If the substantive piece (which I gather is about 33 minutes in length) is
anything like as good as this trailer promises it will be stunning.
This has all the hallmarks of the previous piece by Betty Martins – When the Souls Arrive – we posted here : beautifully made, scrupulously attentive to those being observed/interviewed but with its own quite particular gentle and steely authorial stamp.
(I usually hate anthropomorphising art – you know the thing, ‘this piece investigates’ &c. – except here
I am sorely tempted to say that Martin’s work ‘knows how to listen’. Of course what I mean is Martins knows how to listen, carefully and empathetically, and then to re-configure parts of that listening and looking and understanding too as moving image soaked with detail and feeling.)
In addition the subject matter could not be more timely: a broadside of delicate
beauty in the face of bigotry.