Lucia Nimcova – Exercise (2007, 40.5MB, 6:03)
Outrageously funny video from 2007 by Slovakian artist
Lucia Nimcova.
I’m pretty sure not being able to understand
the language makes this that much more
endearing and amusing.
Category Archives: documentary
Wheeler Winston Dixon – Serial Metaphysics
Serial Metaphysics #1 (1984-86, clip, 6.4MB, 1:08 min)
Serial Metaphysics #2 (1984-86, clip, 5.9MB, 1:08 min)
Wheeler Winston Dixon is now a professor of film studies
at the University of Nebraska, Lincoln. Before he did that he made
a lot of (on the evidence of these clips & others) really great short movies.
In particular these two clips from Serial Metaphysics, apparently almost
entirely constructed from TV ads, whet the appetite for a viewing
of the whole twenty minutes.
Dixon conjures fever dream magic from commercial banality.
Check in particular the end sequence of clip one:
David Lynch eat your heart out.
Richard Jochum’s group self portraits
Richard Jochum, Selfportrait as a Group #5 (2006, 14.5MB, 3:33)
Captured by Richard Jochum, proof that a photograph is much
more than we ever see: a collection, a collective process,
the self interconnected.
1905 at 2 a.m. in the subway
2 a.m. in the subway (1905, 8 MB, 56 sec.)
A subway platform, a policeman and a conductor, a well-dressed man
with a cigar and two women dressed in long skirts and jackets.
One of the women causes a sensation by raising her skirt and
revealing her stocking. Artificial legs are displayed out the subway car window.
Hilarious. From The Open Video Project.
Errol Morris: Donald Trump on Citizen Kane
Donald Trump on Citizen Kane (2004, 40.2MB, 3:22 min.)
by Errol Morris.
‘The last thing one would imagine Donald Trump talking about is Citizen Kane,
what many believe to the greatest film ever made, but here he is talking about
in one of the aborted projects by Errol Morris — like he has lived it, like he is a
reincarnation of Charles Foster Kane. The beauty is not just in the Errol Morris
meditative style or even what Trump has to say about Citizen Kane but what we
want to see. Mainly, that Trump’s life mirrors that of Kane and that this real life
epic character sees his own tragedy.
Talking about wealth, he says ‘In real life, wealth does in fact isolate you from other
people…it is a protective mechanism’. That quote speaks volumes. The salesman is
poking holes into his much marketed life. Asked on what advice he would give
Charles Foster Kane, Trump says boldly: ‘Get yourself a different woman!’.
Abbie Hoffman and gefilte fish
Abbie Making Gefilte Fish (1973, 140MB, 21:04)
Footage of Abbie Hoffman making gefilte fish with Laura Cavestani
(who made the video) in his kitchen, 1973.
Like Abbie, I think art is in the everyday, and it sure is a fun
(and rather informative) twenty minutes if you’ve got it to spare.
Art for Abbie was education, constant revolution, evolution, and living for free.
Art and freedom were one in the same, inextricable from each other.
We miss you man.
Reynald Drouhin – 2 movies
Petit d’Homme (2001, 42MB, 2 min.)
E.Mor –
Improvisation dans le noir // Improvisation in the dark
Musique/Music: Meredith Monk, ‘Engine Steps’
Petit d’Homme –
Etude du comportement humain en milieu naturel, avec Lloÿs Drouhin // A study in human beahaviour in a natural setting, with Lloÿs Drouhin
‘Erection’ by John Lennon & Yoko Ono
Erection (1971, 180MB, 18:06 min.)
A nineteen-minute film by John and Yoko, which was made in London during
1970 and 1971. When John had heard that the London International Hotel was
to be built in Kensington, he sought permission to film its entire construction.
Once he’d obtained it he contacted the photographer Iain MacMillan and asked
him to take a series of photographs of the construction. MacMillan had a stills
camera and filmed the erection of the hotel from a fixed position for a period
of eighteen months.
The stills were presented in sequence in the film, which ended with a shot of the
completed hotel where all the lights were then turned off, leaving a black screen.
