Matt McCormick and The Shins


Matt McCormick – The Past and Pending (2003, 34MB, 5:17)


Matt McCormick – Australia (2007, 29MB, 3:57)

Matt McCormick is one of those heroes I never knew I had.
He makes insanely tight music videos and local commercials
around the Portland area, in addition to being a friend to hipster
bands and a musician himself.
These are two award-winning videos for the band The Shins,
who I’ve posted from before, though I have no affiliation or
particular love for them.
They just end up extra special on film, especially through
McCormick’s visions of A-Team remakes and leisurely photo drives.

Albert Nanning – Exit


Exit (2008, 48.6MB, 4:50 min)

Says Albert Nanning:

‘I’m a writer (poems mostly) and photographer, living and working
in Amsterdam. My age is 41. See also. The last five years I’ve made
so many pictures due to the digital workflow that by accident
I discovered a way to give all those pictures that I don’t use
a kind of meaning by putting them in a clip that I made.
Most pictures are from Amsterdam. I made
the clip with iMovie.’

& nicely it works too…

Alan Sondheim – Kelvin Helmholtz Clouds


Kelvin Helmholtz Clouds (2008, 5.6MB, 24 secs)

It’s funny – even when Sondheim does picturesque there’s
something very defiantly personal about his take on it.
Here it’s the way that the sequence of images just occasionally
looks as if it hadn’t been thrown together at random but
most of the time it does.
And this does not matter -in fact it’s an asset -there’s a shamanic
urgency to everything Sondheim does which is wholly engaging.

Richard Jochum’s group self portraits


Richard Jochum, Selfportrait as a Group #5 (2006, 14.5MB, 3:33)

Captured by Richard Jochum, proof that a photograph is much
more than we ever see: a collection, a collective process,
the self interconnected.

Irina Birger Thinks Drawing is Important

ibtdii
Irina Birger Thinks Drawing is Important (2010, 93 MB, 3:20 min. excerpt)

“What is the essence of a photograph, or more precisely, of an ID photo, portrait or self- portrait ?
You could almost ask, what is the essence of art. Or, what is the essence of life? That time always passes.
As the Greek philosopher Heraclitus put it in the 5th century BC, Panta Rhei, ‘Everything changes,
nothing remains still’. In the short video film ‘Irina Birger Thinks Drawing is Important’, Irina Birger
provides her answer to such questions.
A waterfall of self-portraits taken from photo albums belonging to her, her family and circle of
acquaintances, creates an ingenious, dizzying autobiography of the artist through the years.

We see the stereotypical development of the artist influenced by the history of art, from classic to
contemporary, and by the places where she has lived in her nomadic existence, from communist
Russia, the former Yugoslavia at the beginning of the civil war there, Israel during the Second Intifada and Germany after its reunification, to her present but certainly not final destination: the Kingdom of The Netherlands.

There’s a pinch to these moving images, where the essences of film and photography converge and clash. In a similar manner Birger’s life collides with the wrenching history of conflict zones and the sometimes difficult existence as an artist. ‘Drawing is Important,’ she posits at the end, her answer in this photo-turns-film project to the question of how she holds her own in life” (Text by Vera Stiphout)

by Irina Birger.

‘Erection’ by John Lennon & Yoko Ono

Erection John Lennon
Erection (1971, 180MB, 18:06 min.)

A nineteen-minute film by John and Yoko, which was made in London during
1970 and 1971. When John had heard that the London International Hotel was
to be built in Kensington, he sought permission to film its entire construction.
Once he’d obtained it he contacted the photographer Iain MacMillan and asked
him to take a series of photographs of the construction. MacMillan had a stills
camera and filmed the erection of the hotel from a fixed position for a period
of eighteen months.
The stills were presented in sequence in the film, which ended with a shot of the
completed hotel where all the lights were then turned off, leaving a black screen.
On the soundtrack Yoko sang two songs, ‘Airmale’ and ‘You’, using tapes of recordings
of Joe Jones Tone Deaf Music Co., which was, in fact, a number of toy percussion
instruments that played themselves, a squeaky style of sound devised by a former
associate of Yoke’s Fluxus days, Joe Jones. The hotel was situated at 147 Cromwell
Road and later became the London Swallow Hotel.

