via Aram Bartholl – Magnotta SpeedShow

magnotta
Magnotta SpeedShow (2012, 20.4, 3:07 min)

Magnotta SpeedShow – A vanity surf performance.

“One week after Magnotta got caught we present a vanity surf performance at the exact same Internetcafe in Berlin where Magnotta was arrested while vanity surfing! Be invited to join and vanity surf yourself!”

“Killing is bad, mailing bodyparts is worse, vanity surfing (while getting caught) is cool!”

“Internet cafes are not just vaguely unglamorous places for ethnic minorities and communications challenged, they do have a genuinely bad reputation.” [Olia Lialina – ‘Still There’] Where else a social network killer can be caught? Of course in the Internet cafe!”

[shot and edited(!) on a smart phone ]

Internetcafe Helin, Karl-Marx-Straße 156, Berlin
Tuesday 12th of June, 2012, 8-10 pm

by Constant Dullaart, CuratingYoutube, Olia Lialina & Aram Bartholl

Lisa Cianci

okay, not okay
okay, not okay (2006, 2.53MB, 4:03 min)

year before last
year before last (2006, 1.98MB, 3:43 min)

I admire this work in its refusal to cosy.
I think it’s quite brave, in a medium where
startling visual effects are so easily realisable,
so little needing to be worked for, to make something
( & not just a work but a whole series)
that demands such careful listening
& hands out so few visual lollipops.
Lisa’s site.

2 from Jess Loseby

Arms Race
Arms Race (2007, 1.85MB, 1:02 min)

Handbag Surveillance
Handbag Surveillance (2007, 4.18MB, 2:05 min)

Anyone lucky enough to have already encountered Jess Loseby’s artwork
online or in a gallery will have realised immediately what a thoughtful,
courageous & dextrous artist she is. She hasn’t been so active of late &
her excellent site is offline now due to her continuing ill health
(although it is possible to explore it somewhat using the wayback machine).
This is a real loss: there is a warmth & humanity to her work
– an ability to find beauty in the ordinary, the overlooked
( & in our still sexist society, these categories often overlapping
with the domestic, the feminine) – which one often looks for in vain elsewhere.
Her work doesn’t strut, it enchants, (& then maybe sticks a
big fuck-off hatpin into you).
Video making isn’t central to what she does, but when she does it
she does it with all the qualities noted above.
Enjoy & learn.

Music for Handbag Surveillance by Clive Loseby.

We at DVblog join with many of her friends in wishing Jess well
and look forward to her return to active art making.

fast moving animals – mobile opera

mobile opera
mobile opera (2006, 7.1 MB, 48 sec.)

from – fast moving animals.
Music: Rossini: ‘La Danza’. Voice: Beniamino Gigili

Wendy Keenan – 3 Movies

legbones
legbones (2011, 1MB, 1:11 min)

outtake
outtake (2011, 0.2MB, 10 secs)

dawnchorusorspeakingintongues
dawnchorusorspeakingintongues (2011, 0.6MB, 33 secs)

The only things I know about these three pieces is that they
were posted to the Netbehaviour list on Saturday last, that they
were shot on a cellphone and that they are …well… quite odd.
Almost disturbingly so, but in a thrilling way too:
to be so offhandedly minimal, so cavalier about any technical considerations
and still to make something with this sort of punch…

Rupert Howe – The Wicker Man Remade

wickerman
The Wicker Man (2010, 12 MB, 1:09 min)

wickerman live
The Wicker Man Live (2010, 7 MB, 3:31 min)

Rupert Howe is always doing interesting things.
He’s also an early adopter of the sort of tech that in-my-old-age I
would cautiously leave a few months to see how it turns
out, so many of the interesting things he does mystify me
somewhat at first.
SO.. here he seems to have got given (?) lots of extras
(in what universe does this occur?) to remake a section of
cult British horror film The Wicker Man on Hampstead Heath.
The results are jaw dropping in two ways.
Jaw droppingly charmingly-funny.
And jaw droppingly odd.
Most of his work is essentially some combination of these
two axes. ( Plus serious skills)
As an added bonus there a kind of Making-Of-The-Wicker-Man-Remake
which apparently was originally streamed live from his mobile.
I didn’t even know you could do that.
If anything the ‘making-of’ piece surpasses the substantive one on the
Howe strangeness scale. Even his friends & colleagues seem touched too
by a species of benign insanity.
Long may he flourish.