On the soundtrack Yoko sang two songs, ‘Airmale’ and ‘You’, using tapes of recordings
of Joe Jones Tone Deaf Music Co., which was, in fact, a number of toy percussion
instruments that played themselves, a squeaky style of sound devised by a former
associate of Yoke’s Fluxus days, Joe Jones. The hotel was situated at 147 Cromwell
Road and later became the London Swallow Hotel.
Betty Martins – I Wasn’t always Dressed Like This
I Wasn’t always Dressed Like This [Trailer] (2013, 120MB, 1:42 min)
If the substantive piece (which I gather is about 33 minutes in length) is
anything like as good as this trailer promises it will be stunning.
This has all the hallmarks of the previous piece by Betty Martins – When the Souls Arrive – we posted here : beautifully made, scrupulously attentive to those being observed/interviewed but with its own quite particular gentle and steely authorial stamp.
(I usually hate anthropomorphising art – you know the thing, ‘this piece investigates’ &c. – except here
I am sorely tempted to say that Martin’s work ‘knows how to listen’. Of course what I mean is Martins knows how to listen, carefully and empathetically, and then to re-configure parts of that listening and looking and understanding too as moving image soaked with detail and feeling.)
In addition the subject matter could not be more timely: a broadside of delicate
beauty in the face of bigotry.
Brian Eno – Mistaken Memories of Medieval Manhattan
Mistaken Memories of Medieval Manhattan (1981, 43MB, 6:01 min)
A six minute excerpt from the 45 min beaut.
The DVD comes with ‘Thursday Afternoon’ and your
option of playing either movie vertically or horizontally.
Two from Lewis LaCook
modern life (2005, 3.6MB, 3:13 min)
grass spider (2005, 6.1MB, 2:55 min)
2005 work from Lewis LaCook.
He seems to have dropped out of sight.
A shame, he made startling and splendid work in a number of media.
Update: I looked – he’s here and .
Good.
Pieces of OiZ
Christoph Brunner – schwarzenbergplatz (2005, 9.8MB, 0:46)
Christoph Brunner – schwarzenbergplatz 2 (2005, 13.5MB, 1:03)
Orte in Zeiten is a filmmaking process conceived
by Christoph Brunner that continuously re-exposes film
to make surreal loops of space and time.
These two clips were taken during the development
of OiZ, which roughly translates to “places in time”.
Locusts
Emergence – Locusts (2008, 233.8MB, 11:19)
From celebrated MC Invincible, a docu-music-video
about the history of gentrification and capitalism’s
destruction of communities in Detroit.
Video features several local activists, including
Grace Lee Boggs and (full disclosure) my good friend
Ron Scott.
This intense collaboration gives me chills every
time I watch it.
I’ll let the rest speak for itself.
Sam Easterton – Animal Vegetable Video
Ardvark (2001, 1.6MB, 15 sec.)
Scorpion (2001, 1.1MB, 10 sec.)
Tumbleweeds (2001, 1.2MB, 10 sec.)
Since 1988, Sam Easterton has been using tiny
‘helmet mounted’ cameras to create an archive of videos filmed
from the perspective of plants and animals.
By Mica
Body Magic – Javier Morales and John Michael Boling
Body Magic (2007, 26MB, 2:25 min.)
From the old gooooooooooooooooooooooooooooooooooooooooooooooooooooogle.com
Music by Javier.
Alfonso Cuarón and Naomi Klein – Shock Doctrine
The Shock Doctrine (2007, 19.1MB, 6:47 min.)
Internet video version of Naomi Klein’s 2007 book, much more than an advertisement.
Heavy.
Hard to watch, as it should be.
‘America’s free market’ policies have come to dominate the world– through the exploitation of disaster-shocked people and countries. {source}
Produced by Klein and Alfonso Cuarón, directed by Jonas Cuarón.
The Framing of Luaty Beirão
History of the Demonstrations (2012, 211MB, 15:53 min)
A Statement by Luaty Beirão (2012, 34MB, 7:05 min)
Three connected movies, which connect in a very direct way with the world about us.
For the last couple of years, simultaneously with the ‘Arab spring’ there have been
a number of similar movements around the world where ordinary folk have stood up for
the right to free speech and the right to a decent life, mostly both.
