MTAA and Mike Koller – iPhone Drum Circle

ipdc
iPhone Drum Circle (2009, 40 MB, 5:10 min)

On Sunday September 20 at 2pm, MTAA, Mike Koller and friends set out
a brightly colored blanket surround by a circle of chairs at McCarren Park,
Williamsburg, Brooklyn. They had amplified iPhones on which they have
downloaded touchscreen drum and bongo applications and they “jammed.”

iPhone Drum Circle (aka IPDC)

Frames Per Second – Exhibition in Salon Projektionist – Vienna

frames_per_second
Frames Per Second (2008, 27 MB, 3:26 min)

Video and photo installation by VJs Bopa and Bruno Tait.
The exhibition is based on the idea of using video and slide projectors to
capture a random moment in time from animations on photographic paper,
foregoing the simple system ‘screen shot’ and projecting light onto ILFORD
photo print paper.

Florian Cramer – Floppy Films


nkdlunch (2009, 1:24MB 2:44 min)


coraria (2009, 1:35MB 2:09 min)

Ultimately, personally, I admire these more than I like them.
It’s clever/witty stuff, no doubt, squeezing sections of films,
or mash-ups thereof, down to the size of the old floppies
but you just feel it pretty much stops there. Is there much
to actually watch/engage with & if there is, how much of this
arises from the original material before the conceptual
shenanigans commence?
This is especially marked in ‘Coraria’, which feels entirely
parasitic upon John Cage and upon the tremendous performance &
photogenic qualities of Cora Schmeiser.
Hmm. You decide.

[There’s a more detailed ( & sympathetic!) account here
& you can buy the pieces on floppy, should you feel so moved, here]

South and mobile to the house of Mina


South and mobile to the house of Mina (2009, 31MB 3:18 min)

From DVblog’s own Doron Golan, this is simply stunning.
What I find so exciting is that Doron combines here
(and I haven’t spoken to him about this piece so I don’t know
whether he himself sees it this way) his fascinating & often intense
recent studies in image manipulation with something of the improvisatory
quality & narrative forward motion of earlier pieces.

In a world where so much work is predicatable and safe, what a delight
& what a tonic for the head and heart both, to see work that stretches out
like this and which so resolutely rejects the safe, the dull, the glib & the banal.