I Don’t Want Your Lasagne Furnace – Donna Kuhn


I Don’t Want Your Lasagne Furnace (2009, 41.4MB, 2:23 min)

Artists I really care for tend to fall into two distinct categories.
The first is the extensive or Picasso category – refusing to be
bound by stylistic limitations or boxes they constantly
reinvent themselves, often seeming like ten artists in one skin.
The other might be called the Giacometti or Morandi model, where
the best part of a lifetime is devoted to an intensive, deep,
exploration of a limited set of themes and content.
They have in common more than would at first appear to be the case.
They are both led by a kind of shamanistic passion, a surrender to
the unconscious, to whim, to a playfulness which can be either infantile
or deadly serious, and they reject the most common practice which is the
dull conformity of making work which attempts to guess the market,
or follow fashion or whatever.
If Sondheim is the net exemplar of the first way then Donna Kuhn
must typify the second.
Small miracles of freshness & originality mined and chiselled from
a tiny pallette! Wit and sadness both! Wonder! Delight!

LOMEG_ROM – Now Is Not 2009


LOMEG_ROM – Now Is Not 2009 (2009, 91.2MB, 26:28)

Absolutely stunning docu-voodle from 2010 by “b.k.” of Oslo’s
LOMEG_ROM (sadly, note the retrospectively rather
plaintive ‘we’ll soon be posting again’, dated 2010).
Just when you think fireworks are
overrated or that you’ve seen it all… I am endlessly
impressed with this duo’s ability to tease out the
nuances of space and time.

More from Anthony Rousseau

climax
Climax (2006, 6.2MB, 1:11 min)

We’ve featured Anthony Rousseau’s excellent work here before
this is one of many great pieces you can see on his blog.
I’ve focussed in on this one because I think it’s particularly interesting
in its capacity to be genuinely disturbing in a number of ways over a short spell of time.
Made from appropriated Prelinger footage, Rousseau says it is
Une construction filmique dont la ligne directrice est la
traduction d’angoisses et de peurs infantiles
.

‘A filmic construction of which the directorial line is the translation of childhood fears and anguish’

Now, before I read that, I was thinking what Rousseau had done cleverly
& to powerful effect was to deploy many of the tropes of the horror genre
so we fear for, not with, the child.
But then I suppose many of those devices are indeed rooted in
our peurs infantiles & in fact we do both.
Smart. Smart, rich, good.

Shannon Noble – Finger Bolts

Finger Bolts
Finger Bolts (2005, 1.9MB, 1:13 min.)

Shannon Noble, an extremely technically accomplished
artist, made this elegant short video in 2005 from the simple, well-timed,
juxtaposition of moving images and sounds.
He’s still making stuff – he’s quite strangely
secretive about his work and quite often as soon
as it’s posted somewhere it disappears again.
A shame – he’s consistently great.