Sondheim – Prisoners

Prisoners
prisoners (2008, 25.4MB, 2:36 min)

Nearest thing to a Picasso we yet have, in my view.
Whatever history decides, there’s no denying one point
of Sondheim/Picasso commonality – an almost compulsive
productivity.
I’d push it further -they both constantly transform lead into
gold. Picasso & his seat & handlebars, Sondheim, for example,
these bits of video.
The music, a kind of hallucinogenic, shredded-up
slow funk/blues, is also particularly noteworthy.
Here, for good measure, is Alan’s accompanying rubric:

prisoners of motion capture, prisoners of west virginia

prisoners of caloric, froid, prisoners of gravitation
prisoners of art, mayhem, vandal, prisoners of desecration

o to be a prisoner of life again (above the clouds
o to be a prisoner of love again (within the waters
o to be a prisoner of truth again (beyond the earths
o to be a prisoner of dance again (before the fires

prisoners of fires, froid, prisoners of aerostat and transport
transport of prisoners, clouds, waters, earths, fluids

yes, prisoners of fluids, prisoners of fluids and places
prisoners of west virginia, of fluids, places, life, love,
truth and dance again

Back By Popular Demand – The Lesbian Rangers

Lesbian_Rangers1
The Lesbian Rangers (2005, 18 MB, 1:41 min.)

welcome
Welcome to Reorientation 2005 (2005, 34.8 MB, 2:17 min.)

rock
Victory at The Rock (2005, 72.4 MB, 4:45 min.)

Shawna Dempsey and Lorri Millan are Winnipeg-based collaborators whose
internationally acclaimed work addresses feminist, lesbian, and social concerns
with tremendous wit. “The Lesbian Rangers” were founded in 1997, to help people
learn about fascinating and fragile lesbian ecosystem. Rangers Dempsey and Millan
led the first expedition to Banff National Park, and continue to offer lesbian leadership today.
(thanks jillian)

Will Goss – Sonnet by William Shakespeare

sonnet
Sonnet by William Shakespeare (2011, 64 MB, 2:31 min)

“Here is a video I made a few months ago.
It’s a recitation of Shakespeare’s #135th sonnet.
In the background are Dexter Dalwood’s paintings,
which are collaged from other famous paintings.
The piece engages ideas of appropriation and identity.”
A beauty by Will Goss.

Lior Shvil – In Whatever Time

inwhatevertime
In Whatever Time (2010, 290MB, 15 min.)

“…Occupying a space somewhere between storytelling and spectacle, TV shows and
advertisements, the video and sculpture installations of such invented personas as
Cherry Bomb Fluffy White and Charley OnOff address the fragmented
representations of politics and gender, autobiography and history in contemporary
society. Embracing the roles of director, actor, narrator, editor, and set designer,
his experiments in epic theatrical production explore the comic territory of the jester
as he flirts with cultural stereotypes and satirizes political ideologies.”
Lior Shvil.

Sam Easterton – Animal Vegetable Video

ardvark
Ardvark (2001, 1.6MB, 15 sec.)

scorpion
Scorpion (2001, 1.1MB, 10 sec.)

tumble1
Tumbleweeds (2001, 1.2MB, 10 sec.)

wolf
Wolf (2001, 1.1MB, 10 sec.)

Since 1988, Sam Easterton has been using tiny
‘helmet mounted’ cameras to create an archive of videos filmed
from the perspective of plants and animals.

By Mica

Jeremy Bailey – Transhuman Dance Recital #1

transhuman.jpg
Transhuman Dance Recital #1 (2008, 56MB, 6:30 min.)

“If Jeff Koons had fallen for the Microsoft Help Paperclip rather than
vacuum cleaners or La Cicciolina, presumably the result would have
looked a lot like: ”The Jeremy Bailey Show”.

Says Jeremy Bailey: “From now on I dedicate myself to finding better
ways for humans to dance”

Béla Halmos


Béla Halmos – Legyenes (2010, 19MB, 4:10 min)

I just love this and I can’t completely rationalise it. Everything about it –
the fantastic playing of Béla Halmos and companion, the earnest intensity
of the dancers, the crowd’s glorious vocal participation (especially that very
Eastern European tight-throated high pitched rhythmic women’s singing) just makes me
weak at the knees with delight.
It was recorded at the 29th National Dance House festival in Budapest in 2010.

