Howe Gelb – Spiral

Spiral
Spiral (2008, 16 MB, 3:41 min)

On the whole I’m totally bored with popular music of all kinds,
especially sick at hearing how “innovative” this or that is just to find
it as dull & derivative & lazy as the rest.

SO..the wonderful Howe Gelb continues to be a signal exception
to the gloom. Passionate, odd and totally engaging music seems to flow
from him continually & ( I could be wrong) he doesn’t seem to have
fallen into the trap of giving people what he thinks they want rather
than what his artistic conscience tells him to make – or to put it better
art trumps business in his work in a shockingly unusual way.
Long may it continue.

Brantley Jones Again

Mountains
Mountains – “Interlude” (2010, 105 MB, 2:11 min)

Wistful, quirky & -well, just quite lovely – bit of filmmaking from
Brantley Jones who squeezes real magic – what feels in part like a summoning up of a child’s
eye view of the world (in the best possible sense) – from minimal resources.
Don’t be fooled though – there’s both eye and technique at work here.
We’ve shown his work here before & on the evidence of this will certainly
do so again.

The music is Interlude by Mountains from the album Sewn

Brian Gibson – On A Roof

on a roof
On A Roof (2010, 20 MB, 2:52 min)

Sheer ravishing loveliness from DVblog’s own Brian Gibson
( I posted his last piece too, I know, but he’s not making that much these days
& what he does make is just so great, I can’t resist.)
More please!

Deerhoof Music Video – Martha Colburn

deerhoof1
Wrong Time Capsule(2005, 6.6 MB, 3 Min.)

This is a music video from 2005 for the band Deerhoof, created by
the artist Martha Colburn. A self-taught filmmaker, she
animates her collages into very fancy, lo-fi, kaleidoscopic,
trash-rock adventures. If you don’t get it from this description,
she has many cilps from her films posted on her website.
Go out of your way to see her work.

By Mica.

Move – Move if you wanna – Keith Schofield

mims
“Move” (2009, 25MB, 3:06 min.)

Mims – “Move”, a hip-hop music video that used high-speed Phantom
cameras to shoot the “ultra slow-motion” dance/movement sequences.
By Keith Schofield.

Keith Schofield – “Heaven Can Wait”

charlotte-gainsbourg+beck
“Heaven Can Wait” (2009, 21MB, 2:40 min.)

Charlotte Gainsbourg & Beck music video by Keith Schofield.
Skateboard on Cheeseburgers and Floating Cloth shots inspired
by the work of William Hundley.

with wavering light – Brian Gibson

with wavering light
with wavering light (2010, 31MB, 3:03 min.)

Delicate, beautiful & assured work from occasional contributor here,
Brian Gibson.
I do particularly love the recorded-as-live harmonium, which, unlike
so much of the current use of music in movie-making serves to somehow
open out, rather than close off, the piece’s field of meanings.

Sam Renseiw – Fragmented Occurences

Fragmented Occurences
Fragmented Occurences (2010, 67MB, 4:33 min.)

It’s a little while since we featured anything from the splendid Sam
Renseiw
, so here’s a recent piece.
In contrast to many of his films, which have an incredibly strong
sense of a particular place, this was apparently composed
from odds and ends of footage from various locations during the last
few months.
I think it works beautifully; it’s instructive to see Sam intervening,
perhaps a little more than usual, at the editing level.
(His camera work is always very distinctive – there’s often a sense
-true or not- that many pieces are largely composed in the shooting.)

Whatever the case, this is, as always, a wonderful and utterly distinctive voice.

PS This is our 1000th post of the new series. Many thanks to all who have sent words of encouragement & appreciation. It makes the time spent working on DVblog feel doubly worthwhile.

Joy Comes in the Morning

joycomesInthemorning1
Joy Comes in the Morning (2005, 24MB, 4:14 min.)

“In 2005 I concepted, pitched and produced a music video for the band Xploding Plastix.
I directed and animated the video using L.A. artist Joe Ledbetter’s hand-painted elements
to create a puppet-show aesthetic.”

from Scott Friedman.

Annie Abrahams & Curt Cloninger -<em> Double Blind</em>

double blind
Double Blind (clip) ( 2010, 70MB, 5:38 min)

“Annie Abrahams (from the Living Room in Montpellier, France)
and Curt Cloninger (from Black Mountain College Museum and Arts Center
in Asheville, North Carolina, US) repeatedly sang “love, love, love”
(a short excerpt from a pop song) as a kind of duet, in real
time/space and online.

In order to isolate them from their surroundings and make them
more attentive to the other, they were both blindfolded.
While singing they evolved and mutated the original song excerpt,
collaborating and communicating in a space/time of alterity.
The artists have never met each other in the flesh.

There was no set duration.
They sang until the last one of them decided to stop.
In both places a space was reserved for the live performance
and another for the video and audio projection.
A camera was fixed on each of their faces singing to each other.
This live video of both faces was projected both in the
Living Room space and in the Black Mountain College
Museum and Arts Center space.
The performance was also visible on the web at http://selfworld.net.”


Interesting and affecting convergence of the performative work
Curt Cloninger has been doing of late with the
strange, wonderful & categorisation denying oeuvre of Annie Abrahams.

We feature here only a tiny extract from the 4 hour plus performance
of Double Blind – the complete documentation will be on show
as part of Annie Abraham’s first UK solo show at HTTP gallery
in North London, in addition to new works and performances.
The opening is on Friday night & all are welcome – if you’re in
or near London it’ll be well worth getting along to.

Complete Double Blind documentation & links