Ruth Catlow -Time is speeding up


Time is speeding up (2016, 11MB, 1:00 min)

This is a beautiful piece, a distillation down to a minute of a three month installation by Ruth Catlow, artist and co-director of the marvellous Furtherfield.
She explains its premise and construction better than I can, so I’ll hand over to her:

This networked video performance and installation is about how life seems to speed up as we get older; based on the reflection that when I was one day old, a day was my whole life but on the second day one day was only half my life etc.
The work was commissioned for ‘We Are Not Alone’, an exhibition for 20-21 Visual Arts Centre, Scunthorpe, UK.


During exhibition opening hours between 23rd January -24th April 2016, viewers could watch a live looping video online. At the exhibition people could pose for the web cam, or might be caught looking at the video in which they were soon to be portrayed.
Using a computer programme called Geological Time Piece that I created with Gareth Foote a still webcam image was captured every 3-5 minutes during exhibition opening hours. The camera pointed at a wall in the gallery, upon which a changing text was displayed. The software added each image as a frame to a looping video, of fixed 3 minute duration. The frame density increased every 3 minutes, as each images was added to the video.
In the exhibition space full of movement – of light and shade and people coming and going – people could insert themselves into the video by standing between the webcam and the text. Over three months the human presences started to flicker and disappear and the moving image progressively conveyed a more geological sense of time, the arc of daylight moving through the space, the architecture, and other more static things came to dominate the image. The computer programme stopped running when the exhibition closed by which time the video contained over 3600 images. The final video runs for a minute at 60fps.

Lior Shvil – In Whatever Time

inwhatevertime
In Whatever Time (2010, 290MB, 15 min.)

“…Occupying a space somewhere between storytelling and spectacle, TV shows and
advertisements, the video and sculpture installations of such invented personas as
Cherry Bomb Fluffy White and Charley OnOff address the fragmented
representations of politics and gender, autobiography and history in contemporary
society. Embracing the roles of director, actor, narrator, editor, and set designer,
his experiments in epic theatrical production explore the comic territory of the jester
as he flirts with cultural stereotypes and satirizes political ideologies.”
Lior Shvil.

Lior Shvil – The Kosher Butcher

The Kosher Butcher
The Kosher Butcher (2010, 84MB, 8:56 min.)

“.. Israeli provocateur Lior Shvil presented “The Kosher Butcher,” a darkly humorous commentary on Mideast politics in which he portrays a meatpacking Sweeney Todd.”

Betty Martins – I Wasn’t always Dressed Like This


I Wasn’t always Dressed Like This [Trailer] (2013, 120MB, 1:42 min)

If the substantive piece (which I gather is about 33 minutes in length) is
anything like as good as this trailer promises it will be stunning.

This has all the hallmarks of the previous piece by Betty Martins – When the Souls Arrive – we posted here : beautifully made, scrupulously attentive to those being observed/interviewed but with its own quite particular gentle and steely authorial stamp.
(I usually hate anthropomorphising art – you know the thing, ‘this piece investigates’ &c. – except here
I am sorely tempted to say that Martin’s work ‘knows how to listen’. Of course what I mean is Martins knows how to listen, carefully and empathetically, and then to re-configure parts of that listening and looking and understanding too as moving image soaked with detail and feeling.)
In addition the subject matter could not be more timely: a broadside of delicate
beauty in the face of bigotry.

Play Local


Play Local (2013, 69MB, 3:58 min)

Enchanting video by Tom White of a sound/music outreach project he ran in Peckham, South London on behalf, appropriately, of the South London Gallery.
There are so many piss-poor arts outreach projects. So nice to observe that this one was clearly brilliant.

Happy New Year/Everything Changes

gilgamesh
Gilgamesh, Part #1 (2012, 214MB, 5:03 min)

gilgamesh
Beyond Spectacle (2012, 214MB, 5:03 min)


About DVblog –

Doron started DVblog in summer 2005 and Michael started posting about a month after.
A number of people have contributed hugely along the way – notably Mica Scalin, Brittany
Shoot and Brian Gibson.
We’ve been vandalised a couple of times (hence postings now dating back only to late 2006,
although the vast majority of what was ever posted is back up now) but we’ve also had some really
delightful feedback from people who’ve felt what we’ve done is worthwhile.

Early on we decided that anything we posted would actually live on our server and this means we have assembled an extraordinary and unique archive of the birth and infancy of art video specifically created for or focussed upon the network.

One day we will donate this to an institution that will preserve it and continue to make it available for both joy and study.

