3 from Brian Beletic


Basement Jaxx – Red Alert (1999, 10.5MB, 3:42)


Fatboy Slim – Don’t Let The Man Get You Down (2003, 9MB, 3:08)


Lady Sovereign – Love Me or Hate Me (2006, 12.2MB, 2:43)

Three videos from Brian Beletic.
His work spans the last decade,
these posted in chronological order.
Basement Jaxx’s video is conceptual: what if
music was illegal?
Love the idea and execution.
The track itself takes me back to my younger,
raving days.
Fatboy Slim and Lady Sovereign also should be
proud of their Beletic vids. Both garner at least
a few chuckles and some definite appreciation for
the editing.

Wheeler Winston Dixon – Serial Metaphysics

Serial Metaphysics
Serial Metaphysics #1 (1984-86, clip, 6.4MB, 1:08 min)

Serial Metaphysics
Serial Metaphysics #2 (1984-86, clip, 5.9MB, 1:08 min)

Wheeler Winston Dixon is now a professor of film studies
at the University of Nebraska, Lincoln. Before he did that he made
a lot of (on the evidence of these clips & others) really great short movies.
In particular these two clips from Serial Metaphysics, apparently almost
entirely constructed from TV ads, whet the appetite for a viewing
of the whole twenty minutes.
Dixon conjures fever dream magic from commercial banality.
Check in particular the end sequence of clip one:
David Lynch eat your heart out.

Ruth Catlow -Time is speeding up


Time is speeding up (2016, 11MB, 1:00 min)

This is a beautiful piece, a distillation down to a minute of a three month installation by Ruth Catlow, artist and co-director of the marvellous Furtherfield.
She explains its premise and construction better than I can, so I’ll hand over to her:

This networked video performance and installation is about how life seems to speed up as we get older; based on the reflection that when I was one day old, a day was my whole life but on the second day one day was only half my life etc.
The work was commissioned for ‘We Are Not Alone’, an exhibition for 20-21 Visual Arts Centre, Scunthorpe, UK.


During exhibition opening hours between 23rd January -24th April 2016, viewers could watch a live looping video online. At the exhibition people could pose for the web cam, or might be caught looking at the video in which they were soon to be portrayed.
Using a computer programme called Geological Time Piece that I created with Gareth Foote a still webcam image was captured every 3-5 minutes during exhibition opening hours. The camera pointed at a wall in the gallery, upon which a changing text was displayed. The software added each image as a frame to a looping video, of fixed 3 minute duration. The frame density increased every 3 minutes, as each images was added to the video.
In the exhibition space full of movement – of light and shade and people coming and going – people could insert themselves into the video by standing between the webcam and the text. Over three months the human presences started to flicker and disappear and the moving image progressively conveyed a more geological sense of time, the arc of daylight moving through the space, the architecture, and other more static things came to dominate the image. The computer programme stopped running when the exhibition closed by which time the video contained over 3600 images. The final video runs for a minute at 60fps.

The Yes Men – Vivoleum

yesmen tribute
Tribute to Reggie (excerpt) (2007, 52MB, 2:51 min.)

Vintage Yes Men from 2007, posing as representatives of Exxon-Mobil
and the National Petroleum Council in Calgary, Alberta, to deliver a keynote
speech presenting a new product – Vivoleum, a new fuel made from the
deceased bodies of human climate-change casualties.
‘Tribute to Reggie” was a promo video for the event.

‘Want’ by MTAA & RSG

want
Want (clip) (2008, 74 MB, 2 min.)

‘Want was a new multiple channel algorithmic video installation as part of the exhibition
‘Live’ at the Beall Center for Art & Technology.
The life-sized six-screen video display uses custom software to monitor real time
Internet searches. When the software finds a programmed keyword, it triggers a
video clip of one of several actors/avatars who translates the virtual request to reality.

A soccer mom says,’I want French.’
A rocker dude says, ‘I want Star Trek Enterprise.’
A nondescript middle-aged guy says, ‘I want Little Girl.’
A girl says, ‘I want Forever.’

The six video screens are triggered almost concurrently, causing the voiced requests
to overlap. The result is an audio-visual cacophony of desire; an online echo chamber
of warped reality.
‘

By MTAA and RSG.