Amy Carpenter – Why Not?


Amy Carpenter – Why Not? (2006, 8.4MB, 2:56)

In thinking back on the people that inspired me when
video online first began to really take hold of everyone,
I remembered Amy Carpenter’s Welcome to Amyville.
This little piece from a few years ago always stuck with me.
It felt so innovative at the time and still really outshines
many similar works to have come after it.

Psycho Bob – Bob’s Big Date

bob_date.jpg
Bob’s Big Date (2008, 7 MB, 50 sec.)

“These are the adventures of a psychopath named Bob. Bob is not
a nice man; not even a little bit. This show is the video equivalent
of a Sunday comic strip.

Here Bob goes out on a date with Betty, perhaps the first woman
other than his mother to truly understand and appreciate him.”
From The AV Club.

Lior Shvil – Rough Cut

roughcut
Rough Cut (2007, 54MB, 4 min.)

Born in 1971 in Tel Aviv, Lior Shvil currently lives in New York and recently attended Columbia University’s School of the Arts MFA program.

Shvil works primarily in video, installation and sculpture. His works are multi-layered, both poetic and critical; they tap into collective memory (cultural, mythical, historical), and are inspired by television, cinema and story telling.

Shvil received his B.A. from the Bezalel Academy of Art and Design, Jerusalem. He has had a solo shows at the Herzliya Museum of Art and the Heder Gallery in Israel. His work has been featured in group exhibitions at the Haifa Museum of Art in Israel, Milliken Gallery in Stockholm, The 7th International Istanbul Biennial, and NGBK Gallery in Berlin. Shvil won the Samuel Givon Prize for Young Artists, awarded by the Tel Aviv Museum of Art, as well as the Israel-America Fund for Culture, Israel. – See more at: givon art gallery.

Gabriel Shalom – Small Room Tango

Small Room Tango
Small Room Tango (2007, 7.9MB, 3:43 min.)

Anyone who has attempted this kind of video-sampling-whilst-letting-the-
audio-determine-the-structure will now just how extremely bloody
difficult & fiddly
it all is.
Hats off bigtime, then, to Gabriel Shalom, who not only makes it look
natural & easy but even squeezes poetry from it.

Betty Martins – When the Souls Arrive

when the souls arrive
When the Souls Arrive (2011, 72MB, 2:40 min)

I recently attended a fairly high profile art video festival,
which shall be nameless, and I came away feeling depressed.
There was some good work (indeed, some magnificent, not much, but some) but
on the whole it was just a dispiriting display of meretricious effects, sloppy thinking
and a striving for the quick impression; all pretty souless & forgettable stuff.
(Oh, and plus a lot of cliched tosh about the – yawn – “post-human”. Wasn’t post human,
most of it, so much as post-being-any-good)
Then, on the other hand, you come across something like this:
no in-your-faceness, modest, austere and subtle, makes you do a little bit of work,
but so, so worth spending time with.
is the Brazilian video maker who made this small and perfect gem
– an account of the celebration of the Day of the Dead by expat Mexicans
living in London.
You can see the whole thing here (and I urge you to do so).
Betty Martins cheered me up considerably and I look forward to much more
work of this quality from her.

Yu-Chen Wang – Struggle for Existence

struggle_existence
Struggle for Existence (2004, 18MB, 1:58 min.)

“By linking Darwin’s “The truth of universal struggle for existence” with a Taiwanese children’s game, The video represents two individuals’ slaughter in the virtual battle field and reflects on the ideology of boundary dividing, self-defending patriotism and bellicosity.”
by – Yu-Chen Wang.

New Media in the Marketplace – Listen to the Podcast

emerging_fields_in_Marketplace
New Media in the Marketplace (2011, 37 MB, 52 min)

“Over the years, we’ve found that a number of the artists we support in our Emerging Fields category have questions about how they can better market and exhibit their work. They have questions about pricing and editioning; changing formats; what it is that they are actually selling when they offer a work for sale; what their obligations to representatives and collectors are after a sale; and whether or not they should even participate in an art market that is, in their eyes, more sympathetic and better able to represent works in more conventional or established media.

On November 2, Creative Capital hosted a webinar for grantees to explore some of these issues and answer specific questions from artists working in new media. The panelists were Jason Salavon (2000 Visual Arts), Karolina Sobecka (2009 Emerging Fields), Stephen Vitiello (2006 Emerging Fields) and Marina Zurkow (2001 Visual Arts). Sean Elwood, Creative Capital’s Director of Programs & Initiatives, served as the facilitator.”

