The Listening Project (2008, 31.5MB, 2:43)
It feels a bit cliched, but I’ll give this one the
benefit of the doubt, of doing relevant and
important work about the current state of
global relations.
The Listening Project is a documentary feature film
that puts a human face to world opinion of the U.S.
Filmed in 14 countries, it explores many facets of
America
Kill the Artist Trailer (2008, 17MB, 2:37 min)
Kill the Artist (excerpt) (2008, 12.7MB, 1:09 min)
Documentary from Andreas Troeger about ‘artists who got into trouble with the law
because of their art-works’.
Personally I don’t share what I understand to be the film’s implicit
libertarianism – I’m all in favour of shutting down, for example,
Holocaust deniers, or race hate merchants generally.
Niether did I see any work in the extracts sent that I gave a damn about artistically
but of course the point is that censorship operates salami style
& often by picking the most problematic, hard to defend, cases first,
so the discussion here matters.
Nonetheless when the definitive history of political censorship of/attacks upon art in the early
twenty first century is written I can’t help feeling the Steve Kurtz case
will figure more largely than the stuff on display here.
Interested what others think.
‘Irark’ (2003, 5.7 MB, 5 min.)
‘ME’ (2001, 18.5 MB, 2:45 min.)
Simply great stuff from Austrian Monochrom.
Daryl Wein – Sex Positive (2008, 16MB, 2:43)
Groundbreaking film from 24-year-old Daryl Wein.
I hate it when people mention my youthful age, but
I think since I know my motivations for doing it, I’ll
just accept that we all mean it as a compliment.
Wein’s portrait of 1980s AIDS activist Richard Berkowitz
is such a contribution to our modern understanding of the
history of AIDS and gay rights activism. One of the first
to speak out about the need for safe sex in the gay
community, Berkowitz was ridiculed and ostracized.
This excellent documentary finds Berkowitz today and
revisits his time as an S&M sex worker before becoming
an outspoken critic of the AIDS epidemic. Much of the older
footage is also courtesy of Berkowitz.
An outstanding collaboration.
Errol Morris – Standard Operating Procedure (2008, 11.2MB, 2:00)
We don’t hide our love for Errol Morris – see here
and here – but there’s no need for us to apologize.
The man is a genius. His latest feature, Standard
Operating Procedure, interviews Abu Ghraib prison
guards and tells the story behind the now-infamous
photographs of abuse from the prison, uncovered in
2003. Dubbed a “nonfiction horror film” by Morris,
this investigative film, much like A Thin Blue Line,
helped Morris once again dig deeper into a crime
file, this one just more contemporary.
When you see a picture, you don’t see outside the frame.
With the frightening pictures as a jumping off point,
Morris interviews those involved with the scandal to
get the whole story.
Can’t wait to see this one.
DELOS (2007, 36 MB, 7:15 min.)
A great corporate satire by The Blow Up Media.
thanks yoshi.
The French Democracy (2005, 39.7MB, 13:09 min)
Quite remarkable piece of Machinima from France, dealing with
the riots there by oppressed North African and Arab youth.
The subtitling and translation ( ‘I had some training to do’ says koulamata,
the author, rather disarmingly) are hit and miss, to say the least -but it would
be wrong to view this as an ‘all your base are belong to us’ curiosity.
The very strangeness of the English translation, the sheer virtuosity of shaping
the fairly recalcitrant source material into a coherent 13 minute plus narrative
means that its honesty and sincerity shine through at every moment.
There is an interesting discussion of the piece on the Machinima.com site.
State of the Union (2006, 3.7 MB, 1:06 min.)
Heroine (2006, 7.7 MB, 2:28 min.)
Remix. Bush- “State of the Union”, inspired by Abe Linkoln’s “Isabelle Dinoire”,
and “Comic Strip”, a music video generic cialis 10mg by Serge Gainsborough & Brigitte Bardot.
by – Antonio Mendoza.
Dion Laurent – The Golden Age of Barcodes (2004, 27.6MB, 5:05)
Dion Laurent’s project is a “multi-ethnic international
representation of procreation and population explosion,
increased consumerism and capitalism, and the
commodification and devastation of our natural world.”
Enough said.
