{"id":98,"date":"2011-04-01T00:01:34","date_gmt":"2011-04-01T05:01:34","guid":{"rendered":"http:\/\/dvblog.org\/?p=98"},"modified":"2026-10-19T11:35:37","modified_gmt":"2026-10-19T10:35:37","slug":"minivan-on-fire-lewis-lacook","status":"publish","type":"post","link":"https:\/\/dvblog.org\/?p=98","title":{"rendered":"<em>Minivan on Fire!<\/em> &#8211; Lewis LaCook"},"content":{"rendered":"<p><a href=\"http:\/\/www.dvblog.org\/movies\/01_2007\/minivan_on_fire.mp4\" target=\"_blank\"><img src='http:\/\/dvblog.org\/wp-content\/images\/2007\/01\/minivan_on_fire.jpg' alt='Minivan on Fire'\/><\/a><br \/>\n<a href=\"http:\/\/www.dvblog.org\/movies\/01_2007\/minivan_on_fire.mp4\" target=\"_blank\">Minivan on Fire (2007, 12.6MB, 32 sec)<\/a><\/p>\n<p>So&#8230;I wrote the comment below in 2004 about the poem (below)<br \/>\nby poet-artist-programmer-polymath <a href=\"https:\/\/lewislacook.org\/\" target=\"_blank\"> Lewis LaCook <\/a><br \/>\nbut it fits the movie making too, I think.<br \/>\nThe poem I reproduce here because it&#8217;s great &#038;<br \/>\n<b>because I can<\/b>.<\/p>\n<p><em>&#8230;*such* great work Lewis.<br \/>\nThere&#8217;s the delirious and gorgeous imagery that has<br \/>\nalways been such an attractive component of your work,<br \/>\nbut here also (and did I not notice it so much before<br \/>\nor has it been slowly crystallizing?) a rigorous,<br \/>\nalmost steely control of the materials.<br \/>\nThe sense of storytelling, the incorporation of<br \/>\ndialogue, the confidence to mix the heady stuff with<br \/>\nthe almost prosaic&#8230;<br \/>\na complete pleasure&#8230;<br \/>\nmichael<\/em><\/p>\n<p>&#8212; Lewis LaCook  wrote:<br \/>\n<b><br \/>\n I had this feeling that I was<br \/>\n worth loving, and you let me<\/p>\n<p> have it: a month of solid<br \/>\n silence and invisibility, and you&#8217;ve<\/p>\n<p> forgotten me now, I&#8217;m sure:<br \/>\n haven&#8217;t even taken the movies back.<br \/>\n I feel I might&#8217;ve excited you. True,<br \/>\n you said, &#8220;You&#8217;re mischievous,<br \/>\n undermining, it gets you hot<br \/>\n to be bad,&#8221; with the heroin<br \/>\n of your eyes pushing through me,<\/p>\n<p> &#8220;I need all your attention.&#8221;<br \/>\n Client status: Connected.<br \/>\n In cramped shoes I&#8217;m<br \/>\n transparent on milk<br \/>\n ice: sliding over islands, mortar,<br \/>\n crystals lateral with morphine<br \/>\n lapsed into strings,<br \/>\n stillness; my lace.<br \/>\n Cerebral, but rebellious.<\/p>\n<p> The secret to rolling a great joint<br \/>\n is to roll it tight enough to smoke well<br \/>\n but loose enough to let any left-<br \/>\n over stems elude piercing the paper.<\/p>\n<p> I feel it might be exciting<br \/>\n to feel loved. Someone rubs me<\/p>\n<p> until I blossum. Until it<\/p>\n<p> rains on my tongue. This is free.<br \/>\n There are only so many<\/p>\n<p> kinds of sense. One in which<br \/>\n you&#8217;re thick, surrendered<br \/>\n to golds and reds, wear glasses<br \/>\n and have supper with your<br \/>\n mother. Meanwhile, outside<br \/>\n our encampment, fat<br \/>\n velvet fires rescue air from<br \/>\n almost total transparency.<br \/>\n I suck up files from a remote<br \/>\n location for work. Wake up<br \/>\n with my eyes already sunk,<\/p>\n<p> jerk off: get high. Client status:<br \/>\n Connected. A tartly-intelligent<br \/>\n girl with her hand on my belly.<br \/>\n She says she likes it too much.<br \/>\n She has all my attention.<br \/>\n Character sets legitimize<br \/>\n where the pre-dawn wind<br \/>\n plies from you in heavy draughts<br \/>\n your childhood, your child, rubber<br \/>\n nipples: reading under a passive<br \/>\n milk of electric, not walls.<br \/>\n They hug cattle before they<br \/>\n shoot them in the brain.<\/p>\n<p> I sleep past waking.<\/p>\n<p> Everyone will be infinitely home soon.<\/p>\n<p> I was dreaming in blush sundaes,<br \/>\n before, though: we are the wasps<br \/>\n that would rather sting themselves<br \/>\n to death, if that means we escape<br \/>\n a natural terminal port: we&#8217;re<br \/>\n those literal motherfuckers<br \/>\n who will not hover, but sparkler<br \/>\n and cackle like it&#8217;s all that&#8217;s<br \/>\n holding us down. I hate the royal<br \/>\n we. Dreaming about licking<br \/>\n the heart of red, the pith of gold,<br \/>\n cleaning you of stalwart<br \/>\n impurities. Ever feel<\/p>\n<p> like you&#8217;re just marking a beat<br \/>\n in a line. Smoke orally<br \/>\n inflates the room. Filtration<br \/>\n flirts with purity the way eightball<br \/>\n chicks glom to money; <\/p>\n<p> it makes them feel loved. Even<br \/>\n common houseplants know<br \/>\n where the sun is, swoon and go<br \/>\n limp when she&#8217;s gone. I&#8217;m still<\/p>\n<p> waiting for that Saturday you promised me<br \/>\n not thinking about me at all not thinking about<br \/>\n you at all not thinking about you at all.<\/b><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Minivan on Fire (2007, 12.6MB, 32 sec) So&#8230;I wrote the comment below in 2004 about the poem (below) by poet-artist-programmer-polymath Lewis LaCook but it fits the movie making too, I think. The poem I reproduce here because it&#8217;s great &#038; &hellip; <a href=\"https:\/\/dvblog.org\/?p=98\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11,1,38,33,98,24,14,87,126,59,86,81,35,8,10],"tags":[],"class_list":["post-98","post","type-post","status-publish","format-standard","hentry","category-animation","category-arts","category-blogroll","category-conceptual","category-datamoshing","category-documentary","category-experimental","category-glitchdatamoshing","category-memory","category-newmediaart","category-place","category-poetry","category-remix","category-video","category-vlog"],"_links":{"self":[{"href":"https:\/\/dvblog.org\/index.php?rest_route=\/wp\/v2\/posts\/98","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dvblog.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dvblog.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dvblog.org\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/dvblog.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=98"}],"version-history":[{"count":6,"href":"https:\/\/dvblog.org\/index.php?rest_route=\/wp\/v2\/posts\/98\/revisions"}],"predecessor-version":[{"id":12155,"href":"https:\/\/dvblog.org\/index.php?rest_route=\/wp\/v2\/posts\/98\/revisions\/12155"}],"wp:attachment":[{"href":"https:\/\/dvblog.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=98"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dvblog.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=98"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dvblog.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=98"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}