Ting Ting Solo (2003, 6MB, 1:06 min)
Ting Ting plays “Piano Sonata No. 11 in A Major” Third Movement
by Mozart at the Kichijoji Music Festival. Ting Ting plays the ancient Chinese
“Pi Pa” – a four-stringed Lute, one of the oldest Chinese musical instruments
which first appeared in Chinese written texts of the second century BC.
Filmed and edited by Rob Pongi.
Primary and other Remote Locations (2006, 44.5MB, 3 min)
We’ve featured the work of Brett Stalbaum & Paula Poole here before
*****Lewis Carroll like note – when I say before I might mean after
– I can’t remember whether we’ve reposted their other work yet –
something to look forward to perhaps!*****
a couple of times. I’ve been mystified in public here before (ditto)…are
the videos a work in themselves or merely the documentation of the computing/walking/painting/whatever that comprises the process?
I feel like it’s the former (no justification except my bones & the fact that
these vids are both clear & totally elusive..& it makes me a candidate
for Pseud’s corner but it seems to me no accident that the experience
-the way what seems initially straightforward somehow recedes –
of watching them is not unlike that of reading Emerson)
You can check out the details of the work process on the paintersflat
site but watch the video first..it’s ravishing..it conjures up the richness
of the process so beautifully & excitingly & oh now I’m in a loop because
of course I don’t know what the process was like because
I’ve only seen the videos. But they are sticky & fragrant &
evocative & funny in my head…
These folks are doing something very right.
Knitpro (2005, 19.7MB, 3:18 min.)
Cat Mazza and Sabrina Gschwandtner speak about their piece
at the exhibition We Are All Together at Artist’s Space.
part of Performa 05.
BONUS VIDEO! –
Enclose (2005, 9.21MB, 2:27min.)
Artist Bea Camacho knits herself in.
From PresentSpace.
By Mica Scalin.
Hot Club of France Live (1938, 12MB, 3 min.)
A beautiful old film of Django Reinhardt and Stephane Grappelli
playing their signature Hot Club jazz.
Kid Quaalude -‘Upside Downer’ (2006, 37MB, 4:01 min)
“Well!”, as my dear mother used to say,
“What will they think of next?”
Neat film by Dave Whiting, shot in a rather
atmospheric former Tram depot in Weimar
& featuring Kid Quaalude doing what it
says on the tin.
What Godard Said (2005, 29MB, 5:19 min.)
Two pieces, extraordinary in both ambition & affect,
from filmmaker Helen Park.
It takes a little while, ‘it did for me’ then not only
does the quiet ecstacy of the thing kick in, but your
mouth drops open at how boldly and confidently this
world grows & blossoms from very simple & at first
apparently unpromising material.
Helen Park also maintains a rather good vlog.
House of Cosbys (2005, 10MB, 5 min.)
from Channel 101.
This video should recieve lots of attention because it is really really
funny. Instead, it made the papers because Bill Cosby’s lawyers
threatened Channel 101 and their video hosting service with
cease and desist letters.
By Mica Scalin.
MTAA in The Studio (2006, 33MB, 5:49 min.)
MTAA’s ’10 Pre-Rejected, Pre-Approved Performances’, was included in
Performa05. The work, selected by an online voting process is described as follows:
An installation is created with $100 worth of materials bought at the nearest
24-hour ATM-enabled deli or convienance store.
The materials are purchased at midnight.
In this video, Mica interviews MTAA in their studio &
gets the lowdown on this project and more.
By Mica Scalin.
Suicide Jumper (2005, 8MB, 4 min.)
Improv Everywhere strikes again.
This is a video of a sketch performed,
unannounced, on the streets of NYC.
By Mica Scalin.
the storyteller (2001-4, 13.3MB, 2:24 min.)
Six pieces originally shown as a gallery installation.
Says their creator, the artist Nathaniel Stern :
‘The odys series consists of six short digital video poems / monologues for
small screen viewing in an intimate gallery space. By stuttering between
odys actions and words, listeners construct his person. As he attempts
to re-member, bringing the past back to his body and calling it his own,
listeners attempt to piece together a story for themselves. Viewers are
encouraged to re-visit and jump over juxtaposed media, and create a
shifting collage of, and in response to, his person.’
This is work of huge ambition both aesthetically & technically &
it’s brave and it’s edgy, sometimes to the point of being uncomfortable to
watch. Neither does Stern fear engaging with complex & difficult ideas.
Definitely worth more than one viewing.
they may be giant (2001-4, 12.3MB, 2:06 min.)
multiplicity (2001-4, 5.3MB, 1:17 min.)
