Investigations (2008, 40.1MB, 2:05 min)
Perfect piece of film making by Dan Osborne.
Interesting to compare it to the piece by him we posted
earlier this year.
There’s a lot in common, true, but what strikes me is both the
real elegance & the very precise focus of this new piece.
In contrast with the (admittedly very attractive) sprawl of
the earlier work there is not a second here that doesn’t feel
purposeful & controlled.
Interesting to see how this body of work develops.
submersibledesign (2008, 6.6MB, 3:04 min.)
What happens when we think of our bodies as their own ecosystems?
Interview with Britta Riley and Rebecca Bray, artists and collaborators who also
own a company called submersible design.
From eyebeam.
Interview with Cory Arcangel (2004, 8MB, 3:35 min.)
A 2004 Interview with Cory Arcangel by Seth Thompson.
Interview with Lev Manovich (excerpt) (2006, 8.8 MB, 4:23 min.)
Lev Manovich is a Professor in Visual Arts Department, University
of California -San Diego and the author of The Language of New Media
which is hailed as
The Listening Project (2008, 31.5MB, 2:43)
It feels a bit cliched, but I’ll give this one the
benefit of the doubt, of doing relevant and
important work about the current state of
global relations.
The Listening Project is a documentary feature film
that puts a human face to world opinion of the U.S.
Filmed in 14 countries, it explores many facets of
America
Daryl Wein – Sex Positive (2008, 16MB, 2:43)
Groundbreaking film from 24-year-old Daryl Wein.
I hate it when people mention my youthful age, but
I think since I know my motivations for doing it, I’ll
just accept that we all mean it as a compliment.
Wein’s portrait of 1980s AIDS activist Richard Berkowitz
is such a contribution to our modern understanding of the
history of AIDS and gay rights activism. One of the first
to speak out about the need for safe sex in the gay
community, Berkowitz was ridiculed and ostracized.
This excellent documentary finds Berkowitz today and
revisits his time as an S&M sex worker before becoming
an outspoken critic of the AIDS epidemic. Much of the older
footage is also courtesy of Berkowitz.
An outstanding collaboration.
Errol Morris – Standard Operating Procedure (2008, 11.2MB, 2:00)
We don’t hide our love for Errol Morris – see here
and here – but there’s no need for us to apologize.
The man is a genius. His latest feature, Standard
Operating Procedure, interviews Abu Ghraib prison
guards and tells the story behind the now-infamous
photographs of abuse from the prison, uncovered in
2003. Dubbed a “nonfiction horror film” by Morris,
this investigative film, much like A Thin Blue Line,
helped Morris once again dig deeper into a crime
file, this one just more contemporary.
When you see a picture, you don’t see outside the frame.
With the frightening pictures as a jumping off point,
Morris interviews those involved with the scandal to
get the whole story.
Can’t wait to see this one.
They Got Bills to Pay (2007, 15.7MB, 2:29 min.)
The Streets of Philadelphia. Prostitution.
“It does sometimes confuse me as much how someone can be happy with such a life.
Sometimes I like to think that a happy person is able to be happy in any situation.
Other times I find it sad, thinking that they can’t possibly be really happy, that maybe
they don’t know real happiness. But I don’t like that answer. We can’t impose our own
sense of what makes us happy on someone else.
as far as being one of the worst areas, yes it is often hard and there is crime but I see
great beauty there and I hope to show that too.”
by David Kessler.
Evolution of Communication (2006, 15MB, 6:50 min.)
“Adobe Systems commissioned eMotion studios to create a film depicting the ‘Evolution of Communication’.
Various luminaries such as Doug Englebart (inventor of the mouse) and Martin Cooper
(inventor of the cell phone) helped tell the story of how communication has changed
and transformed over the past two decades. The film supported Adobe’s CEO Bruce Chizen
in a recent keynote address.
The production follows the arc of human communication from the moment when we are able
to discern shapes and sounds to the point of complex interactions as adults. The story
leads to a hint of where we are heading in the future, and to Adobe’s commitment to
facilitate personal and human communication and connection.”
From eMotion studios