This happened on a small scale in the Southern African country of Angola where the inheritors
of the magnificent struggle against imperialism in the 70s seem to have forgotten their roots,
perhaps lulled by power and the good life it can bring to a few. A small but dogged and effective
campaign for democracy and against corruption, poverty and police state begaviour sprang up amongst
young people there.
The first video is a documentary relating the beginning, growth of this movement and subsequent
attempted government repression.
( You can find some more info , from Human Rights Watch, here)
Our second video is a track by the Angolan rapper Luaty Beirão, better known as Ikonoklasta
which is a tremendously entertaining bit of agit-prop against the regime.
It clearly struck home because the Angolan security forces have attempted to frame Beirão by
secreting a substantial amount of cocaine in a bicycle wheel in his possession on a flight
from Angola to Portugal.
The third video is Luaty Beirão’s statement upon and account of these events.
Watch the videos and draw you own conclusions – I do not for a moment believe Beirão is guilty
of anything except bravery and standing up to oppression.
We’ll leave you with these videos for the summer a reminder there’s art and there’s life and there’s
not a lot of space between.
We’re going to take a break until mid September-ish when we’ll be back with mostly
art videos but anything else that amuses, inspires or outrages us.
If you have stuff you think we’d like, send us links – we look at everything we’re sent.
It remains only to wish you all a nice and relaxing summer if you can manage it.
Vera Brunner-Sung
Vera Brunner-Sung – untitled (2006, 2.5MB, 1:10)
Vera Brunner-Sung – Longshore (2004, 9.9MB, 4:34)
Two short films from Vera Brunner-Sung, made respectively
on 16mm and super 8, both exploring boundaries of privacy
and community, the understanding of memory and place.
Unattended Body
Arzu Ozkal Telhan – Unattended Body (2005, 56MB, 5:00)
Arzu Ozkal Telhan’s “Unattended Body” is a
spectacular meditation on public space,
observational video at perhaps its finest.
The artists also says:
“Unattended body mainly discusses how an
existence at it’s most banal (Heidegger) can
be simply perceived as a disturbance or a
potential threat if it does not act in its expected
way for the society.”
Normally three long segments, they’ve
been edited together here as a five minute
clip, all shown at once, which I actually prefer.
What is so painfully boring to others is ever
so exciting for the rest of us.
David Phillips and Paul Rowley
Phillips & Rowley – latent heat (2004, 7.7MB, 3:25)
Phillips & Rowley – personal effort (2004, 2.1MB, 1:41)
Lovely, engaging work from this talented duo, originally
from Dublin and Memphis respectively. These two pieces
showcase some earlier work, but their later work is equally
enchanting. I’m particularly fond of their installation work,
but we’ll save that for another day.
Harrell Fletcher – Blot Out The Sun
Harrell Fletcher – Blot Out The Sun (2002, 46.7MB, 5:32)
Harrell Fletcher’s 2002 unconventional remake of Ulysses.
A garage in central Portland, Oregon is the setting for this
conceptual re-working of James Joyce’s Ulysses. The garage
owner, Jay, mechanics and neighborhood denizens serve as
narrators, reading lines from the novel that focus on death,
love, social inequality and the relationship between individuals
and the universe.
A five minute clip from the 22-minute piece featured in the
2004 Whitney Biennial
The World's Largest TV Studio
The World’s Largest TV Studio (1972, 17.2MB, 7:10 min.)
A historic piece of political video from
the 1972 Miami Democratic Convention, this excerpt featuring an interview
with Michael Shamberg, author of Guerilla Television & founder member of Top Value
Television. (Also founder of Raindance & subsequently big shot Hollywood Producer).
Found in the broadcasting section of the Southwest Museum of Engineering Communications
and Computation, which is actually stuffed with goodies.
Daniel Liss – Sixth Map
Sixth Map (2006, 17.3MB, 3.44 min.)
When filmmaker/videoblogger Daniel Liss challenged himself to make 7 videos in 7 days,
he also challenged his online audience to collaborate with him in the process.
His daily assignments came from viewers of his videoblog who determined
where, about what and how he should make each video.