Cohen, Tarantino, Goffman

Dance Me
Dance Me To The End Of Love (clip, 1994, 0.5MB, 31 sec.)

Dance Me1
Dance Me To The End Of Love (1995, 34.1MB, 6:07 min.)

Leonard Cohen’s work has always walked a fine line
between kitsch & poetry.
Don’t get me wrong – the kitsch is like a dash of chilli,
gives the whole thing added piquancy & depth.
Check out these two videos for ‘Dance Me To The End Of Love’.
The first, the short clip, is the official video.
Now look at the second.
OK- first things first -just who is that playing the bridegroom?
Then, consider if this whole unofficial one ( by Aaron Goffman)
prolix & kitschy in some respects as it undoubtedly is,
doesn’t somehow do more justice to Cohen’s world !’

Sondheim – Prisoners

Prisoners
prisoners (2008, 25.4MB, 2:36 min)

Nearest thing to a Picasso we yet have, in my view.
Whatever history decides, there’s no denying one point
of Sondheim/Picasso commonality – an almost compulsive
productivity.
I’d push it further -they both constantly transform lead into
gold. Picasso & his seat & handlebars, Sondheim, for example,
these bits of video.
The music, a kind of hallucinogenic, shredded-up
slow funk/blues, is also particularly noteworthy.
Here, for good measure, is Alan’s accompanying rubric:

prisoners of motion capture, prisoners of west virginia

prisoners of caloric, froid, prisoners of gravitation
prisoners of art, mayhem, vandal, prisoners of desecration

o to be a prisoner of life again (above the clouds
o to be a prisoner of love again (within the waters
o to be a prisoner of truth again (beyond the earths
o to be a prisoner of dance again (before the fires

prisoners of fires, froid, prisoners of aerostat and transport
transport of prisoners, clouds, waters, earths, fluids

yes, prisoners of fluids, prisoners of fluids and places
prisoners of west virginia, of fluids, places, life, love,
truth and dance again

Anarchy In The UK – Twittervlog

Anarchy in the UK
Anarchy In The UK (2007, 45.4MB, 4:44 min)

Anarchy In The UK has been a bit of a theme of late here on dvblog.
Now, from the indispensable Rupert Howe comes this breathtaking version.
Not only is it extremely funny, with an off the meter chutzpah quotient,
(witness the animal terror in the eyes of the guys on the tube towards the end)
but like a lot of Rupert’s work it’s a kind of contemporary London travelogue
(of the best sort: hard edged, eyes wide open truthful & hence beautiful) too.

Back By Popular Demand – The Lesbian Rangers

Lesbian_Rangers1
The Lesbian Rangers (2005, 18 MB, 1:41 min.)

welcome
Welcome to Reorientation 2005 (2005, 34.8 MB, 2:17 min.)

rock
Victory at The Rock (2005, 72.4 MB, 4:45 min.)

Shawna Dempsey and Lorri Millan are Winnipeg-based collaborators whose
internationally acclaimed work addresses feminist, lesbian, and social concerns
with tremendous wit. “The Lesbian Rangers” were founded in 1997, to help people
learn about fascinating and fragile lesbian ecosystem. Rangers Dempsey and Millan
led the first expedition to Banff National Park, and continue to offer lesbian leadership today.
(thanks jillian)

1905 at 2 a.m. in the subway

0896
2 a.m. in the subway (1905, 8 MB, 56 sec.)

A subway platform, a policeman and a conductor, a well-dressed man
with a cigar and two women dressed in long skirts and jackets.
One of the women causes a sensation by raising her skirt and
revealing her stocking. Artificial legs are displayed out the subway car window.
Hilarious.
From The Open Video Project.

Will Goss – Sonnet by William Shakespeare

sonnet
Sonnet by William Shakespeare (2011, 64 MB, 2:31 min)

“Here is a video I made a few months ago.
It’s a recitation of Shakespeare’s #135th sonnet.
In the background are Dexter Dalwood’s paintings,
which are collaged from other famous paintings.
The piece engages ideas of appropriation and identity.”
A beauty by Will Goss.

