Ben Pranger – my life is not a happening


my life is not a happening

my life is not a happening (2007, 17.3MB, 1:31 min)

I really like this genre of physical theatre/dance/happening/what-you-will
put through the video mangler (apparently jitter does its stuff here)
& the splendidly named Ben Pranger & his accomplices
carry it off rather nicely.
I gather this piece arose out of some workshops in 2007.
I love the excitement of that sort of voyage of discovery; there’s a kind
of frontier feel to it which is really captured here.
It’s also a philosopher’s stone job – out of apparently prosaic fragments
comes forth a small kind of magic.

Osvaldo Cibils – 2 Humans, 1 Paper


2 Humans, 1 Paper (2013, 10MB, 3:38 min)

I first stumbled across Osvaldo Cibils and his marvellously eclectic and well..simply marvellous work.
So simple but so, so telling. Kind of Buster Keaton meets Bruce Nauman meets something hard to pin down but lyrical, grotesque and smart all at once.
My kind of artist.
+++
2 humans 1 paper
video art/soundart.
performance with plotter paper 200 x 107 centimeters.
performers: fiorella alberti architect and osvaldo cibils artist.
place: artist’s studio. Via della Cervara, 55 – 38121 – Trento (TN) Italia
22 march 2013, 20 hours

Morrisa Maltz – Character 1/3 (Infinite Loop)

character_1_1
Character 1/3 [Infinite Loop] (2012, 130MB, 1:07 min)

I love Morrisa Maltz’s work. I particularly relish the way
she doesn’t rest on her laurels but pushes herself ever on to new
and (over-used word in the arts but, I think, apposite here)
fearless ways of thinking about and making things.
This is the first of three pieces best described, literally,
as moving pictures.
Tremendous!

Barney Doodlebug at i-Kast 2012

i-kast 2012
iKast 2012 (2012, 70MB, 3:23min)

i-kast voodoodoodles
iKast voodoodoodles (2012, 89MB, 2:35min)

voodoo1
voodoo 1 (2012, 362MB, 9:58min)

Here’s some more gripping work from Michael Barnes-Wynters a.k.a Barney Doodlebug
who previously opened my eyes to a thriving live arts scene in Manchester, UK.
Featured here are two videos of a new piece by Michael which figured in i-Kast,
“a live intervention transmission for www.artplayer.tv with artists roney fraser-munroe,
naomi kashiwagi and michael barnes-wynters” in May of this year.
The first video is an excellent short documentary overview of the event
with interviews with key figures.

Michael is going to be running an event for 15-25 year olds as part of the season
in the new Tate Modern space “The Tanks” on Thursday 23 August.

Joan Brossa – Fi

brossa.jpg
Fi (2011, 51MB, 9:57 min)

Joan Brossa, the Catalan poet, artist, performer and polymath,
who died in 1998, deserves to be more widely
known in the rest of the world.
I’ve often thought his work, in particular the visual
poems, prefigured much of the art of the early days
of the net (but mostly better: terser, wittier, riskier –
I think Brossa would have loved the net).
This elegant & delightful performance ( ‘Fi’ is Catalan
for ‘End’, in this context The End) was recorded
in Barcelona eight months before his death.

It requires a little patience; the reward being that
it can be viewed many more than one time, so it
seems like an appropriate thing to leave you with
over the summer.
Remember we’re always delighted to look at new work,
so if you’re making moving image yourself,
or you happen across great stuff don’t hesitate
to send us links.

We’re back on Monday, September the 26th – in
the meantime we wish you all a happy and relaxing summer.

Cutting Edge Cinema

Lunch
A Tough Dance (1902, 7.1MB, 47 sec.)

Lunch
Bicycle Trick Riding (1899, 5.5MB, 37 sec.)

Lunch
Three Acrobats (1899, 5.4MB, 36 sec.)

Three exhilarating chunks of early movie making from the
Library of Congress online collection of variety stage motion pictures.
I particularly love the deeply strange A ‘Tough’ Dance.
There’s also a great early animation collection on the LOC site.

More from Doodlebug

foodieterror.mov
Food Terror (2008, 73MB, 4:36 min)

More from Manchester’s Doodlebug.
This one is particularly splendid and
meal times will never be the same again.
Here’s the text Michael Barnes-Wynters sent me but
I don’t really know what it means:

Doodlebug Presents…25/10/08 at Contact feat.
Ronald fraser-munro’s RFM-UNPLUCKED. manc. poet
amanda milligan’s ‘mz.milly does…’ debut outting
with ‘On Becoming a Human Being’ (AV mix).
a sneak preview of Urbis’s Black Panther artist
Emory Douglas expo. French guerilla photgrapher
JR’s ‘Women are Heroes’ plus Terrorist’s FOOD TERROR mix.

