Sondheim – Watching Them

watchingthem
Watching Them (2010, 14MB, 38 secs)

ALL

ALL-BEARING Omniparous
ALL-CHEERING That which gives gaiety to all.
ALL-CONQUERING That which subdues every thing.
ALL-DEVOURING That which eats up every thing.
ALL-FOURS A low game at cards, played by two.
ALL-HAIL All health.
ALL-HALLOWN The time about All-saints day.
ALL-HALLOWTIDE The term near All-saints, or the first of November.
ALL-HEAL A species of iron-wort.
ALL-JUDGING That which has the sovereign right of judgment.
ALL-KNOWING Omniscient, allwise.
ALL-SEEING That beholds every thing.
ALL-SOULS DAY The day on which supplications are made for all souls
by the church of Rome; the second of November.
ALL-SUFFICIENT Sufficient to any thing.
ALL-WISE Possessed of Infinite Wisdom

(From John Walker’s Critical Pronouncing Dictionary, 1825 ed.)

38 seconds of strange & aching beauty from Alan Sondheim.
The text above accompanied the original posting
of the vid on the Netbehaviour & Webartery lists.

Circulation by ZDEN

Circulation by ZDEN
Circulation (2003, 56.1MB, 3:24 min)

ZDEN is a Slovakian artist and a pioneer in real-time
video performing – VJing. His live visuals are produced by a
self-developed post-production tool called CIRCULATION,
a software-based real-time 3 source video mixing engine.
Visit his site.
More vids here.

Double-Taker (Snout) – interactive installation

snout
Double-Taker (Snout) (2008, 7MB, 52 sec.)

“Double-Taker (Snout)” deals in a whimsical manner with the themes of trans-species
eye contact, gestural choreography, subjecthood, and autonomous surveillance.
The project consists of an eight-foot (2.5m) long industrial robot arm, costumed to
resemble an enormous inchworm or elephant’s trunk, which responds in unexpected
ways to the presence and movements of people in its vicinity. Sited on a low roof above
a museum entrance, and governed by a real-time machine vision algorithm,
Double-Taker (Snout) orients a supersized googly-eye towards passers-by, tracking their
bodies and suggesting an intelligent awareness of their activities. The goal of this kinetic
system is to perform convincing “double-takes” at its visitors, in which the sculpture
appears to be continually surprised by the presence of its own viewers

Troika Ranch -16 [R]EVOLUTIONS

16 [R]EVOLUTIONS
16 [R]EVOLUTIONS (2006, 3MB, 1:50 min)

I saw this piece from NY based group Troika Ranch a few years back
in deepest Essex, UK & it was utterly great –
took me about ten minutes to put my jaw back in postion after.
Certainly by far the most convincing & mature use of digital
technology/projection in a dance context I had then seen.
Much of the visual flavour comes from the Isadora real time video
manipulation software created by co-artistic director Mark Coniglio &
used together with motion sensing software.
It’s not just the tech stuff though – it’s great choreography & dance
somehow informed by the particular rhythms, logic, that the tech
feedback loop sets up, implies.
It’s the fact, too, that a company deploying cutting edge tech can
still use simple shadow & stillness to devastating effect.

Opto-Isolator – Golan Levin and Greg Baltus

optoisolator
Opto-Isolator (2007, 6MB, 46 sec.)

“Opto-Isolator inverts the condition of spectatorship by exploring the questions:
“What if artworks could know how we were looking at them? And, given this
knowledge, how might they respond to us?” The sculpture presents a solitary
mechatronic blinking eye, at human scale, which responds to the gaze of visitors
with a variety of psychosocial eye-contact behaviors that are at once familiar and
unnerving. Among other forms of feedback, Opto-Isolator looks its viewer directly
in the eye; appears to intently study its viewer’s face; looks away coyly if it is stared
at for too long; and blinks precisely one second after its visitor blinks.”

By Golan Levin and Greg Baltus.

Eyecode – Golan Levin

eyecode
Eyecode (2007, 7MB, 52 sec.)

“Eyecode is an interactive installation whose display is wholly constructed
from its own history of being viewed. By means of a hidden camera, the system
records and replays brief video clips of its viewers’ eyes. Each clip is articulated
by the duration between two of the viewer’s blinks. The unnerving result is a
typographic tapestry of recursive observation.”