LISTEN TO THE PODCAST FROM THIS DISCUSSION

Podcast from Creative Capital.

Irina Birger Thinks Drawing is Important

ibtdii
Irina Birger Thinks Drawing is Important (2010, 93 MB, 3:20 min. excerpt)

“What is the essence of a photograph, or more precisely, of an ID photo, portrait or self- portrait ?
You could almost ask, what is the essence of art. Or, what is the essence of life? That time always passes.
As the Greek philosopher Heraclitus put it in the 5th century BC, Panta Rhei, ‘Everything changes,
nothing remains still’. In the short video film ‘Irina Birger Thinks Drawing is Important’, Irina Birger
provides her answer to such questions.
A waterfall of self-portraits taken from photo albums belonging to her, her family and circle of
acquaintances, creates an ingenious, dizzying autobiography of the artist through the years.

We see the stereotypical development of the artist influenced by the history of art, from classic to
contemporary, and by the places where she has lived in her nomadic existence, from communist
Russia, the former Yugoslavia at the beginning of the civil war there, Israel during the Second Intifada and Germany after its reunification, to her present but certainly not final destination: the Kingdom of The Netherlands.

There’s a pinch to these moving images, where the essences of film and photography converge and clash. In a similar manner Birger’s life collides with the wrenching history of conflict zones and the sometimes difficult existence as an artist. ‘Drawing is Important,’ she posits at the end, her answer in this photo-turns-film project to the question of how she holds her own in life” (Text by Vera Stiphout)

by Irina Birger.

Santiago Sierra – NO, Global Tour

NOGlobalTour
NO, Global Tour trailer (2010, 21 MB, 3:11 min)

Team Gallery, Lisson Gallery , Galería Helga de Alvear & Prometeogallery di Ida Pisani,
in association with Artprojx Cinema, present the UK premiere of NO, Global Tour,
2010 by Santiago Sierra.
The 120 minute film consists of the manufacture and transportation of two monumental sculptures
in the form of the word “NO”, travelling through different territories on a flatbed truck.
The NO, GLOBAL TOUR has resulted in a feature film that documents the passage of this
large NO through various world cities.
A monumental sculpture – unchanged both in its form and immediate meaning – that gradually
assumes a complex semantic load during a journey full of eventualities, accidents, and unexpected events.

Joan Brossa – Fi

brossa.jpg
Fi (2011, 51MB, 9:57 min)

Joan Brossa, the Catalan poet, artist, performer and polymath,
who died in 1998, deserves to be more widely
known in the rest of the world.
I’ve often thought his work, in particular the visual
poems, prefigured much of the art of the early days
of the net (but mostly better: terser, wittier, riskier –
I think Brossa would have loved the net).
This elegant & delightful performance ( ‘Fi’ is Catalan
for ‘End’, in this context The End) was recorded
in Barcelona eight months before his death.

It requires a little patience; the reward being that
it can be viewed many more than one time, so it
seems like an appropriate thing to leave you with
over the summer.
Remember we’re always delighted to look at new work,
so if you’re making moving image yourself,
or you happen across great stuff don’t hesitate
to send us links.

We’re back on Monday, September the 26th – in
the meantime we wish you all a happy and relaxing summer.

Mr. & Mrs. Blue Skies – Ajit Anthony Prem

Mr. & Mrs. Blue Skies
Mr. & Mrs. Blue Skies (2006, 50MB, 5:30 min.)

‘September 7th marks three exciting years since meeting my wife.
In that time, my life has changed dramatically for the best.
It seems like I finally have a life!
This video should certainly remind you of being forced to sit through the
family vacation videos by your parents.
If it doesn’t then you should watch it a couple of times.’

By Ajit Anthony Prem
Music: Mr. Blue Sky by Electric Light Orchestra
From squigglebooth

The WhetherMan

Whetherman1
03.07.06 (2006, 5.3MB, 1:54 min.)

Whetherman2
03.12.06 (2006, 3.7MB, 1:08 min.)

Whetherman3
03.17.06 (2006, 3.8MB, 1:13 min.)

Back in 2006, when video blogging just started, Andrew Schneider
was the funniest person on the internet.
From Astoria, Queens, it’s the whether|man.

