‘Un Chien Andalou’ – Luis Buñuel and Salvador Dalí

Un_chien_andalou
Un chien andalou (1929, 156MB, 15:40 min.)

This is just the source.
Can you imagine Cocteau, Deren, later Hitchcock & Cronenberg
without this?
Oh..more:- the whole of cinema would have a great gaping bloody gap
in it & what was left would be dull dull dull & Black Francis wouldn’t have been
able to write ‘Debaser’.
It simply prised open the language.
Afterwards, Bunuel went on to make some of the sharpest, most provocative
& disturbing films of the 20th century & Dali went on to
…well… be Dali.

Man With a Movie Camera – Perry Bard

man_camera
Man With a Movie Camera (Trailer) (1929-2007, 6MB, 2:17 min.)

“Man With a Movie Camera is a participatory video shot by people around the world
who are invited to record video according to the original script of Vertov’s Man With
A Movie Camera and submit it to a website which will archive, sequence and deliver
it. When the work streams your contribution becomes part of a worldwide montage,
in Vertov’s terms the ‘decoding of life as it is’.
Project by Perry Bard.

Woody Allen/Nathaniel Stern

At Interval
at interval (1977/2006, 24.3MB, 13:22 min)

Early work from the redoubtable Nathaniel Stern where he reworked,
in the most curious of ways, Woody Allen’s Annie Hall.
Interesting that although the working method here seems
almost diametrically opposed to the hands on, performative
approach found in his odys series here too is that same
sense of the fragility & vulnerability of human beings and their
bodies & psyches & of the unreliability of the language we use
to try & make what we want to happen & to relate or lie about what did .

Santiago Sierra – NO, Global Tour

NOGlobalTour
NO, Global Tour trailer (2010, 21 MB, 3:11 min)

Team Gallery, Lisson Gallery , Galería Helga de Alvear & Prometeogallery di Ida Pisani,
in association with Artprojx Cinema, present the UK premiere of NO, Global Tour,
2010 by Santiago Sierra.
The 120 minute film consists of the manufacture and transportation of two monumental sculptures
in the form of the word “NO”, travelling through different territories on a flatbed truck.
The NO, GLOBAL TOUR has resulted in a feature film that documents the passage of this
large NO through various world cities.
A monumental sculpture – unchanged both in its form and immediate meaning – that gradually
assumes a complex semantic load during a journey full of eventualities, accidents, and unexpected events.

Hanns Eisler – ‘Composing for the Films’

White Flood clip 1
‘White Flood’ – clip 1 (1940-2, 1.1 MB, 30 sec.)

A Child Went Forth clip
‘A Child Went Forth’ – clip (1940-2, 1.4 MB, 30 sec.)

White Flood clip 2
‘White Flood’ – clip 2 (1940-2, 661 KB, 29 sec.)

Easily the most interesting of all Brecht’s composer collaborators
& in flat contradiction to the current myth spread by those
who dislike his politics, by far the better composer than the rather
dull Weill, Hanns Eisler’s keen intellect turned to questions of film in his
exile in the USA in the early forties.
Under the auspices of the New School & funded by the Rockefeller foundation
Eisler conducted an intensive investigation of the relationship between
film & music , often involving him writing new music to already existing footage.
You can see some of this footage here – but what you really need to do is to listen.
There is no-one who could not learn something from the amazing way Eisler
deploys music here.
After the project, Eisler went on to write, with Theodore Adorno,
himself no slouch intellectually (& also a practicing composer),
one of the key books on music & the movies –‘Composing for the Films’
These clips come from the website for a new edition of the book
released with a companion DVD documenting much of the Rockefeller experimentation.
Indispensable.

Lumière – La sortie des ouvriers de l’usine Lumière à Lyon

hangar
La sortie des ouvriers de l’usine Lumière à Lyon (1895, 6MB, 46 sec.)

The year is 1895. The “Hangar” was the first set in the history of Cinematography and
can be seen here in “La Sortie de l’usine Lumière”, Lumière’s first film.
from the fantastic site – Institut Lumière.

Cutting Edge Cinema

Lunch
A Tough Dance (1902, 7.1MB, 47 sec.)

Lunch
Bicycle Trick Riding (1899, 5.5MB, 37 sec.)

Lunch
Three Acrobats (1899, 5.4MB, 36 sec.)

Three exhilarating chunks of early movie making from the
Library of Congress online collection of variety stage motion pictures.
I particularly love the deeply strange A ‘Tough’ Dance.
There’s also a great early animation collection on the LOC site.