Each day, they posted an assignment and each day Daniel posted a video in response.
Then came praise and criticism in the comments of each day’s videoblog post.
The process took him miles from home, he told personal stories, invented new narratives,
and played more than a few tricks on his guiding/goading audience.
For this video he was given the assignment,
“Today, you are a local. Trick us into believing that you are a local.
Tell us a story about your history.”
By Mica
ZDEN – emptyspaces
emptyspaces (2000, 31MB, 2:26 min)
Zdeno Hlinka aka ZDEN.
A multimedia artist from Slovakia who’s been a pioneer in
working with real-time and visual mixing.
Comme un Chat Noir au Fond d’un Sac
comme un chat noir au fond d’un sac (2006, 18.4MB, 4:47 min)
A beautiful excerpt from Stephane Elmadjian’s feature film found
on composer Daniel Wohl’s website.
Starting off a bit intense it winds itself down and into some breathtaking stuff.
Duncan Speakman – Is Life Boring?
Duncan Speakman – Is Life Boring? (2005, 5.3MB, 1:17 min.)
From Duncan Speakman (yes, his real name) and the now abandoned 29fragiledays.
Duncan moved onto the less populated Delicate Museum, but I enjoy his older work much more (maybe because there is simply more of it?).
No contrived voice-overs (at least not at first), I’m also given enough time to meditate on the video.
Sometimes short is too short.
This is one of the best pieces from his previous incarnation.
Glimpse of the Garden
Marie Menken – Glimpse of the Garden (1957, 40MB, 5:04)
Marie Menken, avant-garde filmmaker of the 1940s, 50s,
and 60s – in addition to being the inspiration for
Who’s Afraid of Virginia Woolf? and a Warhol
superstar – made inspirational work from a time we seem
to overlook too much today. The garden here belongs
to one of her husband’s former male lovers, and while
Menken was often criticized for being quaint in her displays,
her style is an obviously feminine one that hides much
deeper meaning in ordinary but stunning visuals.
Recreation, Re-Creation, or, We Like OLD Stuff – Bitsy Knox
Recreation, Re-Creation (2006, 9.6 MB, 4:27 min.)
“This video juxtaposes original 16 mm footage acquired from my Grandfather with interview footage taken of my Mother and Grandparents. All but the
past-tenses of their speaking are left intact, while the film footage has been aggressively manipulated. The project seeks to question the language of constructing one’s identity through negotiation with familial history, where the past has been constructed and reconstructed in order to corroborate certain facades of culture which are wished to be left intact.”
From Bitsy Knox
Ruth Catlow – overland
overland (2010, 131MB, 2:58 min)
And sadly, the last in our little season of movies by Ruth Catlow. This is another
train movie, no conceptual underpinnings to speak of this time, just a beautiful,
bleached out pastels, lo-fi ( mobile?) account of the Serbian section of a journey by train to Istanbul
last year when she was refusing ‘to fly for art’, something more people should do more often if
the results here are anything to go by.
More from Ruth, of course, as she produces it…
Sigur Ròs : Heima Trailer
heima trailer (2007, 46.7 MB, 3:53 min.)
An exquisite trailer for the promising first film from Iceland’s Sigur Ròs.
Watch, and then tell me you did not add Iceland to your top 5 places
to see before you die.
Freud was a Fraud – Charlene Rule
freudwasafraud (2006, 20MB, 2:32 min)
‘There’s nothing like spending a little quality time with the
latest top ten questions about your potential state of mind.’
podcast from Charlene Rule aka scratch video.
Dali on Picasso/Prévert goes shopping
Picasso – I salute you, I embrace you! (2006, 3MB, 29 sec)
Prévert goes postcard shopping (2005, 10MB, 1:22 min)
Two gems from the excellent website of the French
Institut National de l’Audiovisuel , featuring two figures
associated with surrealism, the poet Jacques Prévert &
(seen here on crackingly deranged form) the artist Salvador Dali
New Media in the Marketplace – Listen to the Podcast
New Media in the Marketplace (2011, 37 MB, 52 min)
“Over the years, we’ve found that a number of the artists we support in our Emerging Fields category have questions about how they can better market and exhibit their work. They have questions about pricing and editioning; changing formats; what it is that they are actually selling when they offer a work for sale; what their obligations to representatives and collectors are after a sale; and whether or not they should even participate in an art market that is, in their eyes, more sympathetic and better able to represent works in more conventional or established media.
