
Lucia Nimcova – Exercise (2007, 40.5MB, 6:03)
Outrageously funny video from 2007 by Slovakian artist
Lucia Nimcova.
I’m pretty sure not being able to understand
the language makes this that much more
endearing and amusing.

Lucia Nimcova – Exercise (2007, 40.5MB, 6:03)
Outrageously funny video from 2007 by Slovakian artist
Lucia Nimcova.
I’m pretty sure not being able to understand
the language makes this that much more
endearing and amusing.

Richard Jochum, Selfportrait as a Group #5 (2006, 14.5MB, 3:33)
Captured by Richard Jochum, proof that a photograph is much
more than we ever see: a collection, a collective process,
the self interconnected.

My Miwoo [Tai Chi Weekend Control] (2007, 24.6MB, 50 secs)
Aī-Hz, real name Michael Renassia,
is a French visual performer living and working in Tokyo.
His site contains possibly my favourite biographical nugget ever:
‘He is using compositing software in a diverted way, and real-time mixing
instruments with the aim to create a noisy/pop universe…’
Now, who could possibly object to that?
This piece is rather lovely – the thing that totally makes it for me
is the epiphanic moment at the end when the music/animation stops &
the person appears ..there’s a haunting sense of time suspended..
So, for me, 10/10 for visuals.
I am pretty bored ,though, with the by-the-yard avant-dance music
that accompanies so much work of this kind..it’s not bad
or anything, just pedestrian…

Abbie Making Gefilte Fish (1973, 140MB, 21:04)
Footage of Abbie Hoffman making gefilte fish with Laura Cavestani
(who made the video) in his kitchen, 1973.
Like Abbie, I think art is in the everyday, and it sure is a fun
(and rather informative) twenty minutes if you’ve got it to spare.
Art for Abbie was education, constant revolution, evolution, and living for free.
Art and freedom were one in the same, inextricable from each other.
We miss you man.

Experiment (2006, 28MB, 2:08 min.)
A Ryan Dunn video.
Moma & Seed Media Group..
from del.icio.us:media:video

White Glove Tracking (2007, 45.5MB, 7:34)
At a televised special in March 1983, Michael Jackson
debuted what would later become known as his
signature Moonwalk. He wore a shiny jacket,
cuffed pants, and a sparkling little white glove
while gyrating around the stage. It’s nearly
impossible to deny the brilliance of Billy Jean,
and there it was – in some kind of larger than
life, glittery manifestation of the zeitgeist.
All very exciting, no?
But tracking Jacko’s glove – this collection of videos
known under the umbrella White Glove Tracking –
is an unparalleled feat, as are the resulting
remixes. 10,060 frames were tracked, the
data was collectively gathered, and all of the
source code was made available online.
Coding ensued. Here are the highlights so far.

Inside.v04 (2001, 6.7MB, 1:51 min)

Newbody.v01e (2004, 14.5MB, 3:32 min)
Two short animations from the series ‘Meat’ by Jose Carlos Casado.
Ideas of potential new forms, clones, and artificially
produced offspring are touched upon in ‘Inside.v04’
‘Newbody.v01e’ is kind of Hieronymus Bosch does the Olympics,
the stuff of nightmares & transcendent beauty too . The score, by
Sophocles Papavasilopoulos, is also a small masterpiece:
complex, yet self-effacingly serving the totality.

Asynchrony – Split (Head) (2006, 11 MB, 2:14 min)
“My latest project is Asynchrony. It’s a set of four interactive sketches for the
simultaneous visualization of multiple points in time within video. When combined
with time-lapse or looped video clips, each sketch generates a crudely synthesized
image of different time points in video, all within the shared space of the visual frame.
They divide the video frame into static or animated rectangular regions,
each of which can have its own time flow.”
by James Jung-Hoon Seo.
Says Albert Nanning:
‘I’m a writer (poems mostly) and photographer, living and working
in Amsterdam. My age is 41. See also. The last five years I’ve made
so many pictures due to the digital workflow that by accident
I discovered a way to give all those pictures that I don’t use
a kind of meaning by putting them in a clip that I made.
Most pictures are from Amsterdam. I made
the clip with iMovie.’
& nicely it works too…

futurespots – Splinters (2006, 10.1MB, 1:44)

futurespots – Flash (2006, 3.7MB, 1:10)
From the futurespots archives, two older works
from what is now a defunct videoblog.
These days, Christopher Black’s experimental
and interactive media can be found on his personal site.

hurricane3 (2008, 1.7MB, 47 sec.)
From Dutch artist Constant Dullaart.