Pictures of Assholes – Joseph Gordon-Levitt

rock
Pictures of Assholes (2006, 6.8MB 3.44Min.)

Actor Joseph Gordon-Levitt takes on those pesky celebrity-hounding paparazzi
with a novel new approach, his own video camera (and an impressive amount of patience).
In doing so, he manages to turn the entire relationship on it’s head with true situationist flair.
I found it fascinating to experience this from his perspective, and then, I was kind of shocked
that more famous people don’t do things like this and then publish it online?

I mean, if they really want us normal people to feel sympathy for what their fame and our culture of celebrity worship does to their daily lives..
In any case, Levitt is clearly a cut above, go see whatever movies he’s in.

By Mica.

your eye on local sports

nick_vitou1
untitled 1 (2010, 630kb, 7 sec.)

nick_vitou2
untitled 2 (2010, 1MB, 10 sec.)

nick_vitou3
trophy sports (2010, 768kb, 8 sec.)

three miniatures from nick vitou (ormo).
all cellphone uploads to facebook.
all shot on location while running replay for a local sports television network.
..DNF chancellor with a gold eye.

& check out his music endeavors at LAPS.

MTAA and Mike Koller – iPhone Drum Circle

ipdc
iPhone Drum Circle (2009, 40 MB, 5:10 min)

On Sunday September 20 at 2pm, MTAA, Mike Koller and friends set out
a brightly colored blanket surround by a circle of chairs at McCarren Park,
Williamsburg, Brooklyn. They had amplified iPhones on which they have
downloaded touchscreen drum and bongo applications and they “jammed.”

iPhone Drum Circle (aka IPDC)

cheat
Cheat (2005, 450k, 30 sec.)

Weberg – Mamo


Mamo (2009, 18.7MB, 2:27 min)

“Senses and memories of motherhood evoked by visiting Birkenau
(Auschwitz II) in Poland July 2008.”

I wonder whether memorialising the Holocaust isn’t too important a job to be
left to artists.
Anders Weberg’s piece is as well made as one would expect from him
and I have no doubt it is a sincere response.
Does it tell us anything new, though?
Does it contribute to any understanding which will make
repetition less likely?
As we get further away in time isn’t it the facts we have
to insist upon & isn’t there a danger that art -especially well made
art -aestheticises and dilutes?
Read the Primo Levi book. It sets the bar very high.

Bram Crevits and Pall Thayer on Obama


Pall Thayer – Inaugurationanimation (2009, 300MB, 49:56)

As far as I know, none of us at DVblog have become
infected with Obamania. Doesn’t mean we don’t
appreciate the fine art of the remix or dig hope.

First, from Bram Crevits of Cinamatics,
Obama’s Berlin speech, composed entirely of video shot
on cell phones. Remember when the gaze was
given to us by the TV news? Now we give it back.

Second, from Pall Thayer, a silent
animation piece of the entire inauguration.
Free to download and remix as you like. We like.

Both of these pieces surprise and amaze me by the
amount of work they must have taken to compile.
Painstaking, no? Unless these gentlemen know
something I do not, these are labor-intensive pieces
in their own respective ways. Lovely and timely.

Zach Kmiec – mmmff


Mmmff Activities Workshop 2006: Call for entries (2006, 10.1MB, 1:58)


Mmmff Activities Workshop 2006 (2006, 13.8MB, 3:44)

Here’s the setup:
Jennifer Proctor taught a videoblogging class at the
University of Iowa in 2006. Every student set up
his/her own videoblog and made vloggy goodness.
Then, many abandoned their work, though I’d
personally expect nothing less.

While I knew one of the students in the class
(UI is one of my alma maters), a guy I didn’t
know – mmmff – caught my attention more.
Using a cell phone I’m pretty sure he just found
somewhere, Zach then made collage videos of the
five seconds or less the phone would capture in every go.

In the first video, the premise of the phone and
its limitations are introduced, and in the second
follow-up piece, the plan – to make a compilation
of activities you can do in 5 seconds or less – is executed.

It’s pretty much the opposite of boring, predictable,
talk-to-your-camera vids that litter so many hosting
services these days.
This is video functioning within constraints.
It’s also wildly hilarious.
Some of the very best random and weird videoblog
work I’ve ever seen.

