Donna Kuhn Blown Away Rose

Blown Away Rose
Blown Away Rose (2009, 48 MB, 2:06 min)

We’ve observed before how wonderfully productive
Donna Kuhn makes her relatively restricted lexicon
of images ( OK Greek Professors! -I know there’s a problem with that expression
but it does, and I don’t know what the image equivalent of lexicon is.)
Side by side with this she cautiously introduces new elements, which I look
forward to seeing her work over in her inimitable way during the course of her next few movies.
Latest is the landscape of New Mexico.
That makes me want to visit; the video as a whole makes me want to squeal with
delight.

Subterranean Homesick Blues – Bob Dylan

subterranean
subterranean homesick blues (1967-2005, 7.5MB, 1:37 min.)

Clip from –

Data Moshing with Eddie Whelan

caralion
caralion (2009, 10 MB, 1:03 min)

metalbear
METALBEAR (2009, 11 MB, 44 secs)

atlasbear
atlas bear (2009, 9 MB, 54 secs)

There’s a wonderful strangeness and abandon to Eddie Whelan’s work.
Here he indulges in some rather winning datamoshing.
It all looks garishly gorgeous but the icing for me is his choice
and use of music/sound, which resonates very effectively with the visuals.
The lion piece, in particular, seems to me to be deeply melancholy, lovely
and pretty funny, all at the same time.

‘New Me’ by Aleksandra Domanovic

newme
New Me (2006, 21 MB, 4:04 min.)

Music video for Jamie Lidell by Aleksandra Domanovic.

Florian Cramer – Floppy Films


nkdlunch (2009, 1:24MB 2:44 min)


coraria (2009, 1:35MB 2:09 min)

Ultimately, personally, I admire these more than I like them.
It’s clever/witty stuff, no doubt, squeezing sections of films,
or mash-ups thereof, down to the size of the old floppies
but you just feel it pretty much stops there. Is there much
to actually watch/engage with & if there is, how much of this
arises from the original material before the conceptual
shenanigans commence?
This is especially marked in ‘Coraria’, which feels entirely
parasitic upon John Cage and upon the tremendous performance &
photogenic qualities of Cora Schmeiser.
Hmm. You decide.

[There’s a more detailed ( & sympathetic!) account here
& you can buy the pieces on floppy, should you feel so moved, here]

Laurie Johnson – Bleak House


Bleak House (2009, 23MB, 1:34)

Assured & atmospheric piece from Laurie Johnson.
Interesting to compare it with previous work.
There’s a distinct sense of consolidation, of raising the game,
going on here.
One to watch.

Incident at Festival Pocket Films


Incident (2009, 44MB, 1:27 min)

DVblog’s Michael Szpakowski won the Jury Prize at the
Pocket Films Festival at the Forum des Images in Paris
last weekend for this short dream-documentary.

Arni & Kinski – Editors: Smokers Outside The Hospital Door

editors_smokers
Smokers Outside The Hospital Door (2007, 10MB, 5:30 min.)

The first single by the British indie rock band – Editors.
Video by Arni & Kinski. (more vids here)

House of Dreams

houseofcards1
House of Dreams (2009, 14MB, 2:57 min.)

A remix of Michael Szpakowski’s remix of Radiohead’s “House of Cards”.
Using images from Second Life and The Endless Forest, with some lyrics
which Edward Picot added in a whisper.

Wikipedia Art/Wikipedia Heart – David Kent Watson


Wikipedia Heart (2009, 36MB, 3:12 min)


Wikipedia Art (2009, 15.3MB, 1:32 min)

Being two songs by David Kent Watson inspired by the Scott Kildall/Nathaniel Stern
Wikipedia Art project, which has engendered some huffing & puffing amongst the humourless & imaginatively challenged.
The songs are neat – skillfully made, performed and recorded, & beneath the surface whimsy
there’s some depth ( in particular “Heart” seems to found a whole new hybrid discipline of
epistemological meditation through popular song).

This is in keeping with the whole WA project which unlike so many art projects which claim
to investigate something ( & usually my heart sinks when I see the word) actually does
and very effectively too.
Not only that (and I would expect this from anything involving Stern, whose work in whatever medium
or genre, is always touched with poetry) there’s a wonderfully twisted lyricism* to the WA project, which is very difficult to sum up in the usually one line required for much second rate conceptualism -the Duchamp epigone crew- which is possibly why it seems to have mostly drawn responses ranging from surly to mystified and back to grumpy in discussion in places like Art Fag City and Rhizome.
Now, generously & mischievously, Kildall & Stern have thrown the whole thing open for remixing, which is where these songs appear**.
The remixes in turn form an ongoing contribution to the padiglione internet of the current Venice Biennale -here’s the open call for contributions so what are you waiting for?!

And of course, coming back full circle to David Kent Watson, clearly one to watch. Bravo.

* & I use the term precisely & advisedly, not simply as a term of general approbation.
What I mean is this: it’s the very not-rightness, surface clumsiness
of the WA project that makes it resonate so much. This is what those who want their
art laid out like the ABC or like wonder pills, miss. It’s the failure, or refusal, of glibness,
the stimulus to real thought, that spawns the poetry of it.
Even the language the Wikipedia serf-bureaucrats use as they flounder blindly, hilariously and painfully
seems to have been dusted with a kind of magic satire brush.

** D.o.I – I have a couple of things in there also.