Jack Goldstein – Metro-Goldwyn-Mayer (1975, 16.2MB, 2:10)
An endlessly cyclical Hollywood, summed up in two minutes,
over thirty years ago. Still relevant and all too real.
Jack Goldstein – Metro-Goldwyn-Mayer (1975, 16.2MB, 2:10)
An endlessly cyclical Hollywood, summed up in two minutes,
over thirty years ago. Still relevant and all too real.
Film Portrait (1972, 31MB, 11:45 min.)
La Cartomancienne (1932, 13MB, 12 min.)
This is a memoir and the last film made by artist and filmmaker Jerome Hill.
I also found ‘La Cartomancienne’, one of his earliest film experiments.
By Mica
Martha Rosler – Semiotics of a Kitchen (1975, 18.3MB, 6:29)
An A-Z look at the tools of a kitchen, of domesticity,
of the self in the midst of frustrated ennui.
Historically significant feminist performance art that reminds us,
“When the woman speaks, she names her own oppression.”
Rosler is one of my favorites.
NO, Global Tour trailer (2010, 21 MB, 3:11 min)
Team Gallery, Lisson Gallery , Galería Helga de Alvear & Prometeogallery di Ida Pisani,
in association with Artprojx Cinema, present the UK premiere of NO, Global Tour,
2010 by Santiago Sierra.
The 120 minute film consists of the manufacture and transportation of two monumental sculptures
in the form of the word “NO”, travelling through different territories on a flatbed truck.
The NO, GLOBAL TOUR has resulted in a feature film that documents the passage of this
large NO through various world cities.
A monumental sculpture – unchanged both in its form and immediate meaning – that gradually
assumes a complex semantic load during a journey full of eventualities, accidents, and unexpected events.
Abbie Making Gefilte Fish (1973, 156.4MB, 21:04)
Footage of Abbie Hoffman making gefilte fish with Laura Cavestani
(who made the video) in his kitchen, 1973.
Like Abbie, I think art is in the everyday, and it sure is a fun
(and rather informative) twenty minutes if you’ve got it to spare.
Art for Abbie was education, constant revolution, evolution, and living for free.
Art and freedom were one in the same, inextricable from each other.
We miss you man.
A Broad Way, Trailer (2007, 60.89 MB, 5:17 min)
Saul Goode worked with 400 filmmakers to
document every corner of New York’s most
famous street, Broadway.
By Mica
‘White Flood’ – clip 1 (1940-2, 1.1 MB, 30 sec.)
‘A Child Went Forth’ – clip (1940-2, 1.4 MB, 30 sec.)
‘White Flood’ – clip 2 (1940-2, 661 KB, 29 sec.)
Easily the most interesting of all Brecht’s composer collaborators
& in flat contradiction to the current myth spread by those
who dislike his politics, by far the better composer than the rather
dull Weill, Hanns Eisler’s keen intellect turned to questions of film in his
exile in the USA in the early forties.
Under the auspices of the New School & funded by the Rockefeller foundation
Eisler conducted an intensive investigation of the relationship between
film & music , often involving him writing new music to already existing footage.
You can see some of this footage here – but what you really need to do is to listen.
There is no-one who could not learn something from the amazing way Eisler
deploys music here.
After the project, Eisler went on to write, with Theodore Adorno,
himself no slouch intellectually (& also a practicing composer),
one of the key books on music & the movies –‘Composing for the Films’
These clips come from the website for a new edition of the book
released with a companion DVD documenting much of the Rockefeller experimentation.
Indispensable.
Erection (1971, 180MB, 18:06 min.)
A nineteen-minute film by John and Yoko, which was made in London during
1970 and 1971. When John had heard that the London International Hotel was
to be built in Kensington, he sought permission to film its entire construction.
Once he’d obtained it he contacted the photographer Iain MacMillan and asked
him to take a series of photographs of the construction. MacMillan had a stills
camera and filmed the erection of the hotel from a fixed position for a period
of eighteen months.
The stills were presented in sequence in the film, which ended with a shot of the
completed hotel where all the lights were then turned off, leaving a black screen.
On the soundtrack Yoko sang two songs, ‘Airmale’ and ‘You’, using tapes of recordings
of Joe Jones Tone Deaf Music Co., which was, in fact, a number of toy percussion
instruments that played themselves, a squeaky style of sound devised by a former
associate of Yoke’s Fluxus days, Joe Jones. The hotel was situated at 147 Cromwell
Road and later became the London Swallow Hotel.
British Beach Hut Miscellany(2006, 5.2MB, 1:36 min)
Made by Giles Perkins. Shot on Super 8 & digitally edited.
English pastoral loveliness with a conceptual/formalist twist,
which resolves to… English pastoral loveliness.
Lovely!
La sortie des ouvriers de l’usine Lumière à Lyon (1895, 2MB, 46 sec.)
The year is 1895. The “Hangar” was the first set in the history of Cinematography and
can be seen here in “La Sortie de l’usine Lumière”, Lumière’s first film.
from the fantastic site – Institut Lumière.