On November 2, Creative Capital hosted a webinar for grantees to explore some of these issues and answer specific questions from artists working in new media. The panelists were Jason Salavon (2000 Visual Arts), Karolina Sobecka (2009 Emerging Fields), Stephen Vitiello (2006 Emerging Fields) and Marina Zurkow (2001 Visual Arts). Sean Elwood, Creative Capital’s Director of Programs & Initiatives, served as the facilitator.”
LISTEN TO THE PODCAST FROM THIS DISCUSSION
Podcast from Creative Capital.
Gov. Scott Walker gets checked, Mic Checked!
Gov. Scott Walker gets checked, Mic Checked! (2011, 81MB, 3:45 min)
If you don’t feel inspired & cheered up by this tremendous video please do the checking your pulse thing… Stand Up Chicago
A Broad Way
A Broad Way, Trailer (2007, 60.89 MB, 5:17 min)
Saul Goode worked with 400 filmmakers to
document every corner of New York’s most
famous street, Broadway.
By Mica
Alan Sondheim – Two Movies
Beauty (2007, 11.4MB, 1:04 min.)
Romania (2007, 19MB, 2:01 min.)
What to say, we’ve said it all, again & again, Sondheim’s
movies are a unique & indispensable body of work.
Specifically, anyone working in video on the net who
doesn’t know them is navigating blind.
For a free masterclass hop over to his site & work your
way through all the stuff with .mov or .mp4 extensions.
( I mean, don’t confine yourself to the movies but this
is dvblog)
You won’t have wasted your time.
Hanns Eisler – ‘Composing for the Films’
‘White Flood’ – clip 1 (1940-2, 1.1 MB, 30 sec.)
‘A Child Went Forth’ – clip (1940-2, 1.4 MB, 30 sec.)
‘White Flood’ – clip 2 (1940-2, 661 KB, 29 sec.)
Easily the most interesting of all Brecht’s composer collaborators
& in flat contradiction to the current myth spread by those
who dislike his politics, by far the better composer than the rather
dull Weill, Hanns Eisler’s keen intellect turned to questions of film in his
exile in the USA in the early forties.
Under the auspices of the New School & funded by the Rockefeller foundation
Eisler conducted an intensive investigation of the relationship between
film & music , often involving him writing new music to already existing footage.
You can see some of this footage here – but what you really need to do is to listen.
There is no-one who could not learn something from the amazing way Eisler
deploys music here.
After the project, Eisler went on to write, with Theodore Adorno,
himself no slouch intellectually (& also a practicing composer),
one of the key books on music & the movies –‘Composing for the Films’
These clips come from the website for a new edition of the book
released with a companion DVD documenting much of the Rockefeller experimentation.
Indispensable.
Lumière – La sortie des ouvriers de l’usine Lumière à Lyon
La sortie des ouvriers de l’usine Lumière à Lyon (1895, 6MB, 46 sec.)
The year is 1895. The “Hangar” was the first set in the history of Cinematography and
can be seen here in “La Sortie de l’usine Lumière”, Lumière’s first film.
from the fantastic site – Institut Lumière.
One Minute Movies and MIRAJ
Indian Movie [Declan Kilfeather] (2007, 3MB, 55 sec)
Punch [Kerry Baldry] (1994, 30MB, 1:14 min)
Land Gauge [Steven Ball] (1981/2008, 44MB, 1:21 min)
Upside Down World [Marty St.James] (2008, 19MB, 1:25 min)
I wrote a review of Vols. 1 to 4 of Kerry Baldry’s excellent One Minutes
project for a new journal, the Moving Image Review and Journal, and I thought it would be nice to post the pieces I discuss in it here.
