Morrisa Maltz – First Class

whats ahead
First Class (2010, 127 MB, 3:40 min)

And First Class it is too -we’ve enthused about Morrisa Maltz here quite
recently & her first music vid (for Everybody Else) doesn’t disappoint.
It’s stylish without being glib, chock full of ideas but nicely unified by
a visual language those who’ve seen her work before will instantly recognise.
My only cavil (which I already expressed to her) is the degree of
objectification at work here in the portrayal of women,
(you know…the boys play & the girls kind of dance around
or pose, looking nice &c &c) which I find a tad depressing coming from
a clearly enormously talented & capable woman artist.
More than well made though & I look forward to whatever comes next.

Eddie Whelan – whats ahead

whats ahead
whats ahead (2010, 53 MB, 2:35 min)

Whilst many predicted that datamoshing would quickly become a
tired & routine Cliché who’d ever have thought someone might rather
classicize it: make of it something measured, understated, controlled
& with it yield such delicate & rarefied loveliness as does Eddie Whelan
in this music vid for The Meanest Boys.
Simply great.

Rupert Howe – The Wicker Man Remade

wickerman
The Wicker Man (2010, 12 MB, 1:09 min)

wickerman live
The Wicker Man Live (2010, 7 MB, 3:31 min)

Rupert Howe is always doing interesting things.
He’s also an early adopter of the sort of tech that in-my-old-age I
would cautiously leave a few months to see how it turns
out, so many of the interesting things he does mystify me
somewhat at first.
SO.. here he seems to have got given (?) lots of extras
(in what universe does this occur?) to remake a section of
cult British horror film The Wicker Man on Hampstead Heath.
The results are jaw dropping in two ways.
Jaw droppingly charmingly-funny.
And jaw droppingly odd.
Most of his work is essentially some combination of these
two axes. ( Plus serious skills)
As an added bonus there a kind of Making-Of-The-Wicker-Man-Remake
which apparently was originally streamed live from his mobile.
I didn’t even know you could do that.
If anything the ‘making-of’ piece surpasses the substantive one on the
Howe strangeness scale. Even his friends & colleagues seem touched too
by a species of benign insanity.
Long may he flourish.

Brody Condon – Karma Physics < Elvis

elvis2
DeResFX.Kill(KarmaPhysics < Elvis); (2004, 6.8 MB, 1:54 min.)

“A modification of the bloody science fiction first person
shooter computer game Unreal 2003.”
By Brody Condon.

Superman Returns & Brando too

 Brando
Jor El (1978-2006, 38MB, 3:29 min.)

Marlon Brando, the CG character, rather spookily reappears as
Jor-El in Superman Returns.
From Rhythm & Hues studios.

Gazira Babeli – Save Your Skin

saveyourskin
Save Your Skin (2007, 4 MB, 1:03 min)

Save Your Skin – stolen skins, scripted environment,
where the skins of avatars are being put on display.
A Second Life performance by Gazira Babeli.

bad l.a. pool water – Antonio Mendoza

badlapoolwater
bad l.a. pool water (2010, 31MB, 4:14 min.)

Antonio Mendoza remix triptych.tv. Music by ‘no johnny’.

Scanner et al. – Night Jam

NightJam
NightJam (2006, 26MB, 11:28 min.)

An Artangel commissioned project from 2006 involving
sound artist Scanner working with clients of London’s
New Horizons Youth Centre, devoted to work with homeless youth.
The musical collaborators are MC Utta, MC Marcel,
MC Quick Latino, MC Magic and MC Sweetie.

Undoubtedly evocative, if a tad derivative, especially
considering the resources at play here.
The multilingual MCing is great though!

Sun Capture – Julianne Swartz

suncapture
Sun Capture (1999, 9.6 MB, 1:23 min.)

Transferring the reflection of a natural occurrence (the movement of the sun)
from outdoors to indoors, Brooklyn-based artist Julianne Swartz creates
her site-specific installation “Sun Capture” with existing architecture, metal pole,
mirror, sun, and wind.

Moljevic aka Albert Nanning

What is this
What Is This? (2006, 20.8MB, 2:31 min.)

Deft & attractive travelogue/visual poem/puzzle taking
us on a dream tour of Moljevic’s native Amsterdam.
More on his YouTube channel, and website

Gazira Babeli – iGods

igods
iGods (2009, 34 MB, 8:20 min)

From doppelg

Amazing

Amazing
Amazing (2005, 4.1MB, 2:02 min.)

I found this in my DVblog to-do folder & embarassingly
I can’t remember when or from where I downloaded it.*
If anyone can oblige please mail us.
Anyway, it made me laugh quite immoderately.

* Update -the splendid Sam Renseiw rides to the rescue with
this link.

