Homographies (2006, 33MB, 8 min.)
HOMOGRAPHIES is an interactive installation featuring 144 robotic fluorescent
light fixtures controlled by 7 computerized surveillance systems. As people
walk under the piece, the light tubes rotate to create labyrinthine patterns of
light that are
claudia and paul 4:55 pm (2008, 34.6MB, 1:00 min)
there’s whispering (2008, 21.6MB, 3:45 min)
Rather lovely work from Henry Gwiazda.
Claudia and Paul , in particular, is a shivers down the spine affair for me.
I’d been vaguely aware of Gwiazda before but never really explored his work
– I will definitely be looking carefully in future.
Assembled Cinema (2006, 28.9MB, 5:19 min.)
“You walk into a room and a film/video is projected on a wall.
The scenes played are not in any particular order yet they make sense.
What occurs is that a computer is picking sequences in a random order
and playing them. Your mind and your imagination fill in the story.”
From – G.H. Hovagimyan.
mouth study (2005, 7.8MB, 3:40 min)
Using footage from the ‘cutting edge cinema‘ thing
we posted here before Lewis LaCook,
created an utterly exuberant & assured piece of appropriation
video with 186,000 ideas per second.
moose and atv (2005, 2MB, 46 sec.)
springwater finale (2005, 6.5MB, 2:27 min.)
Final two pieces, chapters 7 & 8, from
Under Scan (2005, 31MB, 9:51 min.)
“Under Scan” is a public art installation based on self-representation.
Thousands of “video-portraits” taken in Derby, Leicester, Lincoln, Northampton
and Nottingham are projected onto the ground; at first, the portraits are not
visible because the space is flooded by white light coming from a high-powered
projector. As people walk around the area, their shadows are cast on the ground,
revealing the video-portraits in short sequences.
By Rafael Lozano-Hemmer.
Opposition (2005, 4.5MB, 1 min.)
Interactive kinetic sculpture from Jonathan Schipper performed at Pierogi gallery in 2005.
“Two participants are taken from the audience and buckled into the saddles on either
end of the machine. The participants are then lifted into the air. Both participants are provided
hand controllers that allow them to control the movement of the saddles, which are on
pneumatically powered gimbals, and the central rotation of the machine. Some movements
are shared and some affect only one or the other of the two participants. The function of each
input button on the controllers is changed by a computer on a regular basis so that the
participants can not gain full control of the machine. A rock and roll band is playing electric
instruments near by. The amplification for the band is turned on by the machine while the
machine is in the air. The band members (Outside Man) wear helmets that isolate the band,
who can not hear anything other than their own sounds. After a few minutes the participants
are brought back to the ground and released from the machine. The band is turned off and
the machine is ready for the next cycle.”
KontraKontrolle (2003, 8MB, 3:13 min.)
Performance during the Visual Power Show, Paradiso Amsterdam, October 2003
by Poly-Xelor (collaboration between Roel Wouters and Luna Maurer).
“KontraKontrolle is a performance concept where we literally stepped into the
computer-screen. By placing ourselves as icons (via bluescreen technique) on
top of the presenters screen we could interact live with the presenter’s actions.”
MoTV News, Episode 1 (2005, 13.6MB, 6:20 min.)
During her American Idol audition training process,
Marisa Olson asked MTV News veteran Tabitha Soren to interview her and
then critique her