I think we’re watching that last item.
Anyway, it’s great.

Michael Barnes-Wynters – Control #1

Control #1
Control #1 [Seeking Kind in Human] (2009, 114MB, 4:52 min)

Michael got in touch via a mutual friend to tell me about what
seems to be an incredibly thriving live art scene in Manchester, UK.
To my shame, this is the first time I’ve come across it, so I’m going to
make up for this a little by posting three vids from Doodlebug, the
creative arts platform he founded.
This first is a performance by Michael himself with Sophie Yesilyurt.
It’s very powerful. What strikes me is how these performative things achieve
a huge effect, often with very simple means. I think those of us working
primarily in moving image have a good deal to learn from them.
More soon.

Bernhard Lang – I Hate Mozart

mathematics
I Hate Mozart [excerpt] (2006, 11MB, 4:03 min)

Excerpt from the 2006 production of Bernhard Lang’s opera
I Hate Mozart written for the Viennese Mozart Year festivities
of that year.
It’s interesting in a number of ways. Lang’s musical language is based upon the
loop, but loops treated within a fairly hardcore art music environment.
Sounds like a recipe for pretension or disaster. Strangely it’s neither,
but most compelling.
Secondly, the piece is that rare beast, too often promised and so rarely
delivered, a genuinely comic opera and all the more impressive for being
cast in an apparently recalcitrant & unforgiving musical language
for such a purpose.
Hats off, Mr Lang, hats off.

The Smith Family

#1
#1 (2007, 1MB, 56 secs)

#2
#1 (2007, 1MB, 57 secs)

In 2007 I ran a little competition on my site centred aound
a musical setting I had made of a tiny poem by my friends and
collaborators Robert Roth & Carletta Joy Walker for
their magazine “And Then”.

I invited remixes, either musical or visual, of the song and
these two pieces, both utterly barking & delicately poetic at one
and the same time, came winging their way from the Smith Family
in Germany.
Wonderful!

Lumière et Son Bow Out

checkout art fairs
Checkout Art Fairs (2010, 8MB, 1:07 min.)

Blotting Paper
Blotting Paper (2010, 13MB, 1:06 min.)

I hadn’t realized that the splendid Lumière et Son project, which
we’ve raved about here before, was a time limited thing
but, sadly, yes & they’ve posted their last, which we repost here
above.
We’ve grabbed a few more, which we’ll post in the near future, but
do yourselves a favour and go & wallow in their site now…

Marina Abramovic & Ulay: Relation Work (1976 – 1979)

relation_in_space
Relation in Space (1976, 2 MB, 26 sec.)

expansion_in_space
Expansion in Space (1977, 5 MB, 1:18 min.)

In “Relation in Space” (1976) Marina Abramovic & Ulay ran around the room – two
bodies repeatedly move past each other. They collide at great speed like two planets,
mixing male and female energy into a third component called

Jon Rafman – Woods of Arcady

woods of arcady
Woods Of Arcady (2010, 44MB, 3:56 min)

The Song of the Happy Shepherd

William Butler Yeats (1865-1939)

The woods of Arcady are dead,
And over is their antique joy;
Of old the world on dreaming fed;
Grey Truth is now her painted toy;
Yet still she turns her restless head:
But O, sick children of the world,
Of all the many changing things
In dreary dancing past us whirled,
To the cracked tune that Chronos sings,
Words alone are certain good.
Where are now the warring kings,
Word be-mockers? — By the Rood,
Where are now the warring kings?
An idle word is now their glory,
By the stammering schoolboy said,
Reading some entangled story:
The kings of the old time are dead;
The wandering earth herself may be
Only a sudden flaming word,
In clanging space a moment heard,
Troubling the endless reverie.

Then nowise worship dusty deeds,
Nor seek, for this is also sooth,
To hunger fiercely after truth,
Lest all thy toiling only breeds
New dreams, new dreams; there is no truth
Saving in thine own heart. Seek, then,
No learning from the starry men,
Who follow with the optic glass
The whirling ways of stars that pass–
Seek, then, for this is also sooth,
No word of theirs–the cold star-bane
Has cloven and rent their hearts in twain,
And dead is all their human truth.
Go gather by the humming sea
Some twisted, echo-harbouring shell,
And to its lips thy story tell,
And they thy comforters will be,
Rewording in melodious guile
Thy fretful words a little while,
Till they shall singing fade in ruth
And die a pearly brotherhood;
For words alone are certain good:
Sing, then, for this is also sooth.

