
KUNSTHAUS TACHELES (2009, 24MB, 2:59 min.)
By Karen Chan. Graffiti. Super 8. Shot in Berlin.

KUNSTHAUS TACHELES (2009, 24MB, 2:59 min.)
By Karen Chan. Graffiti. Super 8. Shot in Berlin.
“Eyecode is an interactive installation whose display is wholly constructed
from its own history of being viewed. By means of a hidden camera, the system
records and replays brief video clips of its viewers’ eyes. Each clip is articulated
by the duration between two of the viewer’s blinks. The unnerving result is a
typographic tapestry of recursive observation.”
By Golan Levin.

“Heaven Can Wait” (2009, 21MB, 2:40 min.)
Charlotte Gainsbourg & Beck music video by Keith Schofield.
Skateboard on Cheeseburgers and Floating Cloth shots inspired
by the work of William Hundley.

DEATHDISCO (2005, 22.7MB, 1:31 min.)
From Abe Linkoln in 2005.

Rave Culture (1998, 16MB, 11:19 min.)
Shot on location at six Chicago parties over the course of a year,
this film explores multiple issues surrounding the rave scene,
including public opinion, promoters, drugs, police, and the culture
created by this phenomenon.
By Tom Frisch.
By Karen Chan. Super 8. Superb. Hotel room. Shot in Berlin.

Joy Comes in the Morning (2005, 24MB, 4:14 min.)
“In 2005 I concepted, pitched and produced a music video for the band Xploding Plastix.
I directed and animated the video using L.A. artist Joe Ledbetter’s hand-painted elements
to create a puppet-show aesthetic.”
from Scott Friedman.

T®1p±Ⓨ(|┐╱▒◤△▽///╱ ╱ (2010, 12MB, 2:37 min.)
By jimpunk, master of the remix & the ma$h-ups.
From – triptych.tv.