Estella Cumberford – Friendsource14

Friendsource14.jpg
Friendsource14 (2011, 21MB, 1:18 min)

This piece, by Estella Cumberford, is great on a whole number of fronts.
Firstly it’s really nicely made.
The images walk that difficult line between
telling us too much and too little, and the audio
(processed, apparently, in GarageBand) is well judged,
well executed and more than a little engaging.
You wouldn’t guess from the piece’s surface simplicity
(first impressions only of course, anyway. Examine it closely
and see how hand-made and un-algorithmic it is)
the layers of structuring and processing that went into
it but I can’t help feeling these do manifest in the sense of
its coherence, richness and general success as a work of art.
The text was sourced & assembled from status updates on F******* of
14 of the artist’s friends. This then read by her & processed as noted.
The images were then grown (organic metaphors seem somehow
particularly apposite) out of this text and rendered by a kind of
shadow screen technique.
It’s an exquisite piece of work.
Transparency dictates I tell you that I teach Estella
at Writtle. (I use the word teach loosely -as with most of
the students we have an absorbing and on-going dialogue.)
It’s work like this that makes that part of my life so rewarding.

Iban M. Selles – De Noche

de_noche.jpg
De Noche (2010, 71MB, 3:09 min)

I like the boldness of this, constructed by Iban M. Selles entirely
(and deftly) from stills taken on the set of , as I understand it,
a different film on which Iban Selles was working.
The sound, collaged from a number of movie soundtracks, is tremendous.
The piece as a whole has a slightly provisional feel to it -a study rather
than something definitive -but dull it’s not and I look forward to seeing
more work by Selles.

More Unmonumentality

Found Art (West Village) Unmonumental 503
Found Art (West Village) Unmonumental 503 (2011, 48 MB, 35 secs)

Found Art (Chelsea) Unmonumental 504
Found Art (Chelsea) Unmonumental 504 (2011, 43 MB, 32 secs)

Two more gems from Joy Garnett’s splendid Unmonumental
project on Flickr.

Original post

Joy Garnett’s Unmonumental Videos

Found Art (Nolita) Unmonumental 484
Found Art (Nolita) Unmonumental 484 (2011, 36 MB, 26 secs)

Found Art (Chelsea) Unmonumental 507
Found Art (Chelsea) Unmonumental 507 (2011, 32 MB, 23 secs)

Joy Garnett is not only a fascinating and accomplished painter but
she takes a neat photo too.
There’s a huge set of images on her Flickr pages entitled
Unmonumental – a recording and honouring of the melancholy beauty
of the neglected, ephemeral, the broken and the passing.
Recently she’s added videos to the collection and here’re two
of them.
They are utterly beguiling and we’re going to show the whole
lot over the next weeks and months.

Maisie Crow – A Life Alone

a_life_alone
A Life Alone (2009, 81 MB, 5:08 min)

“Tom Rose, 85, wipes a tear from his eye while reminiscing about
his wife who passed away. The two were married for 60 years,
and Tom continues to struggle over her loss.”

By Maisie Crow.

Studio Banana TV Interviews Chen Chieh Jen

chen_chiehjen
Interview with Chen Chieh Jen (2008, 40 MB, 6:05 min)

Studio Banana TV interviews Taiwanese videoartist Chen Chieh Jen.