By Golan Levin.

Annie Abrahams & Curt Cloninger -<em> Double Blind</em>

double blind
Double Blind (clip) ( 2010, 70MB, 5:38 min)

“Annie Abrahams (from the Living Room in Montpellier, France)
and Curt Cloninger (from Black Mountain College Museum and Arts Center
in Asheville, North Carolina, US) repeatedly sang “love, love, love”
(a short excerpt from a pop song) as a kind of duet, in real
time/space and online.

In order to isolate them from their surroundings and make them
more attentive to the other, they were both blindfolded.
While singing they evolved and mutated the original song excerpt,
collaborating and communicating in a space/time of alterity.
The artists have never met each other in the flesh.

There was no set duration.
They sang until the last one of them decided to stop.
In both places a space was reserved for the live performance
and another for the video and audio projection.
A camera was fixed on each of their faces singing to each other.
This live video of both faces was projected both in the
Living Room space and in the Black Mountain College
Museum and Arts Center space.
The performance was also visible on the web at http://selfworld.net.”


Interesting and affecting convergence of the performative work
Curt Cloninger has been doing of late with the
strange, wonderful & categorisation denying oeuvre of Annie Abrahams.

We feature here only a tiny extract from the 4 hour plus performance
of Double Blind – the complete documentation will be on show
as part of Annie Abraham’s first UK solo show at HTTP gallery
in North London, in addition to new works and performances.
The opening is on Friday night & all are welcome – if you’re in
or near London it’ll be well worth getting along to.

Complete Double Blind documentation & links

Nathaniel Stern & Jessica Meuninck-Ganger – Passing Between/Distill Life

The Works
The Works (2010, 15MB, 4:27 min)

Documentary
Interview/Documentary (2010, 23MB, 6:38 min)

We showed some earlier footage of the work featured here last May
and waxed lyrical about it.

Now Nathaniel Stern and Jessica Meuninck-Ganger have a show at Gallery A.O.P
in Johannesburg, South Africa, opening tomorrow, and we’re delighted
to feature two videos, one of the works themselves and one of a documentary
about their making and the impulse behind them, including interviews with
Nathaniel and Jessica.
These videos are also on a DVD* which comes with the show catalogue.

Usually I fight shy of reproducing artists’ own publicity but I’m going to
break from the rule here because what they themselves say sums the pieces
up rather nicely.

Jessica Meuninck-Ganger and Nathaniel Stern approach both old and
new media as form.
In their “Distill Life” works, the artists permanently mount translucent
prints and drawings directly on top of video screens, creating moving
images on paper. They incorporate technologies and aesthetics from
traditional printmaking – including woodblock, silk screen, etching,
lithography, photogravure etc – with the technologies and aesthetics
of contemporary digital, video and networked art, to explore images
as multidimensional.
Meuninck-Ganger and Stern hack and tweak, shoot and print,
appropriate and remix, edit and draw. Their juxtaposition of anachronistic
and disparate methods, materials and content -print and video, paper
and electronics, real and virtual – enables novel approaches to
understanding each. The artists engage with subject matter ranging
from historical portraiture to current events, from hyperreal landscapes
to socially awkward moments.
The works are surprising, wistful, enchanting, and seriously playful.

“The works are surprising, wistful, enchanting, and seriously playful.”
– absolutely!

I don’t know whether we have any readers in Johannesburg – if yes I strongly
urge you to go along to what promises to be a real treat.

* and in the interests of transparency I should say that I wrote the accompanying
music for the video documentation…

‘Text Rain’ by Camille Utterback and Romy Achituv

textrain
Text Rain (1999, 12 MB, 2:34 min.)

‘Text Rain’ is an interactive installation in which participants
lift and play with falling letters in real time. The falling letters
form lines of a poem about bodies and language.

By Camille Utterback and Romy Achituv.

Zimoun – 216 prepared dc-motors / filler wire 1.0mm

zimoun3
216 prepared dc-motors / filler wire 1.0mm (2009, 10 MB, 36 sec.)

by Swiss artist Zimoun.