Brody Condon – DefaultProperties()

baptism
DefaultProperties() (2006, 6 MB, 30 sec.)

“The first in a series of re-interpretations of Late Medieval Northern
European religious paintings, DefaultPropeties(); is a non-interactive,
animated recreation of the baptism scene from the Triptych of
Jean des Trompes by Gerard David from 1505 using current game
development technology and visual styles.”
By Brody Condon.

Alan Sondheim: large tree-scan world images

Treee
treee (2006, 2.28MB, 1:03 min)

treees 3
treees 3 (2006, 5.86MB, 38 sec)

treees 8
treees 8 (2006, 9.15MB, 58 sec)

“similar to a scanning electron microscope, two images of a moving tree
with enormous detail were stitched together, warped, merged, and
analyzed at every stage. the result is a planetary configuration; one can travel
for at least an hour or two through the detailing. at times threads or
tubes appear; at times there are planes, sharpened edges, odd holes and
gaps. a tetrahedral mapping was employed.

it is this acute exploration of acute angles of inner worlds that
fascinates me. the mp4 file is small and an enormous amount of detail
is lost, but you get the idea. there are videos as well of course.
here is the resurrection of encapsulated movement-into-landscape of a
five-story tree outside the virtual environments laboratory at west
virginia”

Alan Sondheim

Lynda Benglis – Contraband

lynda_benglis
Lynda Benglis – Contraband (2008, 26 MB, 2:20 min)

Artist Lynda Benglis discusses the process of creating Contraband
by pigmenting rubber latex and pouring it on the floor of her studio.
First recognized for

Donna Kuhn – Please Don’t Look Like A Pear

Applause
Please Don’t Look Like A Pear (2010, 10 MB, 3:22 min)

I love Donna Kuhn’s work.
I’ve rhapsodised about it here before, so I’ll just note, first,
that she continues to develop in the most thoughtful & interesting of ways
& second that this video is very funny, poetic
& scarier than most horror movies.
( Donna: ‘people don’t believe that these are completely unembellished
craigslist personals ads’
)
To do all three – a coup!
More soon please Donna!

Brad Tinmouth – Flashbulb Memory

flashbulb
Flashbulb Memory (2009, 7.3 MB, 3:40 min)

By Brad Tinmouth.

Omar Souleyman – Music Video for ‘Leh Jani’

Applause
Leh-Jani (2007?, 10 MB, 3:22 min)

Omar Souleyman being the performer not the video maker,
whose name unfortunately I can’t find.
[STOP PRESS: Mark Gergis has got in touch to say he made the video.
Googling him has unravelled an interesting trail of audio & video work
which we hope to follow further in future]

Anyway the wonderful video ( & it is wonderful -even the cheesy ‘boxy’
effect which is used once & in exactly the right place
& edit & pacing are pretty much perfect)
serves performer -what a voice!- & song admirably…couple of minutes
of sheer cool & utter exhilaration somehow
paradoxically delivered in the same package.
This is fast shaping up to be my favourite ever music vid,
and the album from Sublime Frequencies (they say they’re sold
out, but a little searching secured me a copy elsewhere) is as good
as this promises.
More to be found on Y**T***.

Max Moswitzer – Early Videos

rambo1987
RAMBO (1987, 5.6 MB, 2:32 min)

killmydesire
ZERO ONE KILL MY DESIRE (1988, 7 MB, 3:12 min)

Early videos by Max Moswitzer using found footage material,
video collage, remix and animation.
More Max Moswitzer here.

Kerry Baldry – Applause

Applause
Applause (2010, 104 MB, 1:02 min)

Last week we showed some of Kerry Baldry’s curatorial work,
now here’s one of her own pieces.

Says Kerry:

“Applause is a piece of work made on 16mm film.
Using superimposition and coloured gels Applause has been edited in camera …”

& its a smart & winning piece which punches above its weight.
It looks great & there’s something about the way the visuals work
that really illuminates the sound – the..er..um..applause-ness
of the applause & this in turn directs us back, carefully, to the visuals.
(& both make us ponder it as a social phenomenon)
The piece made me listen attentively, mindfully, & then look &
listen & think & then do all three again.

Studio Banana TV Interviews Pablo Valbuena

pablo_valbuena
Interview with Pablo Valbuena (2009, 43 MB, 3:46 min)

Studio Banana TV interviews visual artist and architect Pablo Valbuena.
After working in digital media designing virtual architectures for videogames,
he currently looks for new ways of using light to introduce the dimensions of
time and movement in urban spaces, altering the perception of physical space
through projected virtual realities.

Todd Polenberg – Monster/Identity Prosthetic

Monster/Identity Prosthetic
Monster/Identity Prosthetic (2009, 54 MB, 1:13 min)

Documentation from last years Spark Festival of a rather splendid
installation by Todd Polenberg.