Two pieces from Donna Kuhn in 2008.
I wrote then:
We’ve shown a number of pieces by Donna Kuhn here previously.
I wondered to myself a couple of times, I must admit, whether the fact of
having developed such an intensely freighted and personal syntax and vocabulary might
not at some point become a block to further development, whether there was a limit to
the elaboration (and not of course simply the formal elaboration but of how much
in the way of new approaches to her subject matter this process could be made to yield) of this
admittedly extraordinarily beautiful and singular set of moves.
Well no sign of it yet – instead there is this remarkable process of intensification,
of continual, ever finer and more nuanced scrutiny, distillation and development.
It’s like watching an never ending succession of rabbits being pulled out of
hats and it’s quite, quite beautiful and moving.
All of it something of a masterclass, but the use of sound especially colors me
green with envy – wonderful!