Joshua Fishburn – Layers. Machinima

joshua_fishburn_layers
Layers (2007, 23 MB, 5:23 min)

“Layers is a mashup narrative machinima created with footage from Metal
Gear Solid 3: Snake Eater (PS2), Military footage from an Apache Helicopter
in Iraq (Public Domain/Department of Defense), and Shadow of the Colossus
(PS2). Recorded almost entirely through a sniper scope from the game, it
extends the conversation about the relationship between increasingly
sophisticated military technology and the drive towards visual realism in
videogames. What happens to the relationship between killer and victim
when they are separated by real and virtual distances? Adding the layer
of virtuality through the videogame complicates this relationship even further.”

by Joshua Fishburn.

Christina McPhee – Shed

christina_mcPhee_shed
Shed (2011, 24 MB, 4:33 min)

Shed is a long-term video and drawing project.
Christina McPhee talks about ‘Shed’ and her work in general.
from VernissageTV.

Jimmy Wales – Wikipedia:Technologies of Cooperation

jimmywales
Wikipedia:Technologies of Cooperation (2005, 70 MB, 1:30 hr.)

Lecture at Stanford University on Wikipedia by founder Jimmy Wales.

Heath Bunting – Memorial Stone

memorial_stone
Memorial Stone (2011, 92 MB, 38:31 min)

“As technology moves forward.. all my work is falling apart.. I’d like to move
forward as well, into a more outside adventurous practice, so this video is an
attempt to document the ruins and the remains of my internet work”
– by Heath Bunting

Studio Banana TV: Interview with video artist Annika Larsson

annikalarsson1
Interview with Annika Larsson (2011, 134 MB, 3:47 min)

An interview with the Swedish video artist Annika Larsson.
In this interview Larsson talks about her approach towards a
post-produced composition of reality, about the psychological
hidden dynamics hidden in the characters of her video pieces
and about the evolution of her work, amongst other things.

from Studio Banana TV.

Crystal Stilts/Kate Thomas – Departure

Departure
Departure (2009, 34 MB, 4:24 min)

I love this video for two, apparently almost entirely independent
(but maybe, in some strange, deep way, connected) reasons.
First – the music is great. I listen very little popular music these
days (which is why I’m 2 years late with this) as most of it, even
(especially!) the so called indie stuff gives the impression of
having been focus-grouped into bland submission before being let
limply loose not to offend anyone.
This, contrariwise, oozes life & not-giving-a-fuck from every note
(especially the splendidly slightly out of tune vocals; but it’s all a joy).
Secondly, director of the video, Kate Thomas, about whom I know
nothing and could find out no more, had the totally brilliant idea
of simply stringing together some footage of French students
and workers standing up for themselves against the riot cops in 68.
If this all doesn’t make you weep with barely suppressed joy please
check your pulse.

Land of the Free

Land of the Free
untitled (2005, 1.5MB, 1:50 min.)

Nice bit of guerilla art/action/video by Judith Supine and friend.
Took some bottle, I think.

Joseph Beuys – Transformer

joseph_beuys_transformer
Joseph Beuys – Transformer (1979, 10 MB, 3 min)

Excerpt from a 60-minute documentary featuring avant-garde
German artist Joseph Beuys during a 1979 exhibit at the
Guggenheim Museum in New York City.

Ran Slavin – Everything Is Urgent

EverythingIsUrgent
Everything Is Urgent (2008, 4 MB, 42 sec (Excerpt)

Ran Slavin
confronts the human figure in conjunction with the annoying barking of a dog. 4 figures, 2 young men and women, stand in front of an unknown audience, in front of a void and bark ferociously.
Driven away from systematic and social norms, the human barking figures attack us from within the digital domain, outward.
They present an uncompromising hybrid human, a cross between man and animal. Do they try to warn us, scare us like an omen or blame us? We see a human but hear an animal. Like a shout of desperation of a person who can no longer use his voice.

2008, 4:12 min. Single or 4 channel installation

Making Web MVideo by Michael Verdi

webmvideo
Making Web MVideo (2011, 51 MB, 5:55 min)

“There was a lot of talk this week about WebM video after Google announced
that they were going to drop H.264 support from Chrome. This is huge news
for video makers, especially since Firefox 4 (which supports WebM) is almost done.
I figured it was time to look into WebM encoding tools again.”..

from Michael Verdi.