Errol Morris: Donald Trump on Citizen Kane

trump_kane
Donald Trump on Citizen Kane (2004, 40.2MB, 3:22 min.)

by Errol Morris.
‘The last thing one would imagine Donald Trump talking about is Citizen Kane,
what many believe to the greatest film ever made, but here he is talking about
in one of the aborted projects by Errol Morris — like he has lived it, like he is a
reincarnation of Charles Foster Kane. The beauty is not just in the Errol Morris
meditative style or even what Trump has to say about Citizen Kane but what we
want to see. Mainly, that Trump’s life mirrors that of Kane and that this real life
epic character sees his own tragedy.
Talking about wealth, he says ‘In real life, wealth does in fact isolate you from other
people…it is a protective mechanism’. That quote speaks volumes. The salesman is
poking holes into his much marketed life. Asked on what advice he would give
Charles Foster Kane, Trump says boldly: ‘Get yourself a different woman!’.

Abbie Hoffman and gefilte fish


Abbie Making Gefilte Fish (1973, 140MB, 21:04)

Footage of Abbie Hoffman making gefilte fish with Laura Cavestani
(who made the video) in his kitchen, 1973.
Like Abbie, I think art is in the everyday, and it sure is a fun
(and rather informative) twenty minutes if you’ve got it to spare.

Art for Abbie was education, constant revolution, evolution, and living for free.
Art and freedom were one in the same, inextricable from each other.
We miss you man.

I Want To See How You See – Pipilotti Rist

I Want To See How You See
I Want To See How You See (2003, 55.2MB, 4:48 min)

Hallucinatory, luscious, with a hint of darkness: approaching the
formulaic but, if so, certainly a winning formula for Rist & as
always undoubtedly beautifully & imaginatively wrought,
a video portrait of the writer & curator Cornelia Providoli,
found on the consistently excellent Lumen Eclipse site.

Lior Shvil – In Whatever Time

inwhatevertime
In Whatever Time (2010, 290MB, 15 min.)

“…Occupying a space somewhere between storytelling and spectacle, TV shows and
advertisements, the video and sculpture installations of such invented personas as
Cherry Bomb Fluffy White and Charley OnOff address the fragmented
representations of politics and gender, autobiography and history in contemporary
society. Embracing the roles of director, actor, narrator, editor, and set designer,
his experiments in epic theatrical production explore the comic territory of the jester
as he flirts with cultural stereotypes and satirizes political ideologies.”
Lior Shvil.

Douglas Fishbone

Towards a Common Understanding (excerpt)
Towards a Common Understanding (excerpt) (2007, 9.4MB, 6:50min)

Douglas Fishbone is one of my favorite video art jokesters.
He leaves no stone unturned in his search for a common
understanding, which takes him to the furthest reaches
of the world wide web and back.
I have been trying to find a video of his online to
include here for a while now, then I just asked him and
he graciously sent me this video for the faithful DVBlog viewers.
Beware, there are many disturbing images in this video but none
of them on screen for more than a few seconds and all quite spectacular.
By Mica

‘Erection’ by John Lennon & Yoko Ono

Erection John Lennon
Erection (1971, 180MB, 18:06 min.)

A nineteen-minute film by John and Yoko, which was made in London during
1970 and 1971. When John had heard that the London International Hotel was
to be built in Kensington, he sought permission to film its entire construction.
Once he’d obtained it he contacted the photographer Iain MacMillan and asked
him to take a series of photographs of the construction. MacMillan had a stills
camera and filmed the erection of the hotel from a fixed position for a period
of eighteen months.
The stills were presented in sequence in the film, which ended with a shot of the
completed hotel where all the lights were then turned off, leaving a black screen.
On the soundtrack Yoko sang two songs, ‘Airmale’ and ‘You’, using tapes of recordings
of Joe Jones Tone Deaf Music Co., which was, in fact, a number of toy percussion
instruments that played themselves, a squeaky style of sound devised by a former
associate of Yoke’s Fluxus days, Joe Jones. The hotel was situated at 147 Cromwell
Road and later became the London Swallow Hotel.

‘Un Chien Andalou’ – Luis Buñuel and Salvador Dalí

Un_chien_andalou
Un chien andalou (1929, 156MB, 15:40 min.)

This is just the source.
Can you imagine Cocteau, Deren, later Hitchcock & Cronenberg
without this?
Oh..more:- the whole of cinema would have a great gaping bloody gap
in it & what was left would be dull dull dull & Black Francis wouldn’t have been
able to write ‘Debaser’.
It simply prised open the language.
Afterwards, Bunuel went on to make some of the sharpest, most provocative
& disturbing films of the 20th century & Dali went on to
…well… be Dali.

