Train Coming

Train Coming -Surreal
The Smith Family/Train Coming/surreal.mov (2007, 1.12MB, 56 sec)

Train Coming
Edward Picot/traincoming.mov (2007, 31.9MB, 2:38 min)

Train Coming -Surreal2
The Smith Family/Train Coming/surreal2.mov (2007, 1.11MB, 57 sec)

I’m going to sign this one, because it’s marginally self-promoting
though not, I think, in a terrifically self-serving way.
I’m currently running a competition on my personal site to either perform, remix
do karaoke versions of, or do basically anything with, a short
(33 sec) song.
To date I haven’t exactly been inundated with entries, but
curiously three out of the current five are little movies &
great they are too.
Don’t think The Smith Family have a website (correct me if I’m
wrong folks) but Edward Picot can be found here & here.
Also – please feel free to have a go yourselves! -details from the competition link above.
Michael

Random Acts & Inner Politics

Random Acts & Inner Politics
Random Acts & Inner Politics (2006, 25.4MB, 1:57 min)

Nicely intense piece from Ryan Seslow.
Intense & urgent, which urgency gives it an interesting
forward momentum, a disregard for the nice finish & a
real punch.
There’s a visual confidence, almost a swagger, which I like
very much, too.
I’m not convinced all of Ryan’s work succeeds equally,
and I find some of the surrounding rhetoric a little
mystifying but it’s clear there’s something both
interesting & driven happening here.
Work to watch.

Ken Turner #8 – studio

 in the studio
in the studio (2006, 1.8MB, 1:03 min)

Ken’s site.

Ken talking about his ideas & work.

Original dvblog editorial

Treehouse Kit – Guy Ben-Ner

GuyBenNer
Treehouse Kit (excerpt) (2005, 2.3MB, 1 min.)

Excerpt from a single channel video installation and sculpture by Guy Ben-Ner.
“Treehouse Kit” consists of a large wooden tree created from recombined, generic furniture.
The sculpture is presented along with an instructional style video in which Ben-Ner
(in swim trunks and a huge beard, a cross between Robinson Crusoe and an archetypical Israeli settler) converts the pre-fab tree back into a rudimentary home.

Originally commissioned for the Israeli Pavilion at the 51st Venice Biennale 2005.

Ken Turner #7

 untitled
untitled (2006, 5.77MB, 1:23 min)

Ken’s site.

Ken talking about his ideas & work.

Original dvblog editorial

Kev Flanagan

Talking Heads
Talking Heads (2003, 12.8MB, 1:09 min)

Ain
Ain’t Nobody Got It (2006, 18.1MB, 1:35 min)

Two movies from Irish artist & curator Kev Flanagan.
I like them both, but there is something so utterly fuck-off mad
about the Aguilera cover, with its fine disregard to boot for any known
production value, which totally does it for me.
The performers in that are Cian McConn & Stephanie Hough
who as Margaret and Jim have their own neat line in performance…

Rick Silva – A Rough Mix

A Rough Mix
A Rough Mix (excerpt) (2007, 140MB, 8 min.)

Excerpt from a single channel and a looping installation DVD by Rick Silva.

Oh this is smart & rich & lovely work!
You think perhaps the remix idea has colonised all of our thoughts
& our work to the level of clich�.
(So maybe all that remains is to classicize it – to do it better & better,
which is certainly something Silva, in various guises, has recently done..)
One day, someone describes this work in words to you & you
might, if of a cynical turn of mind, think – ‘Ho-Hum!’
Then you actually look at it & there’s something alchemic going on.
From a fairly base metaphor, Rick Silva conjures a work of elegance,
substance & great beauty – a beauty not only visual but moral.
Look at it! – it’s a paean to the planet but many other things too:
the scratching becomes dance, it’s a dance film!
The music is so carefully cut (but in such an apparently offhand way,
the way one imagines the mythical 19th century gentleman
would cut): it’s a music video!
It’s a travelogue (but its editing would not have made sense
before the net).
Each basic level constantly & fruitfully gives rise to other emergent
meanings which in turn reseed new ways of thinking about the piece
– the mark of a serious & substantial work of art.

PS Interesting to compare this with Cary Peppermint’s recent
Series of Practical Performances in the Wilderness
– another work that is in a sense engaged around loosely ecological
themes, very much the zeitgeist, (but reasonably so!)
& whose artistic qualities are not confined, limited, by that engagement…

PPS Now I think about it – there’s all the wonderful stuff by Stallbaum & Poole too.
That fits in somewhere too…

PPPS Personally I like this much more than Silva’s recap – for me, in that, there was a sense in which the formal structure based on a kind of repetition over a long period eventually closes
us off ( although one can of course see how that work might have been
a very necessary staging post to this)
– here there’s a fantastic sense of opening-out
Exhilarating!

Ken Turner #6 – folding

 folding table wise
folding table wise (2006, 5.36MB, 2:10 min)

Ken’s site.

Ken talking about his ideas & work.

Original dvblog editorial

KDM 100 – A Dispatch from the Front Line

Hey Joe (M.River)
Hey Joe [M.River] (2007, 17.9MB, 3:35 min)

Hey Joe (T.Whid)
Hey Joe [T.Whid] (2007, 17.5MB, 3:31 min)

Previously:

…bastard…Duchamp…Marx…splendid & singular….
Karaoke Death Match 100…brutal…alcohol…blood…sing-along…
fury…pee breaks…Carpenters…heavy…teleprompter …clearly…
50 days…sneak… ahem…er… moving
T.Whid…shambling…M River…weird…dynamics…
falling over…human…wonderful…

Just over half way through: – vote early, vote often!

Karaoke Death Match 100.

Sounding the Body: Larsener & Sondheim

luke larsener
from star w (2005, 3.1MB, 1:40 min.)

watched wire
watched wire (2006, 6.1MB, 2:15 min)

Compelling sound stuff from two different sources.
First a piece from projectsinge.net,
a kind of feedback carillon & the movement that
it engenders/engenders it totally absorbing –
comedic, touching, strange.
Secondly, work by Alan Sondheim, who needs
no introduction here. More delicate & austere
than the Larsener piece, it provides a sharp &
fascinating contrast in the, one would have hitherto
thought, relatively easily exhausted, genre of
“work-made-by-having-microphones-or
-other-devices-attached-to-one’s-body.”