Chen

William Eggleston – Democratic Camera, Photographs and Video, 1961-2008

william_eggleston
William Eggleston interviewed by Michael Almereyda (2009, 61 MB, 5:31 min)

This candid interview with photographer William Eggleston was conducted by film
director Michael Almereyda on the occasion of the opening of Eggleston

Takashi Ito – Spacy

Private Charges
Spacy ( 1981, 14MB, 2:27)

The other day,on a whim, I bought Takashi Ito’s collected works on DVD
from the BFI shop. I’d never heard of him before.
I’m so glad I did. It is utterly compelling and remarkable work.
Spacy is an early piece and the clip here is neither complete
not particularly good quality but it does give you a taste of Ito’s early
– almost formalist – style.
There’s such delight in seeing how this broadens into the flexible,
confidently handled and singular idiom of the later pieces, where a quite
musical rigor in the formal structuring is never absent but which
also underpins a beautifully ambiguous and rich expressivity.
The whole set was one of those all too rare tingle-down-the-spine
revelations which I gulped down in a couple of sittings.
This is outstanding & important work – I urge people to become acquainted with it.

Liz Sterry – Borders

Borders
Borders (2010, 201 MB, 3:59 min, silent)

Worth every second of the download for this extraordinary
piece from young UK artist Liz Sterry, a digital arts student at the design school
in Writtle, Essex, UK*.
It’s an astonishingly assured bit of conceptual gorgeousness.
I’m particularly taken with..what’s the word.. the ..um..rightness of judgement
with which it was shot and assembled – on the surface thrown together
but everything combining so easily & elegantly to create something of
logic, power and great beauty.

*Transparency – where I currently teach.

Frames Per Second – Exhibition in Salon Projektionist – Vienna

frames_per_second
Frames Per Second (2008, 27 MB, 3:26 min)

Video and photo installation by VJs Bopa and Bruno Tait.
The exhibition is based on the idea of using video and slide projectors to
capture a random moment in time from animations on photographic paper,
foregoing the simple system ‘screen shot’ and projecting light onto ILFORD
photo print paper.

Two tiny Sporkworld loops


A Small Spork Lumiere (2009, 3MB, 9 sec silent loop)


Fireworks (2009, 2MB, 43 sec silent loop)

Two from the ever reliable, delightful, and in its quiet & unassuming
(but frequently deadly – it’s the Columbo of art blogs) way, mould-breaking
Sporkworld Microblog, which if you don’t follow religiously, you should.
Ironically, given the setting, A Small Spork Lumiere could constitute a kind
of ostensive definition of dryness.

Kate Maki – We are Gone


We Are Gone (2008, 55.8MB, 2:50 min)

I was drawn to this because of its connection with the
sublime Howe Gelb ( he produced & plays on the album & it’s on
his OW-OM label), but it’s winning beyond that very good intial reason.
Ms Maki’s song & performance are quite lovely in their passionate restraint
& the video, directed by Scott Cudmore & shot by Lee Towndrow on,
I gather, though I’ve lost the link to the page that told me so, the ‘video’
setting of a stills cam, matches the song in passion, restraint & loveliness.
Cudmore and Towndrow pass, with flying colours, a very simple test
-anyone who can’t produce something affecting with the most minimal
of technical resources probably shouldn’t be making movies at all…

Baum

Baum
Baum (2008, 29.5MB, 3:07 min)

Simple in conception and execution & quite lovely.
Photography: Julie Roehr
Music & Video: Nikola Jeremic
From http://www.njeremic.ecobytes.net/njeremic//index.html

(Don’t you wish, though, people wouldn’t leave those huge bars of black
space above & below like that -so many do- but crop to the area where
stuff is happening?)

Thomas Mottl – Feeling like a Genie – QTVR work

thomas_motti
Feeling like a Genie (2005, 1.2MB, qtvr)

Life from the perspective of a 2-litre Volvic water bottle.
Thomas Mottl interactive photographs.
(Use mouse to click and drag. use shift & controll to zoom in and out)

Matt Smithson

manvsmagnet2
What’s He Building? (2006, 6.7MB, 1 min.)

Matt Smithson is a gifted illustrator whose videos incorporate text,
drawing and photography into rich animated collages.
This video perfectly complements the Tom Waits reading it accompanies.

By Mica.

