{"id":933,"date":"2012-02-09T00:06:02","date_gmt":"2012-02-09T05:06:02","guid":{"rendered":"http:\/\/dvblog.org\/?p=933"},"modified":"2026-10-01T15:29:48","modified_gmt":"2026-10-01T14:29:48","slug":"woody-allennathaniel-stern","status":"publish","type":"post","link":"https:\/\/dvblog.org\/?p=933","title":{"rendered":"Woody Allen\/Nathaniel Stern"},"content":{"rendered":"<p><a href=\"http:\/\/www.dvblog.org\/movies\/01_2006\/nathaniel_stern\/at_interval.mp4\" target=\"_blank\" ><img src='http:\/\/dvblog.org\/wp-content\/images\/at_interval.jpg' alt='At Interval'\/><\/a><br \/>\n<a href=\"http:\/\/www.dvblog.org\/movies\/01_2006\/nathaniel_stern\/at_interval.mp4\" target=\"_blank\">at interval  (1977\/2006, 24.3MB, 13:22 min)<\/a><\/p>\n<p>Early work from the redoubtable <a href=\"http:\/\/nathanielstern.com\/\" target=\"_blank\">Nathaniel Stern<\/a> where he reworked,<br \/>\nin the most <a href=\"http:\/\/nathanielstern.com\/works\/video\/at-interval.html\" target=\"_blank\" >curious of ways<\/a>, Woody Allen&#8217;s <em> Annie Hall. <\/em><br \/>\nInteresting that although the working method here seems<br \/>\nalmost diametrically opposed to the hands on, performative<br \/>\napproach found in his <em><a href=\"http:\/\/dvblog.org\/?p=124\" target=\"_blank\">odys series<\/a><\/em>  here too is that same <br \/>\nsense of the fragility &#038; vulnerability of  human beings and their<br \/>\nbodies &#038; psyches &#038;  of the unreliability of the language we use<br \/>\nto try &#038; make what we <em>want to<\/em> happen &#038; to relate or lie about what<em> did <\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>at interval (1977\/2006, 24.3MB, 13:22 min) Early work from the redoubtable Nathaniel Stern where he reworked, in the most curious of ways, Woody Allen&#8217;s Annie Hall. Interesting that although the working method here seems almost diametrically opposed to the hands &hellip; <a href=\"https:\/\/dvblog.org\/?p=933\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,16,33,14,9,32,12,35],"tags":[],"class_list":["post-933","post","type-post","status-publish","format-standard","hentry","category-arts","category-cinema","category-conceptual","category-experimental","category-film","category-movie","category-movie-making","category-remix"],"_links":{"self":[{"href":"https:\/\/dvblog.org\/index.php?rest_route=\/wp\/v2\/posts\/933","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dvblog.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dvblog.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dvblog.org\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dvblog.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=933"}],"version-history":[{"count":7,"href":"https:\/\/dvblog.org\/index.php?rest_route=\/wp\/v2\/posts\/933\/revisions"}],"predecessor-version":[{"id":11711,"href":"https:\/\/dvblog.org\/index.php?rest_route=\/wp\/v2\/posts\/933\/revisions\/11711"}],"wp:attachment":[{"href":"https:\/\/dvblog.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=933"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dvblog.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=933"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dvblog.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=933"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}