The Cinema Effect: Realisms at Caixa Forum Madrid, Spain

cinema_effect_caixaforum
The Cinema Effect (2011, 44 MB, 5:28 min)

An exhibition that reflects on the influence and impact of cinema in constructing
our visual culture, highlighting how cinematographic language has taken on various
artistic forms including video and installation art. The show features work by Julian Rosefeldt,
Isaac Julien, Runa Islam, Kerry Tribe, Paul Chan, Omer Fast, Mungo Thomson and Ian Charlesworth.

The show has been curated by Kerry Brougher, Anne Ellegood, Kelly Gordon, and Kristen Hileman.
from VernissageTV.

Ladislas Starewitch – Le Lion Devenu Vieux

Le Lion Devenu Vieux
Le Lion Devenu Vieux (1932, 3.5MB, 1:04 sec.)

Ladislas Starewitch is often credited with inventing stop motion animation
as we know it, though so are several other people. It depends on what fits
into your definition of stop motion.
Certainly he was probably the first to actually make little figures and move
them frame by frame in an attempt to duplicate lifelike movement of actual
living things. it was because he was filming beetles and found that the hot
lights made them lethargic, so he made his own little beetles asrealistically
as possible and animated them instead.
This gave birth to further projects with very lifelike but sometimes partially
anthropomorphic (human-like) animals.
from – Darkstrider.

By Mica. (thanks Adam)

PIRATE – Annika Larsson

pirate_larson
PIRATE (2006, 45 MB, 8:25 min)

By Annika Larsson.
Music by Tobias Bernstrup & Annika Larsson.

RUBBER – Quentin Dupieux

Rubber_quentin_dupieux
RUBBER (2011, 35 MB, 2:21 min)

Trailer for RUBBER, the story of Robert, an inanimate tire that has been
abandoned in the desert, and suddenly and inexplicably comes to life.
RUBBER is a ‘smart, funny and wholly original tribute to the cinematic
concept of “no reason” ‘.
Director: Quentin Dupieux

“Next To Heaven” Returns for a Second Season

dupont_preview
DuPont (2011, 25 MB, 2:42 min.)

smokey_preview
Smokey (2011, 25 MB, 2:45 min.)

A couple of previews from Rob Parrish

Film by Samuel Beckett with Buster Keaton

buster_keaton
Film (1965, 68 MB, 17:28 min)

Samuel Beckett‘s only venture into the medium of cinema, Film was written
in 1963 and filmed in New York in the summer of 1964, directed by
Alan Schneider and featuring Buster Keaton. For the shooting Mr.
Beckett made his only trip to America. The film, which has no dialogue,
takes its basis Berkeley’s notion esse est percepti that is, to be is to be perceived.

Curt Cloninger –TOM#2

touch me
Touch Me (2011, 562KB , 2:00 min)

see me
Hear Me (2011, 12MB, 1:11 min)

Second two parts of TOM (an instrumental rock opera remix in four parts)
by Curt Cloninger, of which we posted the first two last week.

Curt Cloninger –TOM

see me
See Me (2011, 57MB, 6:11 min)

feel me
Feel Me (2011, 11MB, 1:03 min)

Two parts of a rather good new work –
TOM (an instrumental rock opera remix in four parts)
by Curt Cloninger, of whom we are fans.
He remixes the 1975 film of the Who’s rock opera Tommy to striking effect.
I can’t imagine crossing the road to see the original, even for free, but
here Curt’s sense of beauty, drama and balance – which have served him
well in a number of works and projects involving remix/appropriation, notably
his fantastic playdamage project –
redeem banality to something genuinely affecting.
More next week.

Alice in Wonderland, 1903.

Alice in Wonderland
Alice in Wonderland (1903, 136MB, 9:32)

Enthralling first ever screen version of Alice in Wonderland
from 1903, lovingly restored by the folks at the BFI.
There’s no-one –no-one – who could not learn
something about film-making from this gem.
Nine minutes of sheer, grinning-with-joy delight.

Simon Mclennan – The Mouse Escapes

the mouse escapes
The Mouse Escapes [Trailer] (2010, 4MB, 37 secs)

Difficult to gauge from the trailer what the full 12 minute piece
might be like but it will clearly be interesting & atmospheric and guided
by an acute visual sense.
The music, written by director Mclennan, is also rather good.
Website, with lots of details, here.

