{"id":7673,"date":"2011-02-18T00:03:32","date_gmt":"2011-02-18T05:03:32","guid":{"rendered":"http:\/\/dvblog.org\/?p=7673"},"modified":"2026-10-21T15:30:54","modified_gmt":"2026-10-21T14:30:54","slug":"steven-ball-aroundabout-second-person-present","status":"publish","type":"post","link":"https:\/\/dvblog.org\/?p=7673","title":{"rendered":"Steven Ball &#8211; <em>Aroundabout: Second Person Present<\/em>"},"content":{"rendered":"<p><a href=\"http:\/\/www.dvblog.org\/movies\/02_2011\/aroundabout.mp4\" target=\"_blank\"><img decoding=\"async\" src=\"http:\/\/dvblog.org\/wp-content\/images\/aroundabout.jpg\" height=\"180\" alt=\"aroundabout\"\/><\/a><br \/>\n<a href=\"http:\/\/www.dvblog.org\/movies\/02_2011\/aroundabout.mp4\" target=\"_blank\"> Aroundabout: Second Person Present (2011, 117MB, 4 min, silent)<\/a><\/p>\n<p>Extracted from a longer work made for Steven Ball&#8217;s<br \/>\n<a href=\"http:\/\/aroundaring.blogspot.com\/\" target=\"_blank\">Aroundabout blog<\/a><\/p>\n<p>&#8220;I also showed it as part of a presentation of material from<br \/>\nAroundabout I did at <a href=\"http:\/\/directobjective.blogspot.com\/2009\/05\/cities-methodologies-aroundabout-second.html \" target=\"_blank\">City Methodologies<\/a> at the <a href=\"http:\/\/www.ucl.ac.uk\/slade\/index.php\" target=\"_blank\">Slade<\/a>,<br \/>\nwhere it was displayed looped continuously on a flat<br \/>\nscreen monitor face up on the floor, while I &#8216;performed&#8217;<br \/>\nthe blog with Powerpoint!&#8221;<\/p>\n<p>Some of these expanded cinema folk do relish a challenge!<\/p>\n<p>Even truncated &#038; divorced from its performative context it stands<br \/>\nas a splendid bit of structural\/formalist film\/vid poetry.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Aroundabout: Second Person Present (2011, 117MB, 4 min, silent) Extracted from a longer work made for Steven Ball&#8217;s Aroundabout blog &#8220;I also showed it as part of a presentation of material from Aroundabout I did at City Methodologies at the &hellip; <a href=\"https:\/\/dvblog.org\/?p=7673\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[91,1,17,33,14,88,59,47,29,86,81,103,54],"tags":[],"class_list":["post-7673","post","type-post","status-publish","format-standard","hentry","category-architecture","category-arts","category-community","category-conceptual","category-experimental","category-landscape","category-newmediaart","category-observational","category-performance","category-place","category-poetry","category-processsystems","category-silent"],"_links":{"self":[{"href":"https:\/\/dvblog.org\/index.php?rest_route=\/wp\/v2\/posts\/7673","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dvblog.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dvblog.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dvblog.org\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dvblog.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7673"}],"version-history":[{"count":11,"href":"https:\/\/dvblog.org\/index.php?rest_route=\/wp\/v2\/posts\/7673\/revisions"}],"predecessor-version":[{"id":12229,"href":"https:\/\/dvblog.org\/index.php?rest_route=\/wp\/v2\/posts\/7673\/revisions\/12229"}],"wp:attachment":[{"href":"https:\/\/dvblog.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7673"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dvblog.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=7673"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dvblog.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=7673"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}