Evolution of Communication from Adobe Systems

evolution_of_communication
Evolution of Communication (2006, 15MB, 6:50 min.)

“Adobe Systems commissioned eMotion studios to create a film depicting the ‘Evolution of Communication’.
Various luminaries such as Doug Englebart (inventor of the mouse) and Martin Cooper
(inventor of the cell phone) helped tell the story of how communication has changed
and transformed over the past two decades. The film supported Adobe’s CEO Bruce Chizen
in a recent keynote address.
The production follows the arc of human communication from the moment when we are able
to discern shapes and sounds to the point of complex interactions as adults. The story
leads to a hint of where we are heading in the future, and to Adobe’s commitment to
facilitate personal and human communication and connection.”

From eMotion studios

Razr: Gondry


Michel Gondry for MotoRazr2 (2007, 7.4MB, 1:01)

I have to admit I’d find this more interesting if
Michel Gondry had actually used a Razr to record footage.
In this case, cell phone company Motorola commissioned
the music video director-cum-hipster filmmaker to make
a “film based on the experience of their new Razr2 phone.”
I wish using my phone was half as interesting.
I’ve also heard these are hideous devices, image appeal aside.
I’m fairly certain it didn’t deserve its own short film, but I digress.
Classic Gondry: pretty and predictably whimsical.

Brian Gibson – Parabolic

Parabolic
Parabolic (2007, 35.5MB, 4:50 min.)

This bit of intense gorgeousness was made from cell phone
video footage (funny how we still use that word, footage)
by Brian Gibson who sometimes posts here.
If it was simply lovely that would be enough, but it’s very
structured too – Brian has such a great feel for the intrinsic
qualities of the material but also a real editing eye…

Zur Farbenlehre/Theory of Colours


Theory of Colours


Zur Farbenlehre (Theory of Colours) (2007, 23.6MB, 7:25 min.)

Luscious & painterly mobile phone derived piece from
Steve Jones’s Azimuth Films
Music: ‘Vladivostok’ by Sonmi451

Anarchy In The UK – Twittervlog

Anarchy in the UK
Anarchy In The UK (2007, 45.4MB, 4:44 min)

Anarchy In The UK has been a bit of a theme of late here on dvblog.
Now, from the indispensable Rupert Howe comes this breathtaking version.
Not only is it extremely funny, with an off the meter chutzpah quotient,
(witness the animal terror in the eyes of the guys on the tube towards the end)
but like a lot of Rupert’s work it’s a kind of contemporary London travelogue
(of the best sort: hard edged, eyes wide open truthful & hence beautiful) too.

More Brian Gibson

Atlantis To Interzone
Atlantis to Interzone (2007, 14.8MB, 2:59 min)

Lang Syne Andalusian
Lang Syne Andalusian (2007, 39.2MB, 6:55 min)

Well, Atlantis to Interzone is a neat bit of cell phone footage
derived work but Lang Syne Andalusian is a tour de force of mashology,
remixing Bunuel’s notorious masterpiece with bits of stock footage.
Again: the musical eye… the musical eye

Music Credits:
Atlantis to Interzone: Klaxons Atlantis to Interzone (Mr. Miyagis Bootleg Remix)
Lang Syne Andalusian: Soundhog “The Rinse” Mix

Rupert Howe – FatGirlInOhio -2 cell phone movies.

Falafel
Falafel (2006, 1MB, 43 sec)

ShotCutScoredAndPostedByEmailFromMyNokia93Phone
ShotCutScoredAndPostedByEmailFromMyNokia93Phone (2007, 2.4MB, 2:41 min)

I’ve been reflecting a lot recently on how, whatever is the ostensible
subject of movies, they are all in some sense ‘about’ everything we see
in every frame
. And with the passing of time how this often becomes
more true as if, like a dog from water, the meaning is shaking itself out.
The Bas Jan Ader ‘falling’ movies exemplify this ( & how poignantly!) for me –
their conceptual motor aside, I remain most haunted by their background landscapes..
Rupert Howe of FatGirlInOhio brings this sharply to mind –
the subject might be a morning jog or Falafel but the totality of each movie
contains some of the best evocation of the glory & the grime that is
2007 London I’ve yet seen. That doesn’t exhaust it, of course, which is why this
work is deft & it is fine.
He is gravely mistaken about the Falafel though – undoubtedly the
best Falafel in London is at Gaby’s on the Charing Cross Road…