Lev Manovich – Little Movies #3

manovich #5
Classical Cinema II (1994-98, 1MB, 20 secs)

manovich #6
On the Transient Nature of an Electronic Image(1994-98, 3MB, 1:47 min)

Original post

Lev Manovich – Little Movies #2

manovich #3
A Single Pixel (1994-98, 2MB, 43 secs)

manovich #4
Classical Cinema I (1994-98, 1MB, 34 secs)

Original post

Lev Manovich – Little Movies #1

manovich #1
Binary Code (1994-98, 2MB, 52 secs)

manovich #2
On the Ephemeral Nature of Little Movies (1994-98, 3MB, 1:05 min)

I mentioned the Manovich Little Movies in the post I did the
other week on Eryk Salvaggio’s ‘Unfinished Mpeg Haiku’.
In the course of writing that I went to Manovich’s site to look at them
& was surprised to find that their page was in some disarray
and the movies themselves had been removed.
Nor could I find them either in the version archived on the Rhizome Artbase.

It seems a shame for them not to be available -they’re historical
(and in many ways amazingly presecient) documents at the least,
although I find them – especially the last one – gripping and touching too.

Then I remembered the wonderful Wayback Machine and I found them
there, all snug and safe and sound.

We’ll post them here in twos in the next week or so,
in the order in which they appeared in Manovich’s
original presentation of them.
Although the image linking to it has been removed from the site
Manovich’s very interesting statement remains.
(I guess if that goes too you’ll still be able to Wayback it)

“Eternal Return” by Jennifer and Kevin McCoy

eternal_return
Eternal Return (2006, 4 MB, 1:54 min.)

“Eternal Return” installed at the exhibition Stop Motion at the Edith Russ Haus,
is a remake of a scene from the musical movie The Gay Divorcee.
The piece was reworked to allow a large video projection for the exhibition.”
by – Jennifer and Kevin McCoy.

‘ZOOMER’ by Sam Huntley

zoomer
Zoomer (trailer) (2010, 26MB, 2:24 min.)

ZOOMER is a feature-length documentary about the life of Mary
DeBoutez Zellmer-Fenoglio, an eccentric and charismatic owner
of ‘Zoomer’s Treasures’ in Kansas, USA.
ZOOMER is Sam Huntley‘s first feature-length film and was entirely self-funded.

LOL

lolthemovie
LOL (2005, 4.3MB, 1:24 min.)

A clever trailer for the independent film – LOL.

By Mica Scalin.

Two from The Silver Jews

to the max
to the max (2005, 37.9MB, 3:30 min)

Sleeping is the Only Love
sleeping is the only love (2006, 7.2MB, 2:54 min)

From The Silver Jews.

Subterranean Homesick Blues – Bob Dylan

subterranean
subterranean homesick blues (1967-2005, 7.5MB, 1:37 min.)

Clip from –

The Yes Men Fix The World

fixtheworld
The Yes Men Fix The World (2009, 37 MB, 2:30 min)

Coming to theaters in October, The Yes Men – Fix The World.
They have an unusual hobby: posing as top executives
of corporations they hate. Armed with nothing but thrift-store suits,
the Yes Men lie their way into business conferences and parody their
corporate targets in ever more extreme ways – basically doing everything
that they can to wake up their audiences to the danger of letting greed run our world.

More vids here and here.

THE HERETICS – the story of the Women

the_heretics
THE HERETICS (2009, 124 MB, 10:08 min)

THE HERETICS, A Feminist Publication on Art and Politics

Punk Pacino

Al pacino
1video (2006, 3.3MB, 14 sec.)

jimpunk does the loop on Pacino.

more jimpunk on dvblog.

Deadlock

deadlock
Deadlock (1970, 7.7MB, 46 sec)

from Roland Klick’s Deadlock with music by Can.
Listen to the title track here.
What a remarkable film.
What a remarkable band.

Kurosawa trailers better than most entire films…


Scandal – trailer (1950, 7.7MB, 1:38 min)


The Idiot – trailer (1951, 6.3MB, 1:22 min)

Don’t know whether these are the original, or re-edited, trailers
but they’re wonderful, wonderful.
Watch and marvel.
I know neither of these films but I can’t wait to get my sweaty
palms on the DVDs from Eureka Cinema’s Masters of Cinema series.

A Scanner Darkly by Richard Linklater

Scanner_darkly
A Scanner Darkly (trailer) (2006, 3MB, 1:15 min.)

“A Scanner Darkly” movie was filmed digitally and then animated
using interpolated rotoscope over the original footage.
by Richard Linklater.

Stepback


Stepback by Lisa Lindley-Jones – WIZ (2007, 24.4MB, 3:27)

Music video for “Stepback” by Lisa Lindley-Jones.
By WIZ via Factory Films

Soft Cinema – Interview with Lev Manovich

lev1
lev_interview_1 (2003, 2MB, 2:12 min.)

lev2
lev_interview_2 (2003, 2MB, 2:08 min.)

lev3
lev_interview_3 (2003, 2.5MB, 2:14 min.)

lev4
lev_interview_4 (2003, 2.7MB, 1:45 min.)