Cory Arcangel – Phasing Dancing Stand Sculptures

modified_dancing_stands
Phasing Dancing Stand Sculptures (2010, 30 MB, 3:09 min)

“Sculpture made from 2 over the counter “Dancing Stands” (the tacky kinetic product
display stands you can often see in down market stores) which have been modified to
spin at slightly different speeds. When these modified stands are placed next to each
other they go in and out of phase about every 4 minutes. I first showed a version of
these sculptures in my show “Creative Pursuits” at the University of Michigan Museum
of Art. This is a video of a version of these sculptures in action at my show The Sharper
Image
at the Museum of Contemporary Art Miami (the music is Dj Icey, a nod to Miami)”
By Cory Arcangel.

Drake Music Commission – Distant Interiors

distant_interiors.jpg
Distant Interiors (2011, 87MB, 2:16 min)

Drake Music is an organisation initiating and enabling a whole spectrum
of activity around disability and the arts (particularly music
but other artforms too).
This could be worthy, condescending and dull. It is none of these.
In recent years, under the inspired leadership of Carien Meijer,
DM has ensured it is situated primarily as a very forward looking
arts organisation which happens to work closely with disabled artists
to enable new and fresh work to emerge.
It has encouraged collaborations between disabled and non-disabled artists
and, in a sense, works towards its own future disappearance not only
by using technology to level the playing field but also by aspiring not
to pity or the sideshow but to serious, top level, work.

This is their first online commission, a remote collaboration between
video artist Melanie Clifford, composer Ailís Ní Ríain and artist Rebecca Key.

I like the fact that it is so confident in its austere and beautiful
language and aims, not to charm us, but to engage us.
The spiky and beautiful music is particularly exhilarating.

Can I get an Amen? – Nate Harrison

Can I Get An Amen
Can I Get An Amen? (2004, 106 MB, 18:08 min.)

from Nate Harrison.
This documentation of an installation by Nate Harrison,
includes an in depth lecture on the history of a single breakbeat.
It follows this small fragment of a song from its origin in a 60’s soul
recording through the invention of house and contemporary hip-hop.
It also speaks very eloquently on the important issues of copyright in
remix culture. This is fascinating to listen to. By Mica

Betty Martins – I Wasn’t always Dressed Like This


I Wasn’t always Dressed Like This [Trailer] (2013, 120MB, 1:42 min)

If the substantive piece (which I gather is about 33 minutes in length) is
anything like as good as this trailer promises it will be stunning.

This has all the hallmarks of the previous piece by Betty Martins – When the Souls Arrive – we posted here : beautifully made, scrupulously attentive to those being observed/interviewed but with its own quite particular gentle and steely authorial stamp.
(I usually hate anthropomorphising art – you know the thing, ‘this piece investigates’ &c. – except here
I am sorely tempted to say that Martin’s work ‘knows how to listen’. Of course what I mean is Martins knows how to listen, carefully and empathetically, and then to re-configure parts of that listening and looking and understanding too as moving image soaked with detail and feeling.)
In addition the subject matter could not be more timely: a broadside of delicate
beauty in the face of bigotry.

Happy New Year/Everything Changes

gilgamesh
Gilgamesh, Part #1 (2012, 214MB, 5:03 min)

gilgamesh
Beyond Spectacle (2012, 214MB, 5:03 min)


About DVblog –

Doron started DVblog in summer 2005 and Michael started posting about a month after.
A number of people have contributed hugely along the way – notably Mica Scalin, Brittany
Shoot and Brian Gibson.
We’ve been vandalised a couple of times (hence postings now dating back only to late 2006,
although the vast majority of what was ever posted is back up now) but we’ve also had some really
delightful feedback from people who’ve felt what we’ve done is worthwhile.

Early on we decided that anything we posted would actually live on our server and this means we have assembled an extraordinary and unique archive of the birth and infancy of art video specifically created for or focussed upon the network.

One day we will donate this to an institution that will preserve it and continue to make it available for both joy and study.