When we started Quicktime was the only serious way for anyone to post moving image work to the net. Although it remains the backbone of virtually all digital moving image activity, as a mode of delivery it has now been almost completely superseded by streaming video. This has two implications – one being that the casual viewer has become less patient and is much more likely to go to YouTube or similar, where there’s no significant wait and where quality has improved immeasurably. The other is that fewer and fewer artists are posting their work in QuickTime format – so our old methodology of accepting submitted work but also scouring the net for interesting stuff is at least 50% outmoded.

Finally we want to say – it has been hard work and for no material reward. Indeed, not only have we never made a dime out of DVblog, it has cost us both cash and a great deal of time to sustain. Not that we are complaining – we hope we provided a service to people and certainly we learned a great deal and derived a great deal of pleasure from everything we posted. We made some good and lasting friendships too.

For the reasons listed above we are going to stop posting regularly from today. We finish with pieces from two artists who, in very different ways, have given us a great deal of pleasure – Annie Abrahams and Edward Picot.
Annie, with a record of a networked performance in November of 2012 and Edward with a splendidly mad take on the tale of Gilgamesh, featuring characters from his Dr Hairy series.

We’re not proposing to shut up shop entirely – we will continue post such work in QuickTime format which is submitted to us and which we like. We still think there is something special about the amount of control over quality posting an actual QT file gives and we’re very interested in continuing to write short, but we hope thoughtful and helpful, texts about these. Please, therefore, don’t be shy abuot sending us stuff!

We’d like to thank all who have contributed work over the past seven and a half years and, of course, those who have taken an interest both in the work and what we’ve had to say about it.

Finally we wish readers and contributors alike a happy, productive and thoughtful 2013.

Michael Szpakowski & Doron Golan, 1st Jan 2013.

Burroughs & Van Sant

thanksgivingprayer
Thanksgiving Prayer (1986, 7.6MB, 2:21 min.)

An astonishing rendition by William Burroughs of his
‘Thanksgiving Prayer’ in a short video directed by
Gus Van Sant.

How to Tell When a Relationship is Over (in Ninety Seconds)

relationship1
How to Tell When a Relationship is Over (2003, 5.6MB, 1:30min.)

A micro-movie of under 90 seconds for
The Encounters Festival 2003.

Directed by Tony Roche.

Constellation – Covent Garden Winter Lights

uva_coventgarden
Constellation (2008, 17MB, 3 min.)

“Commissioned by Covent Garden, United Visual Artists lit up the market
halls of Covent Garden with a responsive light installation. Launched as
the flagship piece of the winter season program at Covent Garden the
installation featured 600 custom-designed mirrored LED tubes hanging
above the entire Covent Garden market space.


The volumetric arrangement of the tubes created a canvas in which three
dimensional light formations were made possible. Constellation was also
individually controllable using a custom-designed control panel, giving the
installation an intimate connection with the public.”

United Visual Artists are a British-based collective whose current practice spans permanent architectural installation, live performance and responsive installation.

Locusts


Emergence – Locusts (2008, 233.8MB, 11:19)

From celebrated MC Invincible, a docu-music-video
about the history of gentrification and capitalism’s
destruction of communities in Detroit.
Video features several local activists, including
Grace Lee Boggs and (full disclosure) my good friend
Ron Scott.
This intense collaboration gives me chills every
time I watch it.
I’ll let the rest speak for itself.

Sam Easterton – Animal Vegetable Video

ardvark
Ardvark (2001, 1.6MB, 15 sec.)

scorpion
Scorpion (2001, 1.1MB, 10 sec.)

tumble1
Tumbleweeds (2001, 1.2MB, 10 sec.)

wolf
Wolf (2001, 1.1MB, 10 sec.)

Since 1988, Sam Easterton has been using tiny
‘helmet mounted’ cameras to create an archive of videos filmed
from the perspective of plants and animals.

By Mica

Body Magic – Javier Morales and John Michael Boling

bodymagic
Body Magic (2007, 26MB, 2:25 min.)

From the old gooooooooooooooooooooooooooooooooooooooooooooooooooooogle.com
Music by Javier.

Cremaster 1 Trailer

cremaster1
Cremaster 1, Trailer (1995, 34MB, 3:23 min.)

Trailer for Cremaster1 of Matthew Barney‘s Cremaster cycle
a self-enclosed aesthetic system consisting of five films that
explore processes of creation.

Huzzah for Brittany Shoot!


Woah (2009, 6.1MB, 41 sec loop)


Bush Shoe (2009, 2.8MB, 27 secs)


Protest (2009, 14.1MB, 26 secs)

It’s the James-Bond-Martini scenario – tinder dry & leaving you
both shaken and stirred.
Three reasons to say “Huzzah for Brittany Shoot!“.