DRIFT SLICYCLE POPPED! (2007, 11MB, 1:59)

LOQUACIOUS EYESICLE WILD-BITES (2007, 14.9MB, 2:34)
PSST gets designers, animators, and directors together for
collaborative film projects every year. Their main concern
is process, which they explain comes from a fusion of the
Dadaist game Exquisite Corpse and the sometimes childhood
game, Telephone.
Whatever their theory, their annual collections are stellar.

Behold the Light (at Night) (2008, 87MB, 6:27 min)
We initially posted this in 2008 when we encountered Dan Osborne’s work
for the first time.
Recently he seems to be actively rejecting some of his earlier work so I hope
he doesn’t mind us reposting this. In my view he’s a very talented artist
with a quite singular vision.
We said then:
There’s something pleasantly reminiscent of Linklater’s Slacker
in this piece from Dan Osborne.
I don’t mean to suggest it’s derivative; I don’t think it is, or only
in the completely unescapable way of coming-after. This piece
has it’s own identity, which at first I wasn’t sure whether it was
completely random, but then little bits of structuring begin to
assert themselves. In particular I like the fades which occur
immediately prior to anything substantive happening.
A lot of it looks very good too – there’s no doubt the man
has an eye – the 3-D glasses sequence, the fire women,
the musical instruments procession (although am I alone in
finding something slighty snotty about the shot of the bemused onlookers?).
That little cavil aside this is interesting stuff & I look forward to seeing
how Osborne’s work develops.

Amy Carpenter – Why Not? (2006, 8.4MB, 2:56)
In thinking back on the people that inspired me when
video online first began to really take hold of everyone,
I remembered Amy Carpenter’s Welcome to Amyville.
This little piece from a few years ago always stuck with me.
It felt so innovative at the time and still really outshines
many similar works to have come after it.

Extended Camera (2005, 5.5MB, 2:19 min.)

Night Performance #3 (2005, 12.1MB, 7:54 min.)
In May 2005 Garrett Lynch & co-conspirators blagged some
money from Arts Council England to spend a weekend at a
country house playing with video.
The result is documented on this great site.
At their best these vids do absolutely match up to the
funding application rhetoric. They combine performance,
technology & layer upon layer of knowingness to produce results
which had me, at least, open mouthed with admiration.
Wonderful!

The Delicate Museum – What Everyone Else Was Talking About (2006, 13MB, 1:21)

The Delicate Museum – A Suggestive Manifesto (2006, 9.7MB, 1:32)
Two more breaths of fresh air from 2006 and The Delicate Museum,
also known as Duncan, formerly of 29fragiledays.
Said before, I’ll say it again: such beauty in the small things.

Bob’s Big Date (2008, 7 MB, 50 sec.)
“These are the adventures of a psychopath named Bob. Bob is not
a nice man; not even a little bit. This show is the video equivalent
of a Sunday comic strip.
Here Bob goes out on a date with Betty, perhaps the first woman
other than his mother to truly understand and appreciate him.”
From The AV Club.

Time Lapse Homepage (2003, 18.4 MB, 55 sec.)
‘Paul Slocum‘s Time-Lapse Homepage (2003) signifies through accretion.
This high-definition video is composed of 1,000 computer screenshots
of his homepage. Complete with an upbeat score that could easily be
a corporate jingle to promote a new technology, the stills display the
building, erosion, and occasional complete overhaul of an ever-evolving
Web site. This work provides a layered historical record of something
we tend to see only in discrete units-the appearance of a homepage on
any given day-while attempting to think through Web design in the
language of earlier time-based media.’

Duncan Speakman – Is Life Boring? (2005, 5.3MB, 1:17 min.)
From Duncan Speakman (yes, his real name) and the now abandoned 29fragiledays.
Duncan moved onto the less populated Delicate Museum, but I enjoy his older work much more (maybe because there is simply more of it?).
No contrived voice-overs (at least not at first), I’m also given enough time to meditate on the video.
Sometimes short is too short.
This is one of the best pieces from his previous incarnation.

Time After Time (2003, 45.5MB, 5:39 min)
I was initially rather mystified by the vogue in UK galleries for
the work of Albanian artist Anri Sala but after a while the penny
dropped.
The courage to embrace the poetry of detail, of stillness,
apparent lack of incident & furthermore to trust
one’s viewers to accompany one to that place…
Elegant, sad, lugubrious & also, I think, much more crafted
than first meets the eye.
Great.