When we started Quicktime was the only serious way for anyone to post moving image work to the net. Although it remains the backbone of virtually all digital moving image activity, as a mode of delivery it has now been almost completely superseded by streaming video. This has two implications – one being that the casual viewer has become less patient and is much more likely to go to YouTube or similar, where there’s no significant wait and where quality has improved immeasurably. The other is that fewer and fewer artists are posting their work in QuickTime format – so our old methodology of accepting submitted work but also scouring the net for interesting stuff is at least 50% outmoded.

Finally we want to say – it has been hard work and for no material reward. Indeed, not only have we never made a dime out of DVblog, it has cost us both cash and a great deal of time to sustain. Not that we are complaining – we hope we provided a service to people and certainly we learned a great deal and derived a great deal of pleasure from everything we posted. We made some good and lasting friendships too.

For the reasons listed above we are going to stop posting regularly from today. We finish with pieces from two artists who, in very different ways, have given us a great deal of pleasure – Annie Abrahams and Edward Picot.
Annie, with a record of a networked performance in November of 2012 and Edward with a splendidly mad take on the tale of Gilgamesh, featuring characters from his Dr Hairy series.

We’re not proposing to shut up shop entirely – we will continue post such work in QuickTime format which is submitted to us and which we like. We still think there is something special about the amount of control over quality posting an actual QT file gives and we’re very interested in continuing to write short, but we hope thoughtful and helpful, texts about these. Please, therefore, don’t be shy abuot sending us stuff!

We’d like to thank all who have contributed work over the past seven and a half years and, of course, those who have taken an interest both in the work and what we’ve had to say about it.

Finally we wish readers and contributors alike a happy, productive and thoughtful 2013.

Michael Szpakowski & Doron Golan, 1st Jan 2013.

Constellation – Covent Garden Winter Lights

uva_coventgarden
Constellation (2008, 17MB, 3 min.)

“Commissioned by Covent Garden, United Visual Artists lit up the market
halls of Covent Garden with a responsive light installation. Launched as
the flagship piece of the winter season program at Covent Garden the
installation featured 600 custom-designed mirrored LED tubes hanging
above the entire Covent Garden market space.


The volumetric arrangement of the tubes created a canvas in which three
dimensional light formations were made possible. Constellation was also
individually controllable using a custom-designed control panel, giving the
installation an intimate connection with the public.”

United Visual Artists are a British-based collective whose current practice spans permanent architectural installation, live performance and responsive installation.

Locusts


Emergence – Locusts (2008, 233.8MB, 11:19)

From celebrated MC Invincible, a docu-music-video
about the history of gentrification and capitalism’s
destruction of communities in Detroit.
Video features several local activists, including
Grace Lee Boggs and (full disclosure) my good friend
Ron Scott.
This intense collaboration gives me chills every
time I watch it.
I’ll let the rest speak for itself.

Sam Easterton – Animal Vegetable Video

ardvark
Ardvark (2001, 1.6MB, 15 sec.)

scorpion
Scorpion (2001, 1.1MB, 10 sec.)

tumble1
Tumbleweeds (2001, 1.2MB, 10 sec.)

wolf
Wolf (2001, 1.1MB, 10 sec.)

Since 1988, Sam Easterton has been using tiny
‘helmet mounted’ cameras to create an archive of videos filmed
from the perspective of plants and animals.

By Mica

Huzzah for Brittany Shoot!


Woah (2009, 6.1MB, 41 sec loop)


Bush Shoe (2009, 2.8MB, 27 secs)


Protest (2009, 14.1MB, 26 secs)

It’s the James-Bond-Martini scenario – tinder dry & leaving you
both shaken and stirred.
Three reasons to say “Huzzah for Brittany Shoot!“.

PS nobody in the UK actually says Huzzah, whatever you might have been told.