A 4 part interview on Soft Cinema with Lev Manovich –
the Mecca of new media arts.
DEAF 03, Rotterdam.

Also: “On Database Driven Movies”.

Kevin Smith – Clerks 2 – the Movie

clerks2
clerks 2 (2006, 10.4MB, 1:54 min.)

When Clouds Clear


When Clouds Clear (2008, 15.3MB, 2:26)

Directed by Anne Slick and Danielle Bernstein,
When Clouds Clear is a remarkably intimate portrait
of a tiny Ecuadorian village’s struggle against
mining companies that seek to take over (and destroy)
the land they have long cultivated as their home.

Shot on a lovely mix of Super 8, 16mm, and video
to show the complexities of different viewpoints, the
film is one of the most beautiful I have had the
privilege of viewing this year.

“Assembled Cinema” – G.H. Hovagimyan

assembled_cinema
Assembled Cinema (2006, 28.9MB, 5:19 min.)

“You walk into a room and a film/video is projected on a wall.
The scenes played are not in any particular order yet they make sense.
What occurs is that a computer is picking sequences in a random order
and playing them. Your mind and your imagination fill in the story.”

From – G.H. Hovagimyan.

DVblog will eat itself

mouth_study
mouth study (2005, 7.8MB, 3:40 min)

Using footage from the ‘cutting edge cinema‘ thing
we posted here before Lewis LaCook,
created an utterly exuberant & assured piece of appropriation
video with 186,000 ideas per second.

My Name Is Oona – Gunvor Nelson


Gunvor Nelson – My Name Is Oona (1969, 26.9MB, 9:12)

Historic piece from the Swedish filmmaker about her daughter.
Typical of Gunvor’s work, this film addresses themes about
nature, childhood, and maintains an ethereal quality.
Excellent early piece from a uniquely talented woman.

Erik Bunger – the Allens


Erik Bunger – the Allens (2004, 23.3MB, 3:19)

Absolutely clever piece by Swedish artist Erik Bunger,
drawn from his experience moving from Sweden to
Germany, where many films on TV are dubbed. As
language can be so central to a character, Bunger
started thinking about people like Woody Allen, who
always play the same character but also one so
connected to his whiny, nervous New York accent.
For this installation piece, a computer program
continuously changed the dubbing of Allen between
his various vocal incarnations. Totally delightful.

Nicolas Provost – Bataille

bataille1
Bataille (clip) (2003, 1MB, 32 sec.)

“In Bataille, fragments from the Akira Kurosawa’s film Rashomon
are subject to a mirror effect. A scene in which two samurai fight
each other becomes a cosmic field of monsters where horror and
pain evoke beauty and joy.”

from Nicolas Provost.

Steve Bishop – Behold a Pale Horse


Behold a Pale Horse (2007, 6MB, 2:26 min)

I love this piece, originally posted to the currently very lively & interesting
Rhizome front page, quite extravagantly, almost unreasonably.

Reader: Well! -what is it then?
Me: er..well it’s.. a very lo-fi mash up of film studio idents
Reader: and?
Me: ..well..um..that’s it.
Reader: Harrumph! (gets on bike to go)

but you would be so, so wrong, to go that way, dear reader.
I burbled something on Rhizome in a comment on this about the
transfiguration of the banal & it is precisely there
that it seems to me the magic lies. Bishop makes us examine
every pixel as if ( & of course he makes it so) it mattered.
In a kind of strange way the film is rendered archetypally
‘painterly’.
There’s more, though. In the way he estranges & hence makes us look
anew at the imagery of the idents, he recovers some of the mythic force
that was being tapped into by their makers before familiarity rendered
those images banal.
Tremendous work!

Jillian Mcdonald – Screen Kiss

Screen Kiss
Screen Kiss (clip) (2005, 3.1MB, 1:00 min.)

Jillian is trying to make Billy Bob Thornton jealous, inserting
herself into existing film clips and getting kisses from Daniel Day Lewis,
Vincent Gallo, Johnny Depp, and Billy Bob

Creation Myth by Robert Todd


Robert Todd – Creation Myth (2007, 39.3MB, 5:46)

Robert Todd is a master of 16mm. With an enormous
catalog behind him and no sign of his work ceasing in
the near future, Todd is slowly migrating his work onto
his personal website.
What a treat for us.

This piece, Creation Myth, is one of several I will repost
here over time, to show respect for these subtle, moving
visions.

