Still Life: Gallery (2002, 3.5 MB, 3:22 min.)
This piece was shot with a still camera. The images are ‘stitched’ together using
a combination of specialized software and by hand; the stills seamlessly joined to
create a new space. Because the space is made up of stills instead of video, any
and all action contained within the frame is arrested. The two major precepts of
video – motion and time – are thus implied but impenetrable.
from Gareth Long.
The World’s Largest TV Studio (1972, 17.2MB, 7:10 min.)
A historic piece of political video from
the 1972 Miami Democratic Convention, this excerpt featuring an interview
with Michael Shamberg, author of Guerilla Television & founder member of Top Value
Television. (Also founder of Raindance & subsequently big shot Hollywood Producer).
Found in the broadcasting section of the Southwest Museum of Engineering Communications
and Computation, which is actually stuffed with goodies.
Blurring Fat (2006, 19.15MB, 5:15 min.)
2006
Podcast from Ajit @ squigglebooth
Her – Kelly Cook, Him/Writer/Director – Ajit Anthony Prem.
Superb !
Sithair (2007, 6.4MB, 1:49 min)
Cyber Skin (2007, 38.8MB, 3:05 min)
Meat Market (2007, 39.6MB, 7:14 min)
I was lucky enough to see young Irish artist Joan Healy
present her work at a 2008 DATA event in Dublin.
It was strange.
First off, consciously or not, she has this innocent
butter-wouldn’t-melt-in-my-mouth demeanour and then she
shows this.. er..stuff
Documented here, in ascending order of weirdness, there’s a performance piece
where she transforms her hair into a musical instrument,
a piece where she satirises the current bio-art fashion by
getting into a box, exposing some of her back (the installation
claims this is especially grown cyber-skin)
& then attempting to draw to screen the patterns the punters trace
out on her.
Last is ..well.. (vegans avert your eyes), electronically assisted dancing meat
– you know.. chops.. steaks.. & the like..
After she gave her talk I said to her I thought her work was ‘utterly deranged’
She smiled sweetly and said she would take it as a compliment.
It was.
Time Lapse Homepage (2003, 18.4 MB, 55 sec.)
‘Paul Slocum‘s Time-Lapse Homepage (2003) signifies through accretion.
This high-definition video is composed of 1,000 computer screenshots
of his homepage. Complete with an upbeat score that could easily be
a corporate jingle to promote a new technology, the stills display the
building, erosion, and occasional complete overhaul of an ever-evolving
Web site. This work provides a layered historical record of something
we tend to see only in discrete units-the appearance of a homepage on
any given day-while attempting to think through Web design in the
language of earlier time-based media.’
Bleip – No (2001, 14.32 MB, 2:59 min.)
Beautiful visuals and some on point editing from Pleix,
a group of digital artists in Paris, France.
The music on this one is provided by Bleip.
Sixth Map (2006, 17.3MB, 3.44 min.)
When filmmaker/videoblogger Daniel Liss challenged himself to make 7 videos in 7 days,
he also challenged his online audience to collaborate with him in the process.
His daily assignments came from viewers of his videoblog who determined
where, about what and how he should make each video.
Each day, they posted an assignment and each day Daniel posted a video in response.
Then came praise and criticism in the comments of each day’s videoblog post.
The process took him miles from home, he told personal stories, invented new narratives,
and played more than a few tricks on his guiding/goading audience.
For this video he was given the assignment,
“Today, you are a local. Trick us into believing that you are a local.
Tell us a story about your history.”
The entire Seven Maps series can be seen here : http://pouringdown.tv/sevenmaps
By Mica
Jeremy D. Slater – Manic Chinatown Bicycle (2007, 15.6MB, 2:01)
Jeremy D. Slater – Kanjiscroll (2007, 11.1MB, 0:41)
Two travel videos – albeit different sorts of it –
from Jeremy Slater, who primarily works in sound.
But I like his video work – minimal, often observational
in one way or another – so here are two samples.
Amelia Winger-Bearskin – State of Things (2007, 19.9MB, 8:58)
Amelia Winger-Bearskin makes fun, funky performance pieces
and has a couple on her website worth viewing.
This is my favorite piece from her Chroma Key series.
Try swearing for nine minutes straight and see
how successful you are.
Blip Boutique – Not In Love (2007, 30.2MB, 1:28)
Blip Boutique – 24 in 60: hollywood (2007, 18.8MB, 1:14)
Two shorts from 2007, from Blip Boutique,
makers of fine viral, art, and music videos
at interval (1977/2006, 24.3MB, 13:22 min)
Early work from the redoubtable Nathaniel Stern where he reworked,
in the most curious of ways, Woody Allen’s Annie Hall.
Interesting that although the working method here seems
almost diametrically opposed to the hands on, performative
approach found in his odys series here too is that same
sense of the fragility & vulnerability of human beings and their
bodies & psyches & of the unreliability of the language we use
to try & make what we want to happen & to relate or lie about what did .
Child Safety (2011, 189MB, 16:19 min)
Latest adventures of Edward Picot’s splendid Dr Hairy.
Want (clip) (2008, 74 MB, 2 min.)
‘Want was a new multiple channel algorithmic video installation as part of the exhibition
‘Live’ at the Beall Center for Art & Technology.
The life-sized six-screen video display uses custom software to monitor real time
Internet searches. When the software finds a programmed keyword, it triggers a
video clip of one of several actors/avatars who translates the virtual request to reality.
A soccer mom says,’I want French.’
A rocker dude says, ‘I want Star Trek Enterprise.’
A nondescript middle-aged guy says, ‘I want Little Girl.’
A girl says, ‘I want Forever.’
The six video screens are triggered almost concurrently, causing the voiced requests
to overlap. The result is an audio-visual cacophony of desire; an online echo chamber
of warped reality.‘
Henry Fool -trailer (1997, 5.2MB, 2:05 min.)
Henry Fool -clip (1997, 3.3MB, 57 secs)
In a rationally ordered universe Hal Hartley would be feted
as one of the most thoughtful, bold & innovative filmakers
of the last 20 years.
We showed the trailer for Fay Grim, his sequel to 1997’s Henry Fool
here awhile back.
Here’s ’s the trailer from Henry Fool & also a short clip.
While we wait for the next one ( this month, if you’re lucky
enough to be in New York) there’re a couple of good
Hartley things available from the indispensable
microcinema international.
EL – Obuu Mo (Azonto Version) (2011, 89 MB, 4:23 min)
“Look boy, I’m changing my trajectory of isotopes to my temporal place of domicile,
to cause a thermostatical refreshment, to my gorgeous masculine homosapien.
I don’t want any discombobulation by the time I come back. Is that clear?”