Standard Operating Procedure


Errol Morris – Standard Operating Procedure (2008, 11.2MB, 2:00)

We don’t hide our love for Errol Morris – see here
and here – but there’s no need for us to apologize.
The man is a genius. His latest feature, Standard
Operating Procedure
, interviews Abu Ghraib prison
guards and tells the story behind the now-infamous
photographs of abuse from the prison, uncovered in
2003. Dubbed a “nonfiction horror film” by Morris,
this investigative film, much like A Thin Blue Line,
helped Morris once again dig deeper into a crime
file, this one just more contemporary.

When you see a picture, you don’t see outside the frame.

With the frightening pictures as a jumping off point,
Morris interviews those involved with the scandal to
get the whole story.
Can’t wait to see this one.

László Moholy-Nagy

moholy_nagy
Lichtspiel Schwarz, Weiss, Grau (clip) (1932, 12MB, 1:39 min.)

“Lichtspiel Schwarz, Weiss, Grau”, a doc concerning Moholy-Nagy’s kinetic sculpture,
the Light Space-Modulator. Moholy-Nagy believed the motion picture played a significant
role as both art & investigative tool.
‘Painting, photography, and film are parts of one problem although their techniques
may be entirely different. They belong to the same realm; that is, to visual expression,
where cross-fertilizations are possible.’

László Moholy-Nagy

Cockroaches from Catherine Chalmers

Chalmers
Catherine Chalmers, Crawl Space (2004, 1.9MB, 44 secs)

From Catherine Chalmers, creator of spooky and often deeply unsettling
videos and still photographs about housefly mating,
genetically engineered mice, and cockroaches taking over everyday spaces.

Eclectic – Ross Ching

eclectic
Eclectic (2007, 66MB, 2:26 min.)

“This film I created by myself. It is a series of time-lapse shots that I edited
together and put to music. Rather than using a regular video camera,
I opted to use a digital SLR camera because it allowed me to shoot in ultra
high definition as well as get the depth of field only available to film cameras”.

Time-lapse photography by Ross Ching.

Santa Cruz Beach Boardwalk by Kevin German

boardwalk
boardwalk (2007, 32MB, 2:15 min.)

A graceful video by photographer Kevin German.

Between You and Me – Patryk Rebisz

Between You And Me
Between You And Me (2005, 30 MB, 4:20 min.)

Short movie shot with still camera.
Written and directed by Patryk Rebisz.

Transitos – Gonzalo Vidal Soler

Transitos 2.1
Transitos 2.1 (2003-6, 21.7MB, 4:37 min)

Transitos 1.1
Transitos 1.1 (2003-6, 23.2MB, 6:32 min)

Transitos, (familiarmente Slows), es un trabajo que une la fotografia
y el video , la fotografia por que son planos fijos y tratamiento de
encuadre y luz puramente fotografico, el video aporta el movimiento,
la duracion y el sonido que rodea estos parajes, podriamos hablar
de fotografias sonoras con movimiento. Transitos son lugares por
los que el ser humano pasa o se deja llevar de forma automatica
y que por ese automatismo, deja de apreciar, aunque siempre deja
su huella sea esta sonora o fisica. Los slows estan divididos en
4 apartados: paisaje maritimo, paisaje urbano, retratos en tren,
y finalmente, paisaje rural.


Transitos (literally ‘Transits’, although I’ve got into the habit of
calling them “Slows”, for obvious reasons) is a work, or series of works,
that unites photography and video. Photography, in the insistence on a
fixed plane and the purely photographic treatment of frame and light;
video, in the introduction of the movement, duration and sound which
suffuse these locations. Perhaps:
‘Photography with sound and movement’ !
Transitos are places human beings pass through almost automatically and
therefore unconsciously, nevertheless always leaving their imprint, be it
sonic or material.
The pieces are divided into four groups: seaside, countryside, urban
landscape and train portraits.

Thoughtful, slow-burning, work of sometimes heart-melting beauty from
Spanish photographer Gonzalo Vidal Soler .