Still Life: Gallery – Gareth Long

gallery
Still Life: Gallery (2002, 3.5 MB, 3:22 min.)

This piece was shot with a still camera. The images are ‘stitched’ together using
a combination of specialized software and by hand; the stills seamlessly joined to
create a new space. Because the space is made up of stills instead of video, any
and all action contained within the frame is arrested. The two major precepts of
video – motion and time – are thus implied but impenetrable.

from Gareth Long.

Ladislas Starewitch – Le Lion Devenu Vieux

Le Lion Devenu Vieux
Le Lion Devenu Vieux (1932, 3.5MB, 1:04 sec.)

Ladislas Starewitch is often credited with inventing stop motion animation
as we know it, though so are several other people. It depends on what fits
into your definition of stop motion.
Certainly he was probably the first to actually make little figures and move
them frame by frame in an attempt to duplicate lifelike movement of actual
living things. it was because he was filming beetles and found that the hot
lights made them lethargic, so he made his own little beetles asrealistically
as possible and animated them instead.
This gave birth to further projects with very lifelike but sometimes partially
anthropomorphic (human-like) animals.
from – Darkstrider.

By Mica. (thanks Adam)

“Eternal Return” by Jennifer and Kevin McCoy

eternal_return
Eternal Return (2006, 4 MB, 1:54 min.)

“Eternal Return” installed at the exhibition Stop Motion at the Edith Russ Haus,
is a remake of a scene from the musical movie The Gay Divorcee.
The piece was reworked to allow a large video projection for the exhibition.”
by – Jennifer and Kevin McCoy.

Three from Writtle

Impossible Conversations
Ashleigh Smith – Impossible Conversations (2010, 75 MB, 2:30 min)

Out of Sight, Out of Mind
Emma Haggis – Out of Sight, Out of Mind (2010, 118 MB, 2:18 min)

Response
Lucy Mills – Response (2010, 108 MB, 2:02 min, silent)

So, first, I should say, Writtle is where I taught this year, but it cuts both ways:
I wouldn’t post these pieces by graduating students here on DVblog unless I
thought they were all great, which I do.
They’re also diverse, in a fascinating way.
There’s Ashleigh Smith’s haunting – stays with you long afterwards – game/real life hybrid,
Lucy Mills beauty industry critique – half mash-up, half rather brave performance,
(It’s interesting the way that all three pieces incorporate, to
some degree, elements of self performance) and Emma Haggis’s superbly made
and utterly captivating stop motion environmental piece.

In each case one can see a personal language well into its development.
(All these pieces or variants/derivatives thereof formed part of larger
installations; I’m impressed by the naturalness & lack of self consciousness
with with these three move between modes of working/presentation)

I hope they’re all still making work in ten years – given this
starting point then that would be a treat in store.

Hugo Heyrman – Body Language Sequences

girlwithflowers'/
series 1, #10 (2006, 625KB, 1 sec. loop)

manturningstone'/
series 1, #1 (2006, 564KB, 1 sec. loop)

smoketalkinggirls'/
series 1, #20 (2006, 550KB, 1 sec. loop)

Attractive & interesting 2006 work from Belgian artist Hugo Heyrman
Despite a superficial similarity to the work of the late David Crawford
this work has a dynamic (and a charm) entirely its own.
Check out Heyrman’s Museums of the Mind site for more.