KUNSTHAUS TACHELES (2009, 24MB, 2:59 min.)
By Karen Chan. Graffiti. Super 8. Shot in Berlin.
KUNSTHAUS TACHELES (2009, 24MB, 2:59 min.)
By Karen Chan. Graffiti. Super 8. Shot in Berlin.
Rave Culture (1998, 16MB, 11:19 min.)
Shot on location at six Chicago parties over the course of a year,
this film explores multiple issues surrounding the rave scene,
including public opinion, promoters, drugs, police, and the culture
created by this phenomenon.
By Tom Frisch.
By Karen Chan. Super 8. Superb. Hotel room. Shot in Berlin.
Tonite (Reprise) (2009, 13 MB, 3:16 min)
By Eileen Maxson. Exhibited at video_dumbo 2009.
A Month of Sundays (2009, 65 MB, 4:54 min)
Last &, in my view, the best of Sebastian Hernandez’ DIY or Die
series of documentaries, which we’ve been delighted to
be able to feature here in the past few weeks.
I found them all well made, engaging and informative.
This one I also found profoundly moving.
We look forward to featuring more of Sebastian’s work
in the not too distant future.
Fiorucci Made Me Hardcore (1999, 14 MB, 14:46 min.)
‘Fiorucci Made Me Hardcore’ is a compilation of found footage
from the 70s, 80s and 90s underground music in the U.K.
By Mark Leckey, winner of the 2008 Turner Prize.
Ladyfest (2009, 46 MB, 4:39 min)
Second in Sebastian Hernandez’ neat documentary series on DIY/alternative lifestyles.
I like the genuine respect & empathy Hernandez shows for his subjects, which doesn’t,
however, preclude honest & three dimensional film-making.
Once again Hernandez’ technical skills are evident (But not in a look at me! kind of way)
In particular I love the jumpy camera work/edit in the second interview, which manages to be
aesthetically pleasing without detracting from the actual substance of the interview – indeed
it adds to it.
Looking forward very much to seeing the third!
Truth or Consequences (2009, 90 MB, 10:03 min)
Very nicely made and engaging documentary, first of three,
all of which we hope to feature here, by Sebastian Hernandez,
amply fulfilling earlier promise.
Technically this work is even more assured.
I have to say personally I preferred the politics of his earlier work.
(Not that I assume Hernandez views are necessarily to be identified with
those of his subjects, so, to put it better, I preferred the folks
in the earlier movies)
There’s more context here.
Plane Days (Excerpt, 2009, 6 MB, 1:22 min)
“Old friends. Young friends. Lovers and loners.
They all wait, hoping, to see something they