PS nobody in the UK actually says Huzzah, whatever you might have been told.

5 Lumières


Me and Pop

Me and Pop (2004, 3.88MB, 1:00min)

Maker’s site


Sleeping

Sleeping (2007, 2.34MB, 57 secs)

Maker’s site

gallo

Gallo (2007, 5.17MB, 55 secs)

Maker’s site

slugs

Dance of Death (2007, 5.53MB, 1:00 min)

Maker’s site

A Week

A Week’s Worth (2007, 4.93MB, 1:00 min)

Maker’s site

The rules for Lumière videos are as follows:

* 60 seconds max.
* Fixed camera
* No audio
* No zoom
* No edit
* No effects

In the spirit of the Lumière brothers and comparable in some ways to Dogme 95,
the Lumière video project emerged from a documentary perspective,
as Auguste and Louis Lumière blazed the trail in this genre.
In the tradition of the the cinematographe, the first movie camera,
which was arguably used and possibly built by the brothers, all
21st C Lumiere videos should be made only using features available in
camera (ie, no external editing, including bumpers and titles, should
be included).
Lumière videos hope to expand upon the ways that online video allows for
the advancement of personal narratives by capturing the everyday, and sometimes
unexpected, within a specific framework of constraints, less conflicted by sometimes
unnecessary editing.

See all Lumière videos.

Bob Ross is alive. The Joy of Painting..

miron_bilski
Bob Ross is alive (2008, 22MB, 2:50 min.)

joy_painting
The Joy of Painting (2008, 15MB, 5:45 min.)

Bob Ross came to prominence as the creator of ‘The Joy of Painting’,
a program on public television in the US. Here are a couple of great parodies
that poke fun at Bob and his calm and enduring nature.
Top is from Dutch filmmaker Miron Bilski (from the viral video award)
Bottom is from artists Max Kotelchuck and Peter Nowogrodzki.

Robb Bradely/Randy Newman – I’m Dreaming of a White President

 I
I’m Dreaming of a White President (2012, 15MB, 3:16 min)

Great bit of film-making to match a genius song.
But…but…
Of course you want Obama to win just
to wrongfoot the racists et. al. but you
can’t help wishing he’d actually done something
to merit the mad hostility of the rich, the bigots
and the terminally gullible.

Imitations of Life – Mike Hoolboom

imitationoflife
Imitations of Life (excerpt) (2003, 35MB, 4 min.)

Imitations of Life is a ten-part video that strains childhood through a history
of reproduction, culling pictures from the Lumières to
the present day in order to find the future in our past.
by experimental filmmaker Mike Hoolboom.

The One That Got Away – Marisa Olson

olsonidolstill
The One That Got Away (2005, 19MB, 9:02 min.)


In the Fall of 2004,Marisa Olson gained worldwide attention
while training to audition for American Idol

One Minutes – Volume #6

emily richardson over the horizon extract
Emily Richardson -‘Over the Horizon’ (extract) (2012, 75MB, 1:10min)

We’ll start this season with an suggestion for something you
can physically attend and absolutely should, too, if you’re
anywhere near London this Thursday evening (Sept 27th).

As part of the London Underground Film Sessions
The Horse Hospital are premiering Volume 6 of Kerry Baldry‘s
exemplary ‘One Minutes’ compilations of …er… one-minute-in-length
artist moving image work.
Transparency dictates I reveal I have a piece in it, but any claims
for mine aside, I can confidently predict a wonderfully varied, well
curated, roller coaster of work.

This piece is an extract from a longer work by Emily Richardson
(and, of course, splendid though it is, showing a single piece
immediately traduces one of the principal attractions of the project
which is the heady variety and contrast of it all. Here and here
is some stuff from previous volumes)

Hope to see you there!

Michael C. Place – MyStyle correction rollers


MyStyle (2008, 73MB, 3:40 min.)

Michael C. Place promotes “MyStyle” for Pritt in France in 2008.
Michael is founder of BUILD.

via Aram Bartholl – Magnotta SpeedShow

magnotta
Magnotta SpeedShow (2012, 20.4, 3:07 min)

Magnotta SpeedShow – A vanity surf performance.

“One week after Magnotta got caught we present a vanity surf performance at the exact same Internetcafe in Berlin where Magnotta was arrested while vanity surfing! Be invited to join and vanity surf yourself!”

“Killing is bad, mailing bodyparts is worse, vanity surfing (while getting caught) is cool!”