Quilts Never Sleep (short version) (2007, 20.9MB, 3:07 min)
Two very different but attractive & telling pieces from Dan Canyon.
The first was part of a show of – you guessed it – quilts in London in 2006,
about which read more here.
The second could’ve been made for dvblog, well, at least for me, as I’m a fool
for all things turntablist, & features the splendidly monickered Mickey Morphingaz.

Eric Lerner – Mr. Deja Vu (2006, 27.2MB, 3:48)
From Eric Lerner‘s collection of Mr.CityMen.

travel images unseen (2011, 156MB, 6:01 min)
‘5 video clips taken on a simple video camera, through a window on a coach to the
plane from Istanbul and arriving in London by train. Selected by and stitched, unseen
by the creator who will never watch the video, ever.’
The gentlest conceptualism & quite, quite lovely too.
There’s something about knowing the premise that leaves one
very open – one could say innoculates one – to its formal consequences –
here a looseness which somehow gently stretches time, makes it grainier
but conversely sharpens our attention, perhaps to make up for the
maker’s own vow of abstention.
One more in the series to come.

Change of Colour (2007, 6MB, 1:00 min)
Does what it says on the packaging & sublimely.
This is so beautiful.
A Lumière from Sam Renseiw.

British Beach Hut Miscellany(2006, 5.2MB, 1:36 min)
Made by Giles Perkins. Shot on Super 8 & digitally edited.
English pastoral loveliness with a conceptual/formalist twist,
which resolves to… English pastoral loveliness.
Lovely!

La sortie des ouvriers de l’usine Lumière à Lyon (1895, 6MB, 46 sec.)
The year is 1895. The “Hangar” was the first set in the history of Cinematography and
can be seen here in “La Sortie de l’usine Lumière”, Lumière’s first film.
from the fantastic site – Institut Lumière.

A Tough Dance (1902, 7.1MB, 47 sec.)

Bicycle Trick Riding (1899, 5.5MB, 37 sec.)

Three Acrobats (1899, 5.4MB, 36 sec.)
Three exhilarating chunks of early movie making from the
Library of Congress online collection of variety stage motion pictures.
I particularly love the deeply strange A ‘Tough’ Dance.
There’s also a great early animation collection on the LOC site.

mobile opera (2006, 7.1 MB, 48 sec.)
from – fast moving animals.
Music: Rossini: ‘La Danza’. Voice: Beniamino Gigili

Movie #4 (2006, 1.9MB, 44 sec)

Movie #14 (2006, 2.9MB, 1:12 min)
Interesting work from Canadian film maker Jimi Bogdanov.
Movie #4 , in particular, has a fragile & arresting beauty.

Roundabout (n/d, 5MB, 35 sec.)
Found in the inspiration section of VJ Forums.

HD VIDBLOG #119 (2006, 5.9MB, 3:09 min.)
“Why would somebody make something like this?”
by Prof. Chris Weagel from “human-dog”.

The Head of Raymond K (2006, 25.3 MB, 2:50 min.)
“Did any of this happen? Should I quit drinking coffee?
Do I exist? Am I only a construct in the mind of some insane norwegian?
Should I quit my job? Change my head?
These are only a few of the existential questions you might ask yourself
when you venture into the head of Raymond K.“
Part 2 of 5 from Bottom Union

Found Art (West Village) Unmonumental 503 (2011, 48 MB, 35 secs)

Found Art (Chelsea) Unmonumental 504 (2011, 43 MB, 32 secs)
Two more gems from Joy Garnett’s splendid Unmonumental
project.

The Internet (2006, 5.3MB, 1:03 min.)
2006 report from Valdezatron Industries technology department.
from Aaron Valdez.

Well Did You Evah? (1990, 30MB, 3:45 min)
Staying with Monday’s Iggy Pop theme, maybe you’re all
totally familiar with this but I never saw
it before & I think it is great .
Here he duets with Debbie Harry on the
Cole Porter song Well Did You Evah? as part of an
AIDS fundraiser from 1990.

Found Art (Nolita) Unmonumental 484 (2011, 3 MB, 26 secs)

Found Art (Chelsea) Unmonumental 507 (2011, 3 MB, 23 secs)
Joy Garnett is not only a fascinating and accomplished painter but
she takes a neat photo too.
There’s a huge set of images on her Flickr pages entitled
Unmonumental – a recording and honouring of the melancholy beauty
of the neglected, ephemeral, the broken and the passing.
Recently she’s added videos to the collection and here’re two
of them.
They are utterly beguiling and we’re going to show the whole
lot over the next weeks and months.