Joseph Beuys – Soziale Plastik

soziale_plastic_beuys
Soziale Plastik (1969, 9 MB, 1:47 min)

Joseph Beuys accepts the challenge to expose himself to the anonymous spectator,
in speechless close-up on a video monitor: the artist as

KMA – ‘Flock’ in Liverpool

device activated
‘Flock’ in Liverpool (2008, 152MB, 2:44 min)

How many times do you read artists’ descriptions of their own work
and think ‘naaaaa…’ totally failing to recognise their stated ambitions
in what appears to you to be, at best, somewhat pedestrian and at
worst, a total disconnect from what they write.
This is the complete opposite of that, utterly living up to the makers’
stated intentions, and an absolute spine tingler to watch even through
the distance of video documentation.
Check out the KMA site for a complete description of the piece,
an ‘interactive light installation’ based around Swan Lake,
but not until you’ve watched this beautiful bit of documentary.
Particularly touching is the genuine joy in participation it evokes.

Very hard to pull off and very moving to see.

Omer Fast – The Casting

omer_fast_thecasting
Omer Fast – The Casting (2008, 38 MB, 3:29 min)

Omer Fast, discusses his 2008 Whitney Biennial work, The Casting (2007),
a four-channel video featuring a young American army sergeant who recounts
two stories

Brian Bress – undercover

undercover_web
undercover (2007, 59 MB, 13:21 min.)

by Brian Bress.

Array – United Visual Artists

uva_array
Array (2008, 13MB, 2 min.)

“Array is a field of columns set in the courtyard of the Chuya Nakahara
Memorial Museum in Southern Japan. The columns create a field of
light and sound which gently shifts in response to the viewers

The Summer of Van Torre – Human Dog

vantorre7
European Vacation (2005, 25.6 MB, 2:18 min.)

vantorre9
Morning Routine (2005, 44.3 MB, 4:34 min.)

The Summer of Van Torre was hugely popular in 2005 in video blogging circles.
The wepisodes recount the life of Jon VanTorre, each week bringing him closer
to total cardiac arrest with Ether Baths, Spider-Man Nightmares, and Meat Sandwiches.
The series (which began in 2001) was presented online in 05 by Human Dog.

Here is an interview (2005, 67.5 MB, 13 min.) by Josh Leo with writers & directors
Jon VanTorre, Michael Schwartz and Chris Weagel.

Brian Bress – rock your body

rock_your_body
rock your body (2007, 31 MB, 4:45 min.)

by Brian Bress.

Omer Golan – Non-Linear Creation

non_linear
Non-Linear Creation (2010, 58 MB, 3:16 min.)

Installation at ‘Fresh Paint 3‘ in Old Jaffa Port, Israel. the project is based on a live
camera input where the video camera is mounted above a the projection screen.
“The thought behind “Non-Linear Creation” is to think about video as some sort
of a “streaming deck of cards” which I shuffled again and again in real time using
Cycling74’s Max. I collected in a memory buffer the latest 60 cards/video frames,
shuffled them and played the outcome in 30 frames per second. The result is a video in
which the viewer is in constant, unnatural, flickering present, as it is reflected in the video.”
By Omer Golan.

Peter Campus – Three Transitions

three_transitions
Three Transitions (1973, 7 MB, 1:32 min.)

Peter Campus presents three introspective self-portraits that incorporate his dry humor.
Campus uses basic techniques of video technology and his own image to create
succinct, almost philosophical metaphors for the psychology of the self, articulating
transformations of internal and external selves, illusion and reality.

fair use trio live at roulette – 2001: A Space Odyssey

2001fairusefull
2001: A Space Odyssey (2007, 30 MB, 14:34 min.)

The fair use trio: zach layton, matty ostrowski, luke dubois.
From zach layton industries.

Elodie Pong – ADN/ARN

sfs_trailer
Trailer for ADN/ARN (2003, 8 MB, 4:04 min.)

“ADN/ARN was an interactive installation addressed to one person at the time,
filmed with 8 surveillance cameras, in which each visitor was invited to confide
and then contractually sell a personal secret. The initial system took place in
Lausanne at the Centre d’Arts sc

Brian Bress – keep it in your pants

keep_it_in_your_pants
keep it in your pants (2005, 23 MB, 6:25 min.)

by Brian Bress.