I must be gone: there is a grave
Where daffodil and lily wave,
And I would please the hapless faun,
Buried under the sleepy ground,
With mirthful songs before the dawn.
His shouting days with mirth were crowned;
And still I dream he treads the lawn,
Walking ghostly in the dew,
Pierced by my glad singing through,
My songs of old earth’s dreamy youth:
But ah! she dreams not now; dream thou!
For fair are poppies on the brow:
Dream, dream, for this is also sooth.

*******************************************

Extraordinary piece from Jon Rafman
(and William Butler Yeats).
It’s stumbling across things like this
that makes it all more than worthwhile.

Morrisa Maltz – Girl Space

Girl Space
Girl Space (2010, 22MB, 3:45)

Another great piece from Morrisa Maltz, whom we first showed here last week.
This puts me in mind, stylistically, of another DVblog favourite, Donna Kuhn.
I mean that entirely positively – the content & tone are clearly different but there’s
something of the same dynamism and confidence in working with very diverse materials
in both artists.

Ed Day – Hats

Hats
Hats (2009, 123 MB, 10:54 min)

A first film from young UK actor Ed Day this made me laugh quite inordinately.
It was “was filmed over a few weeks in Jersey and Guernsey with the cast from
Oddsocks Theatre Company’s 2009 summer tour of Richard III”.

Apart from the humour what strikes home is the sheer technical ability,
wit and

Processing

Processing1
Flight Patterns (2005, 22.9MB, 1:48 min.)

Processing2
A String (2005, 43.5.9MB, 3:49 min.)

Documentation of two projects using the open source processing language.
A String was made by E.J.Gone for a performance at the National Theater
of Korea & Flight Patterns involves flight pattern visualizations from FAA
data parsed and plotted in ‘Processing’ by Aaron Koblin.
Fascinating & austerely beautiful.

More Wikipedia Art remixing


Wikipedia Remix (2009, 34.7MB, 6:19 min)

Another Wikipedia Art remix, this time a splendidly accurate riff
on Who’s Afraid of Virginia Woolf from Sean Fletcher and Isabel Reichert

Doron Golan – recent work


figure rocks square (2009, 16MB, 2:52 min)


figure and birdcage (2009, 45MB, 8:14 min)


Studies for Figure (Isabel Rosenthal) (2009, 5MB, 1:00 min)


figure and birdcage (2009, 5MB, 52 secs)

Some recent work from Doron Golan, of this manor.
And it’s quite extraordinary.
In general Doron’s work has been marked by, not so much
a refusal to pander to passing fashion, but a complete
lack of interest in it or acknowledgement that it’s even there.
He goes his own way, he explores what interests, excites
and moves him.( And so, moves us)
When a seam is exhausted he moves on without looking back.
There is no attempt to create an artificial, marketable, surface unity
(which is not of course to say that a real, deeper, unity is not there)
I believe Doron is constitutionally incapable of acting otherwise and
he’s made a body of work of great beauty, and one entirely lacking in cynicism.

In the last months he’s been working on these, at first sight very odd,
study type pieces, with, as I understand it, a group of actors in Tel Aviv.
His methodology is a first sight unpromising -there is the obsessive restaging
of rather obscure -sometimes personal, sometimes, I think, Biblical- scenes and images.
These are then subjected to what appear to me to be out of the box transformation-of-the-plane
type distortion.
Unpromising because if, say, you were teaching a student you would probably
attempt to restrain this tendency, in the same way as one would with over-use
of Photoshop filters.
The thing is though – he pulls it off.
This is not an easy, passive view though -you have to approach the pieces prepared
to open yourself to them, to engage, to think, to do some work.
The work is not cosy; it will not flatter you.
but there is a beautiful & harsh poetry at it’s heart.
An obvious point of comparison is Bacon
but actually I think Soutine is nearer the mark.
(As a key, a way in, I’m not even beginning to suggest an influence. Although it would
be nonsense to suggest Doron is somehow without influences they are wide ranging and
very assimilated; Samuel Beckett is actually the one nearest to the surface.)

I urge you to explore not only all these pieces but all the work of the last ten years or so.
If you have a heart and mind and are prepared to use them you won’t be disappointed.