“Internet cafes are not just vaguely unglamorous places for ethnic minorities and communications challenged, they do have a genuinely bad reputation.” [Olia Lialina – ‘Still There’] Where else a social network killer can be caught? Of course in the Internet cafe!”

[shot and edited(!) on a smart phone ]

Internetcafe Helin, Karl-Marx-Straße 156, Berlin
Tuesday 12th of June, 2012, 8-10 pm

by Constant Dullaart, CuratingYoutube, Olia Lialina & Aram Bartholl

PSST! Pass it on…


DRIFT SLICYCLE POPPED! (2007, 11MB, 1:59)


LOQUACIOUS EYESICLE WILD-BITES (2007, 14.9MB, 2:34)

PSST gets designers, animators, and directors together for
collaborative film projects every year. Their main concern
is process, which they explain comes from a fusion of the
Dadaist game Exquisite Corpse and the sometimes childhood
game, Telephone.
Whatever their theory, their annual collections are stellar.

Béla Halmos


Béla Halmos – Legyenes (2010, 19MB, 4:10 min)

I just love this and I can’t completely rationalise it. Everything about it –
the fantastic playing of Béla Halmos and companion, the earnest intensity
of the dancers, the crowd’s glorious vocal participation (especially that very
Eastern European tight-throated high pitched rhythmic women’s singing) just makes me
weak at the knees with delight.
It was recorded at the 29th National Dance House festival in Budapest in 2010.

Dan Osborne – Behold the Light (at Night)

intitled
Behold the Light (at Night) (2008, 87MB, 6:27 min)

We initially posted this in 2008 when we encountered Dan Osborne’s work
for the first time.
Recently he seems to be actively rejecting some of his earlier work so I hope
he doesn’t mind us reposting this. In my view he’s a very talented artist
with a quite singular vision.
We said then:

There’s something pleasantly reminiscent of Linklater’s Slacker
in this piece from Dan Osborne.
I don’t mean to suggest it’s derivative; I don’t think it is, or only
in the completely unescapable way of coming-after. This piece
has it’s own identity, which at first I wasn’t sure whether it was
completely random, but then little bits of structuring begin to
assert themselves. In particular I like the fades which occur
immediately prior to anything substantive happening.
A lot of it looks very good too – there’s no doubt the man
has an eye – the 3-D glasses sequence, the fire women,
the musical instruments procession (although am I alone in
finding something slighty snotty about the shot of the bemused onlookers?).
That little cavil aside this is interesting stuff & I look forward to seeing
how Osborne’s work develops.

Pierre Huyghe

Pierre Huyghe #1
Pierre Huyghe #1 (NK, 2.69MB, 1:43 min)

Pierre Huyghe #2
Pierre Huyghe #2 (NK, 1.59MB, 3:03 min)

Pierre Huyghe #3
Pierre Huyghe #3 (NK, 2.33MB, 1:29 min)

Pierre Huyghe #4
Pierre Huyghe #4 (NK, 2.29MB, 1:30 min)

Four short videos by the often vexing, occasionally brilliant, Pierre Huyghe
from the website of the PBS Art in the 21st Century series.

Some Versions of Pastoral

Extended Camera
Extended Camera (2005, 5.5MB, 2:19 min.)

Night Performance #3
Night Performance #3 (2005, 12.1MB, 7:54 min.)

In May 2005 Garrett Lynch & co-conspirators blagged some
money from Arts Council England to spend a weekend at a
country house playing with video.
The result is documented on this great site.

At their best these vids do absolutely match up to the
funding application rhetoric. They combine performance,
technology & layer upon layer of knowingness to produce results
which had me, at least, open mouthed with admiration.

Wonderful!

Roel Wouters – zZz – Grip

Grip
Grip (2007, 101 MB, 4:13 min.)

Grip is a video clip for the band zZz.
It is a one take, top shot video with trampoline gymnasts simulating
video effects, and has been recorded live as part of the opening “Nederclips”,
a showcase of Dutch videoclips at the Stedelijk Museum.
The important criteria were that the audience at the opening would be able to
witness the whole shoot, and that the videoclip would be added to the exhibition
immediately after the shoot.
The project developed by Roel Wouters.

John Cage – 4:33

john cage
John Cage – 4:33 (2004, 47MB, 9:23 min)

Wonderful video of the BBC Symphony Orchestra under
Lawrence Foster giving a performance of John Cage’s
notorious/ provocative/seminal/epoch-making 4:33.

'Paola e Bettino' – Lanza brothers film their parents watching the world cup..

lanza

By brothers Marco and Saverio Lanza.