The Cinema Effect: Realisms at Caixa Forum Madrid, Spain
The Cinema Effect (2011, 44 MB, 5:28 min)
An exhibition that reflects on the influence and impact of cinema in constructing
our visual culture, highlighting how cinematographic language has taken on various
artistic forms including video and installation art. The show features work by Julian Rosefeldt,
Isaac Julien, Runa Islam, Kerry Tribe, Paul Chan, Omer Fast, Mungo Thomson and Ian Charlesworth.
The show has been curated by Kerry Brougher, Anne Ellegood, Kelly Gordon, and Kristen Hileman.
from VernissageTV.
Wikipedia Art in London
Wikipedia Art Intro (2011, 114MB, 2:29 min)
And, appropriately following on from yesterday’s post, a little intro
to the splendid Kildall/Stern Wikipedia Art project which is showing, as part
of a two person show at London’s Furtherfield gallery (formerly HTTP)
from this Friday.
(One individual piece by each artist too – promises to be a real treat)
Private view tonight 6:30 (Thurs.) – all welcome, maybe see you there.
This piece narrated in Stern’s breathless-puppy-dog-with-an-off-the-dial-IQ
trademark delivery with reassuringly measured interventions by the
no less smart & talented Kildall.
Edit by Foster Stilp, plus suitably keyed up and excited music by Stilp and
Kevin McGillivray, who together trade as Felixsofia
Jimmy Wales – Wikipedia:Technologies of Cooperation
Wikipedia:Technologies of Cooperation (2005, 70 MB, 1:30 hr.)
Lecture at Stanford University on Wikipedia by founder Jimmy Wales.
Steven Hoskins – 15 Years
15 Years (2011, 60 MB, 3:08 min)
Reverse aging transformation of a 15 year self-portrait sequence
of Dan Hanna, forming the basis for the movie “StartStop” (2009).
Edited in HD. Used is 32 channel split screen asynchrony to create the illusion of flow.
By Steven Hoskins.
Josh Weinstein – “Cross Examination”
Cross Examination (2005, 11.4MB, 5:40 min)
Made in 2005, this is a really extraordinary piece for lots of reasons:
(1) It’s so carefully made ( & must have taken no little work)
(2) The chutzpah quotient is almost 100%
(3) There is more here than meets the eye
(4) The use of music (in its second appearance very reminiscent
of the school of Rifle/Hartley but spot on nonetheless)
(5) The warmth, genuine warmth; the real insight into people
As you see here Josh Weinstein, Brooklyn based film maker
does a lot of work for corporate clients. Hmmm.
Really, all you can think is, on the basis of this, they get way,
way more & better than they could possibly deserve.
Frank Zappa on ‘Crossfire’
Frank Zappa on Crossfire (1986, 49MB, 21:17 min)
from – del.icio.us
Making Web MVideo by Michael Verdi
Making Web MVideo (2011, 51 MB, 5:55 min)
“There was a lot of talk this week about WebM video after Google announced
that they were going to drop H.264 support from Chrome. This is huge news
for video makers, especially since Firefox 4 (which supports WebM) is almost done.
I figured it was time to look into WebM encoding tools again.”..
from Michael Verdi.
Martha Deed – Snow Haiku
Snow Haiku (2011, 28MB, 1:22 min, silent)
Oh this is beautiful!
Martha Deed‘s work is unique, beholden to no-one;
lyrical and tough at the same time.
It’s the work of someone who has seen a great deal of life,
of sadness and wickedness both and yet who still dares to
hope and to dream and to find that life wonderful.
Martha Deed – War and Peace
War and Peace (2006, 35.4MB, 2:34 min.)
Some delicate & tough poetry of the everyday &
the often overlooked (& thence of all we are & of
our place in the natural world too) from Martha Deed in 2006.
Robert Croma – La Descente
La Descente (2010, 96MB, 8:21 min)
It’s always great to have a new piece from Robert Croma –
recently this has been an all too rare event.
Great to report that his first in a year is as good as it is.
I know that the people-going-down-steps/up-or-down-escalators/though-doors movies
have come to constitute almost a micro-genre, but this is an exceptionally
meticulous and rich example.
In particular what makes it for me is the decision (wherever – camera, edit – in the workflow
it happened) to leave in the faces who gaze boldly back at the camera.