Blackball (2008, 10MB, 1:21 min)
God, I dislike this work! It’s the combination of the stellar
degree of smug self-congratulation with a faux experimentalism/pretension
to art similarly typified by the ludricous “creative” moniker
attached to exponents of advertising.
But..but..again – like some ads, not many, some – there’s
something to be learned here, especially from Beasting
which manages to be both deeply, Zoolanderishly, risible
(the branded underpants) but also generate a kind of deep,
myth-related frisson.
All the more vexing that somewhere here is real talent.
So…we hold our noses and post…
Enough! Six months, at least, before any more of this.
I’m going out for some air.

Amazing (2005, 4.1MB, 2:02 min.)
I found this in my DVblog to-do folder & embarassingly
I can’t remember when or from where I downloaded it.*
If anyone can oblige please mail us.
Anyway, it made me laugh quite immoderately.
* Update -the splendid Sam Renseiw rides to the rescue with
this link.

Geisterschloss (2006, 4MB, 1:49 min.)

787 Cliparts (2006, 10.6MB, 1:05 min. loop)
Earlyish stuff from the now seemingly ubiquitous Oliver Laric.

Dark Stars (2006, 6.9MB, 1:30 min)
Two rather attractive & intriguing pieces by Marisa Olson
made at a 2006 residency at the Experimental Television Center.
Said Marisa:
“Both are made using a combination of analog & digital processes
and Dark Stars is almost completely analog.. but
then again, both appropriate found material from the internet.
From Here is the music video for Zach Layton’s remix of my song of the
same name. Dark Stars uses samples from one of those old VHS video
games”.
More from Marisa on DVblog here.

untitled 1 (2010, 630kb, 7 sec.)

untitled 2 (2010, 1MB, 10 sec.)

trophy sports (2010, 768kb, 8 sec.)
three miniatures from nick vitou (ormo).
all cellphone uploads to facebook.
all shot on location while running replay for a local sports television network.
..DNF chancellor with a gold eye.
& check out his music endeavors at LAPS.

Deaf Swedish Beaver TV (2010, 9MB, 1:03 min)
Sooooo un-PC on just soooo many levels
and quite quite wonderful too, a great Lumière from
DVblog’s own Brittany Shoot.

Bramble Jelly (2010, 63MB, 5:14 min)
Lovely little pastoral from Edward Picot, as resolutely
unfashionable as ever and not any the worse for it.
More soon.

series 1, #10 (2006, 625KB, 1 sec. loop)

series 1, #1 (2006, 564KB, 1 sec. loop)

series 1, #20 (2006, 550KB, 1 sec. loop)
Attractive & interesting 2006 work from Belgian artist Hugo Heyrman
Despite a superficial similarity to the work of the late David Crawford
this work has a dynamic (and a charm) entirely its own.
Check out Heyrman’s Museums of the Mind site for more.

Tuilleries (2005, 480KB, 6 sec.)

Divining (2005, 2.1MB, 30 sec.)
A few gems from Littlewhile, a vlog (no longer with us)
which featured non-fiction clips.

10366629 (2009, 7 MB, 1:26 min)
Here’s the blurb:
In a wilderness at the heart of Berlin a strange apparition has landed. Simon Faithfull

Hans Lo – How TV Works (2009, 9.7MB, 2:15)
Series of educational videos made by Hans Lo
for his young niece Sophie.

Charlene Rule – Private Screening (2009, 10.9MB, 1:38)
Lovely view from Scratch TV.

talking asshole (2006, 1.5MB, 35 sec)
William Burroughs thou shouldst be living at custom essays uk this hour!
Not perhaps the most subtle of satires but
highly enjoyable nonetheless.
‘I commend your frontier justice’, or similar, said
a comment on Teddy Stern‘s blog.

RBG6 – Yasuragi (2008, 5MB, 0:20)

RBG6 – Colour (Sony) (2008, 38.6MB, 2:34)
Two short ad pieces from Swedish studio RBG6

Tomas Mankovsky – Sorry I’m Late (2009, 24.9MB, 3:11)
Lovely short film Sorry I’m Late.
Fun and engaging and very well done.
My only criticism: I know it’s important to
include proper credits, but must they be as
long as the piece itself?

europe-vloggercon (2005, 6.7MB, 1:35 min.)
by Anders from – randomshow.com.
also, history and Video blogging.

Humans Since 1982 – The Clock Clock (2009, 3.3MB, 1:03)
By Humans Since 1982
Via the YouTube