Category Archives: cinema

Man With a Movie Camera – Perry Bard

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man_camera
Man With a Movie Camera (Trailer) (1929-2007, 6MB, 2:17 min.)

“Man With a Movie Camera is a participatory video shot by people around the world
who are invited to record video according to the original script of Vertov’s Man With
A Movie Camera and submit it to a website which will archive, sequence and deliver
it. When the work streams your contribution becomes part of a worldwide montage,
in Vertov’s terms the ‘decoding of life as it is’.
Project by Perry Bard.

Woody Allen/Nathaniel Stern

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At Interval
at interval (1977/2006, 24.3MB, 13:22 min)

Early work from the redoubtable Nathaniel Stern where he reworked,
in the most curious of ways, Woody Allen’s Annie Hall.
Interesting that although the working method here seems
almost diametrically opposed to the hands on, performative
approach found in his odys series here too is that same
sense of the fragility & vulnerability of human beings and their
bodies & psyches & of the unreliability of the language we use
to try & make what we want to happen & to relate or lie about what did .

Hal Hartley – Henry Fool

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Henry Fool trailer
Henry Fool -trailer (1997, 5.2MB, 2:05 min.)

Henry Fool clip
Henry Fool -clip (1997, 3.3MB, 57 secs)

In a rationally ordered universe Hal Hartley would be feted
as one of the most thoughtful, bold & innovative filmakers
of the last 20 years.
We showed the trailer for Fay Grim, his sequel to 1997’s Henry Fool
here awhile back.
Here’s ’s the trailer from Henry Fool & also a short clip.

While we wait for the next one ( this month, if you’re lucky
enough to be in New York) there’re a couple of good
Hartley things available from the indispensable
microcinema international.

Santiago Sierra – NO, Global Tour

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NOGlobalTour
NO, Global Tour trailer (2010, 21 MB, 3:11 min)

Team Gallery, Lisson Gallery , Galería Helga de Alvear & Prometeogallery di Ida Pisani,
in association with Artprojx Cinema, present the UK premiere of NO, Global Tour,
2010 by Santiago Sierra.
The 120 minute film consists of the manufacture and transportation of two monumental sculptures
in the form of the word “NO”, travelling through different territories on a flatbed truck.
The NO, GLOBAL TOUR has resulted in a feature film that documents the passage of this
large NO through various world cities.
A monumental sculpture – unchanged both in its form and immediate meaning – that gradually
assumes a complex semantic load during a journey full of eventualities, accidents, and unexpected events.

Hanns Eisler – ‘Composing for the Films’

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White Flood clip 1
‘White Flood’ – clip 1 (1940-2, 1.1 MB, 30 sec.)

A Child Went Forth clip
‘A Child Went Forth’ – clip (1940-2, 1.4 MB, 30 sec.)

White Flood clip 2
‘White Flood’ – clip 2 (1940-2, 661 KB, 29 sec.)

Easily the most interesting of all Brecht’s composer collaborators
& in flat contradiction to the current myth spread by those
who dislike his politics, by far the better composer than the rather
dull Weill, Hanns Eisler’s keen intellect turned to questions of film in his
exile in the USA in the early forties.
Under the auspices of the New School & funded by the Rockefeller foundation
Eisler conducted an intensive investigation of the relationship between
film & music , often involving him writing new music to already existing footage.
You can see some of this footage here – but what you really need to do is to listen.
There is no-one who could not learn something from the amazing way Eisler
deploys music here.
After the project, Eisler went on to write, with Theodore Adorno,
himself no slouch intellectually (& also a practicing composer),
one of the key books on music & the movies –‘Composing for the Films’
These clips come from the website for a new edition of the book
released with a companion DVD documenting much of the Rockefeller experimentation.
Indispensable.