Todd says: “Love of sky, love of earth and air, with
water helping us along form the backdrop to this
reflection of life-essence and its evolution.”

And, full disclosure: Rob has previously been my
professor, and I personally consider him one of
the kindest, most knowledgeable and professional
working artists under whom I have had the privilege
of studying. I wish I had been better able to absorb
his teachings at the time. He is truly a Bolex genius.

On Database Driven Movies – Interview with Lev Manovich

manovich.jpg
Interview with Lev Manovich (excerpt) (2006, 8.8 MB, 4:23 min.)

Lev Manovich is a Professor in Visual Arts Department, University
of California -San Diego and the author of The Language of New Media
which is hailed as

Boxers

Boxers
‘Boxers

Shotgun Stories


Jeff Nichols – Shotgun Stories (2008, 10.3MB, 1:50)

Shotgun Stories tells the tale of two families with the
same father. One, in which the children are named
Kid, Boy, and Son, came before dad sobered up and
found Jesus. The second, his marriage to a beautiful
woman who had four more boys, was his do-over.
After his death, an explosive feud breaks out between
the grown half-siblings.
It opened to rave reviews, and from the chilling
trailer alone, I can see why.

Jillian Mcdonald – Me and Billy Bob

meandbb
Me and Billy Bob (2004, 22.7MB, 7:04 min.)

Jillian inserted herself into existing film clips as the recurring
object of actor Billy Bob Thornton

Standard Operating Procedure


Errol Morris – Standard Operating Procedure (2008, 11.2MB, 2:00)

We don’t hide our love for Errol Morris – see here
and here – but there’s no need for us to apologize.
The man is a genius. His latest feature, Standard
Operating Procedure
, interviews Abu Ghraib prison
guards and tells the story behind the now-infamous
photographs of abuse from the prison, uncovered in
2003. Dubbed a “nonfiction horror film” by Morris,
this investigative film, much like A Thin Blue Line,
helped Morris once again dig deeper into a crime
file, this one just more contemporary.

When you see a picture, you don’t see outside the frame.

With the frightening pictures as a jumping off point,
Morris interviews those involved with the scandal to
get the whole story.
Can’t wait to see this one.

LOOK


LOOK (2007, 10.3MB, 1:43)

Trailer for LOOK, the movie, which is composed
entirely of surveillance camera footage.
LOOK asks (and attempts to answer) questions about
security versus privacy, highly relevant in modern,
legitimately paranoid times.
Are you always alone when you think you are?

No Country For Old Men

No Country For Old Men
No Country For Old Men (trailer) (2007, 15 MB, 2:30 min.)

“Based on the acclaimed novel by Pulitzer Prize winner Cormac McCarthy.
The film simultaneously strips down the American crime drama and broadens
its concerns to encompass themes as ancient as the Bible and as bloodily
contemporary as this morning�s headlines.”

From – Miramax Films. directed by the Coen Brothers.

Tinjail

stillproject07
Still Project 07 (2007, 5.7MB, 1:29 min)

Half of the splendid & indispensable MTAA, whose work we feature here
whenever possible – conceptualist pranksters with a rare (for the territory)
& self deprecating human warmth – Mark River makes interesting video stuff
(amongst other things) on his Tinjail site.
A lot of them are kind of multi-channel (go look) & don’t fit the dvblog format.
This one does & is excellent too..
Here’s his preamble to it:

‘The wild blue yonder, the decent, la jetee, fearless, street fight,
loud QUIET loud, a sound of thunder, enemy at the gate, so wrong they

Quiet City


Quiet City (2007, 11.2MB, 1:52)

Stunning, reflective trailer for Quiet City,
a movie by Aaron Katz, available from Benten Films.
These are my favorite kinds of films.
I love living in – being in – cities, but I prefer them
when they are their most silent and empty.
Text loosely taken from the Apple trailer site, edited by me:
Together, Samantha and Charlie, two somewhat aimless youths,
share twenty-four hours drifting from late night diners, to city parks,
to abandoned apartments, to a party and art gallery deep in the heart
of industrial Brooklyn. Delicately realized with generous humanity,
Quiet City offers hope for intimate connection in a world that grows
larger by the day.

Almodovar – Volver trailer

Volver trailer
Volver trailer (2006, 30 MB, 1:38 min)

A long time ago I sat stony faced and unmoved through the much lauded
Women on the Verge of a Nervous Breakdown & concluded,
quite wrongly, that Almodovar was not for me.
In 2006 about him by Bob Light in the UK Socialist Worker
prompted me to go & see his latest movie, Volver,
& I’m so glad I did – it’s simply magnificent.
Since then I’ve done a bit of catching up.