5 Lumières


Me and Pop

Me and Pop (2004, 3.88MB, 1:00min)

Maker’s site


Sleeping

Sleeping (2007, 2.34MB, 57 secs)

Maker’s site

gallo

Gallo (2007, 5.17MB, 55 secs)

Maker’s site

slugs

Dance of Death (2007, 5.53MB, 1:00 min)

Maker’s site

A Week

A Week’s Worth (2007, 4.93MB, 1:00 min)

Maker’s site

The rules for Lumière videos are as follows:

* 60 seconds max.
* Fixed camera
* No audio
* No zoom
* No edit
* No effects

In the spirit of the Lumière brothers and comparable in some ways to Dogme 95,
the Lumière video project emerged from a documentary perspective,
as Auguste and Louis Lumière blazed the trail in this genre.
In the tradition of the the cinematographe, the first movie camera,
which was arguably used and possibly built by the brothers, all
21st C Lumiere videos should be made only using features available in
camera (ie, no external editing, including bumpers and titles, should
be included).
Lumière videos hope to expand upon the ways that online video allows for
the advancement of personal narratives by capturing the everyday, and sometimes
unexpected, within a specific framework of constraints, less conflicted by sometimes
unnecessary editing.

See all Lumière videos.

Bob Ross is alive. The Joy of Painting..

miron_bilski
Bob Ross is alive (2008, 22MB, 2:50 min.)

joy_painting
The Joy of Painting (2008, 15MB, 5:45 min.)

Bob Ross came to prominence as the creator of ‘The Joy of Painting’,
a program on public television in the US. Here are a couple of great parodies
that poke fun at Bob and his calm and enduring nature.
Top is from Dutch filmmaker Miron Bilski (from the viral video award)
Bottom is from artists Max Kotelchuck and Peter Nowogrodzki.

Robb Bradely/Randy Newman – I’m Dreaming of a White President

 I
I’m Dreaming of a White President (2012, 15MB, 3:16 min)

Great bit of film-making to match a genius song.
But…but…
Of course you want Obama to win just
to wrongfoot the racists et. al. but you
can’t help wishing he’d actually done something
to merit the mad hostility of the rich, the bigots
and the terminally gullible.

One Minutes – Volume #6

emily richardson over the horizon extract
Emily Richardson -‘Over the Horizon’ (extract) (2012, 75MB, 1:10min)

We’ll start this season with an suggestion for something you
can physically attend and absolutely should, too, if you’re
anywhere near London this Thursday evening (Sept 27th).

As part of the London Underground Film Sessions
The Horse Hospital are premiering Volume 6 of Kerry Baldry‘s
exemplary ‘One Minutes’ compilations of …er… one-minute-in-length
artist moving image work.
Transparency dictates I reveal I have a piece in it, but any claims
for mine aside, I can confidently predict a wonderfully varied, well
curated, roller coaster of work.

This piece is an extract from a longer work by Emily Richardson
(and, of course, splendid though it is, showing a single piece
immediately traduces one of the principal attractions of the project
which is the heady variety and contrast of it all. Here and here
is some stuff from previous volumes)

Hope to see you there!

via Aram Bartholl – Magnotta SpeedShow

magnotta
Magnotta SpeedShow (2012, 20.4, 3:07 min)

Magnotta SpeedShow – A vanity surf performance.

“One week after Magnotta got caught we present a vanity surf performance at the exact same Internetcafe in Berlin where Magnotta was arrested while vanity surfing! Be invited to join and vanity surf yourself!”

“Killing is bad, mailing bodyparts is worse, vanity surfing (while getting caught) is cool!”

“Internet cafes are not just vaguely unglamorous places for ethnic minorities and communications challenged, they do have a genuinely bad reputation.” [Olia Lialina – ‘Still There’] Where else a social network killer can be caught? Of course in the Internet cafe!”

[shot and edited(!) on a smart phone ]

Internetcafe Helin, Karl-Marx-Straße 156, Berlin
Tuesday 12th of June, 2012, 8-10 pm

by Constant Dullaart, CuratingYoutube, Olia Lialina & Aram Bartholl

PSST! Pass it on…


DRIFT SLICYCLE POPPED! (2007, 11MB, 1:59)


LOQUACIOUS EYESICLE WILD-BITES (2007, 14.9MB, 2:34)

PSST gets designers, animators, and directors together for
collaborative film projects every year. Their main concern
is process, which they explain comes from a fusion of the
Dadaist game Exquisite Corpse and the sometimes childhood
game, Telephone.
Whatever their theory, their annual collections are stellar.

Béla Halmos


Béla Halmos – Legyenes (2010, 19MB, 4:10 min)

I just love this and I can’t completely rationalise it. Everything about it –
the fantastic playing of Béla Halmos and companion, the earnest intensity
of the dancers, the crowd’s glorious vocal participation (especially that very
Eastern European tight-throated high pitched rhythmic women’s singing) just makes me
weak at the knees with delight.
It was recorded at the 29th National Dance House festival in Budapest in 2010.

