
10-10-second Monologue (2008, 7 MB, 1:41 min.)
“This is a 10×10 second excerpt/adaptation of a longer monologue
I did last fall. The theme is unrequited Love.
We have all been there… ”
By Lee Ann Harrington .

10-10-second Monologue (2008, 7 MB, 1:41 min.)
“This is a 10×10 second excerpt/adaptation of a longer monologue
I did last fall. The theme is unrequited Love.
We have all been there… ”
By Lee Ann Harrington .

First Line (2002, 165kb, 7 secs)

Second Line (2002, 224kb, 10 secs)
If I remember rightly Eryk Salvaggio posted a link to this tiny piece
on the Rhizome list in 2002, at a time when the Rhizome Artbase was
still rejecting some embryonic video or video like works as ‘not net-idiomatic’.
The post was something of an epiphany for me and I suspect
when the history of online video comes to be written this work,
together with the Manovich Little Movies, will loom large
(As beginning to find a way towards precisely a ‘net-idiomatic’
video practice).
Also: I thought then (and I still think now) it is wonderful work.
Here’s what Salvaggio said about it at the time:
Mpeg Haikus
these are short films which work in their original digital formats
as 30 to 60 second mpeg files. The idea was to stay “egoless”
as in the nature of a haiku, and so there is no design – the films
and the files are presented by whatever defaults your browser
uses. The first, “Unfinished Mpeg Haiku,” is a short 30 seconds
of an airplane’s vapor trails across the sky, the second, a 30
second loop of a bird hopping on industrial machinery.
The third line is not represented, but is intended to be the
viewer’s response, ie. dismissal, understanding, happiness,
sadness- whatever meaning the viewer makes.

The Idea of Karen Blisset (2010, 77 MB, 1:13 min)
On the ever splendid Netbehaviour list there are all sorts of
interesting shenanigans as Karen Blisset, a fairly long time
contributor, offers to give her e mail log in to anyone who asks for it
in order to allow them to “be” her.
One of the interesting things about it is I’m not sure how
many people have actually taken up the offer ( and, of course, there’s
no way of telling)
(Go and join Netbehaviour to get the full works, it’s a warm and
welcoming place but one, nonetheless, with a tradition of robust
and interesting debate)
Anyway, one of this set of Karens contacts us
with a movie called ‘The Idea of Karen Blisset’.
I for one expected something quite fierce & in your
face but instead there’s this rather delicate & gentle &
lovely piece.
Very nice.
Interesting to see how it all unfolds…
PS 25th July
Since we posted this, another movie from ‘Karen Blisset’ appeared on the list:

I am Karen Blisset (2010, 17 MB, 38 secs)
and, later the same day, yet more…

Follow Me (2009, 173 MB, 7:10 min)
The first section of this piece by Jacky Sawatzky, in the library,
is one of my favourite dance video moments ever,
but the whole thing buzzes with life & ideas &
there’s a winning willingness to take risks & lack of
cynicism to it all too.
More here.

Diect Language 5.0 (2010, 74 MB, 6:26 min)
Steven Ball has re-started his Direct Language project & this was the first piece
of the new sequence.
I think it is quite breathtaking.
It strikes me as very much in a relatively recent British experimental film tradition
where a quite austere formalism can engender the most extraordinary beauty.
There’s always the danger of a failure of nerve, the pill being quite needlessly sugared
and nothing such happens here.
Not only is it haunting & lovely, there’s food for thought here too,
the lack of glibness & the refusal to cuddle up to the viewer meaning
it sustains repeated viewing.

Vampire Sun (2004, 13.7MB, 2:41 min.)
Stuff from 2005 from Rob Parrish at Hopper Video.
Couldn’t be more packed to the gills, these movies,
with formal invention. Torn between admiration &
extreme irritation at the Edvard Grieg vocoder.
Not sure it all entirely comes off but it’s
to be commended, as is the fact that
serious thinking is clearly at work here.
Better than timidity, for sure.
(HV still going strong & well worth checking out.
We’ll revisit ourselves, I think, in the Autumn.)

Rush Creek Wilderness Trail Movie (2006, 41.1MB, 5:43 min.)
This one, from 2006, is as splendid as the one we posted yesterday.
Like that, though, there’s a deep oddness here.
Sometimes the virtual hiker is discussed in a clinical, technical, manner,
then at others anthropomorphised shamelessly.
Then the narration: -is anyone really that deadpan?
Seems like the camping isn’t confined to tents on the trail.
But then it is also utterly beguiling & lovely – makes me, at least, yearn
to pack my boots & book a flight.

A Short History of Virtual Hiking (2005, 9.1MB, 3:47 min.)
Originally posted in 2006.
‘Not sure it

First Class (2010, 127 MB, 3:40 min)
And First Class it is too -we’ve enthused about Morrisa Maltz here quite
recently & her first music vid (for Everybody Else) doesn’t disappoint.
It’s stylish without being glib, chock full of ideas but nicely unified by
a visual language those who’ve seen her work before will instantly recognise.
My only cavil (which I already expressed to her) is the degree of
objectification at work here in the portrayal of women,
(you know…the boys play & the girls kind of dance around
or pose, looking nice &c &c) which I find a tad depressing coming from
a clearly enormously talented & capable woman artist.
More than well made though & I look forward to whatever comes next.

whats ahead (2010, 53 MB, 2:35 min)
Whilst many predicted that datamoshing would quickly become a
tired & routine Cliché who’d ever have thought someone might rather
classicize it: make of it something measured, understated, controlled
& with it yield such delicate & rarefied loveliness as does Eddie Whelan
in this music vid for The Meanest Boys.
Simply great.