A lot of Croma’s work employs subtly deployed but thorough post-production
to heighten and poeticize further his material. Here it’s rather his visual acuity
and the years of experience accumulated both in still and moving image which leads
to this simple but devastating handling of his original footage.
Similarly his use of sound is unobtrusive but exceedingly well judged.
I hope it’s not a year to the next one.
Nigel Ayers – War Criminal
War Criminal (2003 -2010, 22MB, 3:18 min)
When I first saw this piece from Nigel Ayers I assumed, quite wrongly, he
was involved with some heavy duty image manipulation in the cause of a
kind of conceptualist ‘activism’ (and I sat scratching my head at just how difficult it
must have been to get that image onto so many moving figures).
DOH! The facts are much weirder and much, much better…
Great stuff! Hats off! Not worthy, not worthy!
Sun Capture – Julianne Swartz
Sun Capture (1999, 9.6 MB, 1:23 min.)
Transferring the reflection of a natural occurrence (the movement of the sun)
from outdoors to indoors, Brooklyn-based artist Julianne Swartz creates
her site-specific installation “Sun Capture” with existing architecture, metal pole,
mirror, sun, and wind.
Max Moswitzer – Early Videos
RAMBO (1987, 5.6 MB, 2:32 min)
ZERO ONE KILL MY DESIRE (1988, 7 MB, 3:12 min)
Early videos by Max Moswitzer using found footage material,
video collage, remix and animation.
More Max Moswitzer here.
A Letter From Beirut
A Letter From Beirut (2006, 36.9MB, 4:41 min.)
This video letter was made on July 21, 2006 at the studios of Beirut DC, a
film and cinema collective which runs the yearly Ayam Beirut Al Cinema’iya Film
Festival. This video letter was produced in collaboration with Samidoun, a grassroots
gathering of various organizations and individuals who were involved in relief
and media efforts from the first day of the Israeli attack on Lebanon. It was
also featured at the Biennial of Arab Cinema, organized by the Arab World
Institute in Paris.
Max Moswitzer – early found footage and remixed videos
ZWlSCHENLAGERUNG EINER NULLOESUNG (1988, 10.5 MB, 4:47 min)
COMPUTER GAME (1987, 9 MB, 3:53 min)
Early videos by Max Moswitzer using found footage material, remix
and live performance.
ZWlSCHENLAGERUNG EINER NULLOESUNG was using documentary
films from 1938-1945 and was a live action performance at the
University of Applied Arts in Vienna in 1988.
COMPUTER GAME was exhibited at ARS Electronica in 1987.
More Max Moswitzer here.
Maisie Crow – A Life Alone
A Life Alone (2009, 81 MB, 5:08 min)
“Tom Rose, 85, wipes a tear from his eye while reminiscing about
his wife who passed away. The two were married for 60 years,
and Tom continues to struggle over her loss.”
By Maisie Crow.
Max Moswitzer – compa
companjeros (2001, 17 MB, 1:16 min)
los homeboys (2001, 37 MB, 6:34 min)
Ali el fofo & Don Conejo. unplugged 2001 ticotaco
By Max Moswitzer.
Jon Jost is not making movies
Jon Jost is not making movies (2006, 36.4 MB, 6 min.)
In 2006, Woods Hole Film Festival featured a tribute
to filmmaker Jon Jost.
I got a chance to talk with him for a few minutes
about his career in film and his commitment to
pushing the medium of digital video. In this video
he gives some great advice to new DV filmmakers,
and explains once and for all 24fps setting on your camera.
By Mica.
Victor Robledo – Diarios de Luz
Diario de Luz #15 (2006, 5.5MB, 1:48 min)
Diario de Luz #3 (2006, 5.3MB, 3:35 min)
Colombian artist & photographer Victor Robledo made a series
of these pieces in 2006 & posted them on a blog entirely given over to them .
Active since the mid Seventies, Robledo says
“The theme of my work has always been
Tom Frisch – Chicago Messenger
Chicago Messenger (1998, 5MB, 2:54 min.)
A short documentary on the joys and hazards of being
a bike messenger in Chicago.
By Tom Frisch.