"Dreams That Money Can Buy" at Tate Modern

DREAM

In the Turbine Hall in 2006 and Realityfilm presented
a ‘psychoanalytical, cinematic cabaret’ with live music by
The Real Tuesday Weld providing a new original score for the
film

Helmut Oehring – BlauWaldDorf


Blau Wald Dorf ( Blue Wood Village) (excerpt) (2001, 1.7MB, 53 secs)

The music of Helmut Oehring is like nothing you’ve ever heard.
A hearing child of deaf mute parents, he incorporates his early
experiences into the music he writes, which frequently features
sign language ( not in a token but a completely necessary and
integrated manner).
The actual sound world of the music, moreover, is suffused with a character that
must surely have been formed by those same early experiences -stringed instruments
are tuned down to points of almost unplayable slackness & there is a fragmentary and
distanced, almost walled-off, quality to it all.
If you’re intrigued by the clip it’s well worth checking out recordings of his stuff.

Monochrom & the Bolshevik Glove Puppets

kiki and bubu and the good plan
Kiki and Bubu and the Good Plan (2008, 74MB, 7:24 min)

kiki and bubu and the shift
Kiki and Bubu and the Shift (2008, 39MB, 4:11 min)

Well, almost.
Marred only by some fashionable end-of-the-working-class-in-the-West
(who collects your trash, checks out your groceries, teaches your kids?)
nonsense, this is on the whole the finest piece of glove puppet based
agit-prop I’ve ever seen & very funny to boot.
In particular the best of these pieces,Kiki and Bubu and the Good Plan,
is an absolutely clear & devastating reply to the marketeers…
See ’em all…

Doron Golan – Forgot

Forgot
Forgot (2008, 98.3MB, 12:06 min, silent theatrical act)

This is simply wonderful.
Doron’s work is strange – it doesn’t lend itself to blow by blow verbal description:
er..‘Some actors perform in a silent movie based on Waiting for Godot‘
Then you actually look at it (or if you haven’t you should, you really should).
The grammar of his editing is completely unique & mysterious (a feature of all his longer pieces).
‘Why did he do that?’ – ‘Dunno – but it made my spine tingle’
Work like this often slips under the radar because it has no easy marketing line,
it can’t be glibly summed up, reduced to an easily digestible one-liner.
Work like this is food you have to chew a little…but what flavour & what nourishment!

Also, the acting ( and the director/actor collaboration) is outstanding.
Smart, funny, puzzling, touching by turns…and generous also…

With Theodore Bouloukos, Joanne Douglas, Brian Gibson and Stephanie Noritz

Jaygo Bloom – O:.O:.O:.

ooo
O:.O:.O:.(2007, 47.3MB, 59 sec loop)

Quite extraordinary dance video from Jaygo Bloom.
What I love about it is the wonderfully insouciant way
it both references and evokes early modernism
(Calder is cited as a source/inspiration by Bloom) but is also
(and could not be other than) utterly contemporary.
Great! So great it makes me totally jealous!

Camera: Patrick Jamieson and Anna Druka
Music: Hammerschmidt

The Donut Eating Challenge – this or that

This or That
Exciting Prizes (2006, 36.8MB, 4:38 min)

The challenges continue, as special guest challenger, Dr. Donut,
takes the stage.
Now our contestants must satisfy Dr. Donut’s insatiable donut
lust by jumping into the air to eat donuts from a clothes line!
With your hosts: the Great Fredini and Julie Atlas Muz.
Performed before a hungry theater audience at the Belt theater,
NYC, January 21, 2005.
From – this or that.

The Glamazons – Alison Ward

The Glamazons
Wonder Women (2002, 3.6MB, 1:30 min.)

This wonderful clip of a live performance by The Glamazons,
a New York based dance group created by video artist and
burlesque performer Alison Ward, will make your day.

By Mica Scalin.

Variations V – John Cage

Variation 5
Variations V (1965, 7.5MB, 2:22 min)

‘John Cage made ‘Variations V’ in 1965 for the Merce Cunningham Dance Company.
He and David Tudor settled on two systems for the sound to be affected by movement:
directional photocells aimed at the stage lights, so that the dancers triggered sounds as
they cut the light beams with their movements, and a series of antennae.
When a dancer came within four feet of an antenna a sound would result.
Cage, Tudor, and Gordon Mumma operate equipment to modify and determine
the final sounds.’
– from mediaartnet.