Kevin Flanagan – Transformations

transformations
Transformations v 1.0 (2007, 54MB, 2:47 min)

We’ve featured some of Irish artist Kev Flanagan’s work here
before.
He’s just started a new video blog which manifests a radically different
approach to that of his previous work.
Here’s an example – it’s slow (in a good sense), meditative and hypnotic.
Kev says he’s been looking at a lot of Chris Marker’s work – I can see that high
seriousness coming through, but this puts me in mind more of Tarkovsky or
particularly Tarkovsky’s sensibility in the face of natural phenomena.

A Series of Practical Performances in the Wilderness (1)

waiting on bob
waiting on bob (2005, 5.7MB, 1:56 min.)

move this rock
move this rock (2005, 12.5MB, 3:56 min.)

stick like snakes
stick like snakes (2005, 5.5MB, 1:54 min.)

Chapters 1,2,3 from the DVD ‘A Series of Practical Performances In The Wilderness’
by Cary Peppermint and Christine Nadir.
This is very smart work indeed – it references, or better evokes, ideas & precedents
& techniques from all over world culture high & low & I’m sure this is conscious.
The thing is, a bit like the effect of C5’s short history of virtual hiking,
featured here last year, the rather knowing formalism of it all & the dry
keep-your-distance wit ironically somehow create a space for a deeply traditional
romanticism about nature & the landscape to sneak back in.
Not a criticism. Me, I love it.

Rick Silva – A Rough Mix

A Rough Mix
A Rough Mix (excerpt) (2007, 140MB, 8 min.)

Excerpt from a single channel and a looping installation DVD by Rick Silva.

Oh this is smart & rich & lovely work!
You think perhaps the remix idea has colonised all of our thoughts
& our work to the level of clich�.
(So maybe all that remains is to classicize it – to do it better & better,
which is certainly something Silva, in various guises, has recently done..)
One day, someone describes this work in words to you & you
might, if of a cynical turn of mind, think – ‘Ho-Hum!’
Then you actually look at it & there’s something alchemic going on.
From a fairly base metaphor, Rick Silva conjures a work of elegance,
substance & great beauty – a beauty not only visual but moral.
Look at it! – it’s a paean to the planet but many other things too:
the scratching becomes dance, it’s a dance film!
The music is so carefully cut (but in such an apparently offhand way,
the way one imagines the mythical 19th century gentleman
would cut): it’s a music video!
It’s a travelogue (but its editing would not have made sense
before the net).
Each basic level constantly & fruitfully gives rise to other emergent
meanings which in turn reseed new ways of thinking about the piece
– the mark of a serious & substantial work of art.

PS Interesting to compare this with Cary Peppermint’s recent
Series of Practical Performances in the Wilderness
– another work that is in a sense engaged around loosely ecological
themes, very much the zeitgeist, (but reasonably so!)
& whose artistic qualities are not confined, limited, by that engagement…

PPS Now I think about it – there’s all the wonderful stuff by Stallbaum & Poole too.
That fits in somewhere too…

PPPS Personally I like this much more than Silva’s recap – for me, in that, there was a sense in which the formal structure based on a kind of repetition over a long period eventually closes
us off ( although one can of course see how that work might have been
a very necessary staging post to this)
– here there’s a fantastic sense of opening-out
Exhilarating!

Primary and other Remote Locations

Primary and other Remote Locations
Primary and other Remote Locations (2006, 44.5MB, 3 min)

We’ve featured the work of Brett Stalbaum & Paula Poole here before

*****Lewis Carroll like note – when I say before I might mean after
– I can’t remember whether we’ve reposted their other work yet –
something to look forward to perhaps!*****

a couple of times. I’ve been mystified in public here before (ditto)…are
the videos a work in themselves or merely the documentation of the computing/walking/painting/whatever that comprises the process?
I feel like it’s the former (no justification except my bones & the fact that
these vids are both clear & totally elusive..& it makes me a candidate
for Pseud’s corner but it seems to me no accident that the experience
-the way what seems initially straightforward somehow recedes
of watching them is not unlike that of reading Emerson)
You can check out the details of the work process on the paintersflat
site but watch the video first..it’s ravishing..it conjures up the richness
of the process so beautifully & excitingly & oh now I’m in a loop because
of course I don’t know what the process was like because
I’ve only seen the videos. But they are sticky & fragrant &
evocative & funny in my head…
These folks are doing something very right.

Peppermint & Nadir – Wilderness Trouble

Wilderness Trouble Version 1.0
Wilderness Trouble Version 1.0* (2007, 9.2MB, 3:31 min.)

When we posted their splendid Series of Practical Performances in the Wilderness
which will be returning here before long, we said lots of nice things about that.
No reason to change our minds now -this fizzes with both ideas & technique in much the same way (although the repetition lies in excellence sustained rather than any marking of time).
For me a litmus test of anything artistic is can it do the affective equivalent
of fart & chew gum, ie can it encompass radically different moods or themes
in a coherent way, that is, foreshadow in the particular, in tiny concrete detail,
something much broader & deeper.
Well, here, yes, sure.
A genuinely comic lightness of tone is yoked to some quite big themes,
but not awkwardly..in fact they make it look easy..don’t think it is though.
Neat.
from ecoarttech.

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