.uk

Artists featured:
Kerry Baldry, Steven Ball, Robert Croma, Rupert Howe, JimPunk, Donna Kuhn, Morrisa Maltz, Millie Niss, Giles Perkins, Sam Renseiw, Alan Sondheim, Nathaniel Stern, Liz Sterry, Eddie Whelan

Also – if you’re reading this & are interested in screening this program -we have both PAL and NTSC
DVDs available. Just mail us!

Jon Rafman – Woods of Arcady

woods of arcady
Woods Of Arcady (2010, 44MB, 3:56 min)

The Song of the Happy Shepherd

William Butler Yeats (1865-1939)

The woods of Arcady are dead,
And over is their antique joy;
Of old the world on dreaming fed;
Grey Truth is now her painted toy;
Yet still she turns her restless head:
But O, sick children of the world,
Of all the many changing things
In dreary dancing past us whirled,
To the cracked tune that Chronos sings,
Words alone are certain good.
Where are now the warring kings,
Word be-mockers? — By the Rood,
Where are now the warring kings?
An idle word is now their glory,
By the stammering schoolboy said,
Reading some entangled story:
The kings of the old time are dead;
The wandering earth herself may be
Only a sudden flaming word,
In clanging space a moment heard,
Troubling the endless reverie.

Then nowise worship dusty deeds,
Nor seek, for this is also sooth,
To hunger fiercely after truth,
Lest all thy toiling only breeds
New dreams, new dreams; there is no truth
Saving in thine own heart. Seek, then,
No learning from the starry men,
Who follow with the optic glass
The whirling ways of stars that pass–
Seek, then, for this is also sooth,
No word of theirs–the cold star-bane
Has cloven and rent their hearts in twain,
And dead is all their human truth.
Go gather by the humming sea
Some twisted, echo-harbouring shell,
And to its lips thy story tell,
And they thy comforters will be,
Rewording in melodious guile
Thy fretful words a little while,
Till they shall singing fade in ruth
And die a pearly brotherhood;
For words alone are certain good:
Sing, then, for this is also sooth.

I must be gone: there is a grave
Where daffodil and lily wave,
And I would please the hapless faun,
Buried under the sleepy ground,
With mirthful songs before the dawn.
His shouting days with mirth were crowned;
And still I dream he treads the lawn,
Walking ghostly in the dew,
Pierced by my glad singing through,
My songs of old earth’s dreamy youth:
But ah! she dreams not now; dream thou!
For fair are poppies on the brow:
Dream, dream, for this is also sooth.

*******************************************

Extraordinary piece from Jon Rafman
(and William Butler Yeats).
It’s stumbling across things like this
that makes it all more than worthwhile.