Dan Osborne – Behold the Light (at Night)

intitled
Behold the Light (at Night) (2008, 87MB, 6:27 min)

We initially posted this in 2008 when we encountered Dan Osborne’s work
for the first time.
Recently he seems to be actively rejecting some of his earlier work so I hope
he doesn’t mind us reposting this. In my view he’s a very talented artist
with a quite singular vision.
We said then:

There’s something pleasantly reminiscent of Linklater’s Slacker
in this piece from Dan Osborne.
I don’t mean to suggest it’s derivative; I don’t think it is, or only
in the completely unescapable way of coming-after. This piece
has it’s own identity, which at first I wasn’t sure whether it was
completely random, but then little bits of structuring begin to
assert themselves. In particular I like the fades which occur
immediately prior to anything substantive happening.
A lot of it looks very good too – there’s no doubt the man
has an eye – the 3-D glasses sequence, the fire women,
the musical instruments procession (although am I alone in
finding something slighty snotty about the shot of the bemused onlookers?).
That little cavil aside this is interesting stuff & I look forward to seeing
how Osborne’s work develops.

3 from John Murphy

Hanging Around
Hanging Around (2008, 14.7MB, 1:35 min)

Cuckoo Land
Cuckoo Land (2008, 28.6MB, 3:03 min)

Alone
Alone (2008, 6.2MB, 51 secs)

2008 work from John Murphy, whose work we’ve featured here before.

Three videos which differ sharply in tone and which despite
a apparent simplicity of construction resonate long afterwards.
Case study: Cuckoo Land.
* found footage
**the good old forwards/backwards routine

still amusing/engaging enough in this case to hold one’s attention, but
***the muzak Grieg piano concerto
on the way back seemed a bit like over-egging it at first but
I find it speaks to me here more than the rather crude formal
device might warrant.

Partly this is due to the setting. Each piece gains in depth from its
association with the others, but I wonder also whether
it isn’t a sign of great artistic confidence on Murphy’s part:
“Here’s what I did – make of it what you will!”

Some Versions of Pastoral

Extended Camera
Extended Camera (2005, 5.5MB, 2:19 min.)

Night Performance #3
Night Performance #3 (2005, 12.1MB, 7:54 min.)

In May 2005 Garrett Lynch & co-conspirators blagged some
money from Arts Council England to spend a weekend at a
country house playing with video.
The result is documented on this great site.

At their best these vids do absolutely match up to the
funding application rhetoric. They combine performance,
technology & layer upon layer of knowingness to produce results
which had me, at least, open mouthed with admiration.

Wonderful!

Roel Wouters – zZz – Grip

Grip
Grip (2007, 101 MB, 4:13 min.)

Grip is a video clip for the band zZz.
It is a one take, top shot video with trampoline gymnasts simulating
video effects, and has been recorded live as part of the opening “Nederclips”,
a showcase of Dutch videoclips at the Stedelijk Museum.
The important criteria were that the audience at the opening would be able to
witness the whole shoot, and that the videoclip would be added to the exhibition
immediately after the shoot.
The project developed by Roel Wouters.

Unattended Body


Arzu Ozkal Telhan – Unattended Body (2005, 56MB, 5:00)

Arzu Ozkal Telhan’s “Unattended Body” is a
spectacular meditation on public space,
observational video at perhaps its finest.

The artists also says:
“Unattended body mainly discusses how an
existence at it’s most banal (Heidegger) can
be simply perceived as a disturbance or a
potential threat if it does not act in its expected
way for the society.”

Normally three long segments, they’ve
been edited together here as a five minute
clip, all shown at once, which I actually prefer.
What is so painfully boring to others is ever
so exciting for the rest of us.

Psycho Bob – Bob’s Big Date

bob_date.jpg
Bob’s Big Date (2008, 7 MB, 50 sec.)

“These are the adventures of a psychopath named Bob. Bob is not
a nice man; not even a little bit. This show is the video equivalent
of a Sunday comic strip.

Here Bob goes out on a date with Betty, perhaps the first woman
other than his mother to truly understand and appreciate him.”
From The AV Club.