Margarida Paiva – Untitled Stories (2007, 15.6MB, 2:49)
Excerpt from Margarida Paiva’s 11 minute Untitled Stories,
a video from 2007 about everyday stories, told through a broken
female monologue about memories.
Expertly layered and totally gorgeous.
Serial Metaphysics #1 (1984-86, clip, 6.4MB, 1:08 min)
Serial Metaphysics #2 (1984-86, clip, 5.9MB, 1:08 min)
Wheeler Winston Dixon is now a professor of film studies
at the University of Nebraska, Lincoln. Before he did that he made
a lot of (on the evidence of these clips & others) really great short movies.
In particular these two clips from Serial Metaphysics, apparently almost
entirely constructed from TV ads, whet the appetite for a viewing
of the whole twenty minutes.
Dixon conjures fever dream magic from commercial banality.
Check in particular the end sequence of clip one:
David Lynch eat your heart out.
Waltz (2003, 55.9MB, 7:04 min)
More ideas per second than many have in a lifetime & wonderful
& haunting & evocative & engaging & smart ones too.
She makes it look easy & natural. Think about it – bet it’s not.
A fantastic piece by veteran video artist/performer Joan Jonas found
on the invaluable Lumen Eclipse site.
Last Wine (2013, 96MB, 2:50 min)
Anyone who has followed DVblog for any time at all will know how much we
admire & value the work of Alan Sondheim.
He commands a huge range of technique and tone in both his writing and moving
image work. At one point of his compass there is the fiercely cerebral; at
another a rich humour & at yet another a sense of fellow feeling with, a
striving to understand some of our most puzzling and yet everyday feelings
and states of mind.
Things we’ve all encountered in relationships with family, friends and strangers.
This is a particularly moving piece, the more so because of its uncertainty of tone
– its enactment of the sad awkwardnesses of human interaction.
Dream Home (2012, 61MB, 1:00 min)
Don’t Know Y (2010, 116MB, 2:23 min)
I first encountered Nikki Rolls’ work through Kerry Baldry’s splendid One Minutes series.( In fact we featured another piece by her in our very first post about that series)
As with so many of the artists included in that series she’s an amply justified curatorial choice;
her work is subtle, thought provoking and very beautiful.
She makes tiny ( or sometimes none, except to select) interventions into found (sometimes “found from herself”) images or footage which have a transformative effect and an expressive force much greater than one might have any right to predict. Beautiful.
Sixth Map (2006, 17.3MB, 3.44 min.)
When filmmaker/videoblogger Daniel Liss challenged himself to make 7 videos in 7 days,
he also challenged his online audience to collaborate with him in the process.
His daily assignments came from viewers of his videoblog who determined
where, about what and how he should make each video.
Each day, they posted an assignment and each day Daniel posted a video in response.
Then came praise and criticism in the comments of each day’s videoblog post.
The process took him miles from home, he told personal stories, invented new narratives,
and played more than a few tricks on his guiding/goading audience.
For this video he was given the assignment,
“Today, you are a local. Trick us into believing that you are a local.
Tell us a story about your history.”
By Mica
comme un chat noir au fond d’un sac (2006, 18.4MB, 4:47 min)
A beautiful excerpt from Stephane Elmadjian’s feature film found
on composer Daniel Wohl’s website.
Starting off a bit intense it winds itself down and into some breathtaking stuff.
Recreation, Re-Creation (2006, 9.6 MB, 4:27 min.)
“This video juxtaposes original 16 mm footage acquired from my Grandfather with interview footage taken of my Mother and Grandparents. All but the
past-tenses of their speaking are left intact, while the film footage has been aggressively manipulated. The project seeks to question the language of constructing one’s identity through negotiation with familial history, where the past has been constructed and reconstructed in order to corroborate certain facades of culture which are wished to be left intact.”
From Bitsy Knox
When the Souls Arrive (2011, 72MB, 2:40 min)
I recently attended a fairly high profile art video festival,
which shall be nameless, and I came away feeling depressed.
There was some good work (indeed, some magnificent, not much, but some) but
on the whole it was just a dispiriting display of meretricious effects, sloppy thinking
and a striving for the quick impression; all pretty souless & forgettable stuff.
(Oh, and plus a lot of cliched tosh about the – yawn – “post-human”. Wasn’t post human,
most of it, so much as post-being-any-good)
Then, on the other hand, you come across something like this:
no in-your-faceness, modest, austere and subtle, makes you do a little bit of work,
but so, so worth spending time with.
is the Brazilian video maker who made this small and perfect gem
– an account of the celebration of the Day of the Dead by expat Mexicans
living in London.
You can see the whole thing here (and I urge you to do so).
Betty Martins cheered me up considerably and I look forward to much more
work of this quality from her.
Eric Lerner – Mr. Deja Vu (2006, 27.2MB, 3:48)
From Eric Lerner‘s collection of Mr.CityMen.
Vex #1 (2006, 29.1MB, 2:08 min.)
Vex #5 (2006, 25.9MB, 1:09 min.)
Ferrari Dogs (2006, 25.9MB, 1:09 min.)
You know sometimes how when you first look at a work
you can’t process it immediately, it seems jumbled – wrong –
& you’re tempted to dismiss it.
Then you live with it awhile & suddenly it leaps into focus &
you realise you’re in the presence of something much richer
& more rewarding than the things which did immediately fall into place?
Do you know that feeling?
Well, that’s how I felt as I prepared this post.
The work, by the artist & poet Brian Kim Stefans, snuck up
on me & then hit me over the head.
Furthermore, there’s still a puzzling quality to it all, for me:
the Ferrari Dogs piece seems like work of a different category
to the vex pieces somehow ( as does Manchurian Rainman on
the site. Check it. Now – what is that all about?)
Anyway – I’ll take mystery over glibness anyday – I look forward to more.
Big Moth (2011, 9MB, 3:05 min)
“Experimental film and sound collage with a spoken poem
about embodying a moth”
As you do, as you do…
Another piece of strange & haunting loveliness from Simon Mclennan*.
A Tough Dance (1902, 7.1MB, 47 sec.)
Bicycle Trick Riding (1899, 5.5MB, 37 sec.)
Three Acrobats (1899, 5.4MB, 36 sec.)
Three exhilarating chunks of early movie making from the
Library of Congress online collection of variety stage motion pictures.
I particularly love the deeply strange A ‘Tough’ Dance.
There’s also a great early animation collection on the LOC site.
Park House (2011, 10MB, 1:55 min)
Poetry, visual and aural, from Simon Mclennan.
(And what a compelling speaking voice he has.
How nice to have such a fine instrument)
Quite, quite lovely.
More soon.