Scanner et al. – Night Jam

NightJam
NightJam (2006, 26MB, 11:28 min.)

An Artangel commissioned project from 2006 involving
sound artist Scanner working with clients of London’s
New Horizons Youth Centre, devoted to work with homeless youth.
The musical collaborators are MC Utta, MC Marcel,
MC Quick Latino, MC Magic and MC Sweetie.

Undoubtedly evocative, if a tad derivative, especially
considering the resources at play here.
The multilingual MCing is great though!

One Minute, Volume 4

Dinosaur
Martin Pickles – Dinosaur  (2010, 130 MB, 1:01 min)

1961 Revisited.
Nicki Rolls – 1961 Revisited  (2010, 114 MB, 58 secs)

Two pieces from a touring screening of one minute films,
the fourth such from British filmmaker Kerry Baldry.

It’s a really well put together and gripping hour
(transparency dictates I confess I have a piece in it
but I won’t foist that on you here), with a strike rate well above
most of this kind of compilatation.

Here are two of my favourite pieces; both, in different
ways, little gems of cinematic poetry.
Although Martin Pickle’s piece is amusing there’s
something enchanting about the changing seasonal
landscape & light of West London and how it manifests on screen,
which raises the work from anecdote to something more complicated
and lasting.

The Nicki Rolls piece had me in the palm of its hand within about a second.
(I’m a total sucker for near stillness and for the movement of light)
Then I started to think about what exactly I was watching.
You might like to give it some thought too.
Again, the twist breaks the confines of the one minute form
to resonate long after.

I haven’t see the other three compilations but I hope we could maybe
feature a couple of pieces from each in the not too distant future.

Next week we’ll have a piece by Kerry herself.

Brian Gibson – On A Roof

on a roof
On A Roof (2010, 20 MB, 2:52 min)

Sheer ravishing loveliness from DVblog’s own Brian Gibson
( I posted his last piece too, I know, but he’s not making that much these days
& what he does make is just so great, I can’t resist.)
More please!

Takashi Ito – Spacy

Private Charges
Spacy ( 1981, 14MB, 2:27)

The other day,on a whim, I bought Takashi Ito’s collected works on DVD
from the BFI shop. I’d never heard of him before.
I’m so glad I did. It is utterly compelling and remarkable work.
Spacy is an early piece and the clip here is neither complete
not particularly good quality but it does give you a taste of Ito’s early
– almost formalist – style.
There’s such delight in seeing how this broadens into the flexible,
confidently handled and singular idiom of the later pieces, where a quite
musical rigor in the formal structuring is never absent but which
also underpins a beautifully ambiguous and rich expressivity.
The whole set was one of those all too rare tingle-down-the-spine
revelations which I gulped down in a couple of sittings.
This is outstanding & important work – I urge people to become acquainted with it.

Sam Renseiw – Fragmented Occurences

Fragmented Occurences
Fragmented Occurences (2010, 67MB, 4:33 min.)

It’s a little while since we featured anything from the splendid Sam
Renseiw
, so here’s a recent piece.
In contrast to many of his films, which have an incredibly strong
sense of a particular place, this was apparently composed
from odds and ends of footage from various locations during the last
few months.
I think it works beautifully; it’s instructive to see Sam intervening,
perhaps a little more than usual, at the editing level.
(His camera work is always very distinctive – there’s often a sense
-true or not- that many pieces are largely composed in the shooting.)

Whatever the case, this is, as always, a wonderful and utterly distinctive voice.

PS This is our 1000th post of the new series. Many thanks to all who have sent words of encouragement & appreciation. It makes the time spent working on DVblog feel doubly worthwhile.

Two from Kate Dickinson

19th
19th ( 2010, 1MB, 1:00 min, silent)

are you ready
Are You Ready? ( 2008, 20MB, 52 secs)

Two contrasting short movies from Leeds, UK, artist Kate Dickinson.
The second should provoke a smile (did for me) but it’s
the first, in which not a great deal happens & in a deliberately
confined area of the screen to boot, that I particularly liked.
There’s a melancholy about its view of an overcast
Leeds landscape which is amplified by cropping a good deal of it out.
The resulting minimalism marshalls the viewer’s attention in a quite hypnotic way.

Liz Sterry – Borders

Borders
Borders (2010, 201 MB, 3:59 min, silent)

Worth every second of the download for this extraordinary
piece from young UK artist Liz Sterry, a digital arts student at the design school
in Writtle, Essex, UK*.
It’s an astonishingly assured bit of conceptual gorgeousness.
I’m particularly taken with..what’s the word.. the ..um..rightness of judgement
with which it was shot and assembled – on the surface thrown together
but everything combining so easily & elegantly to create something of
logic, power and great beauty.

*Transparency – where I currently teach.

More Steven Ball

ex Local Authority
ex Local Authority (2005, 156 MB, 6:59 min)

Over the Borough Island
Over the Borough Island (2009, 63 MB, 1:51 min)

Two longer pieces from Steven Ball some of whose
Direct Language pieces we posted here last week.
Both pieces are great but I have particular soft spot for
ex Local Authority which, although I’m sure it
has all sorts of potent intellectual justifications for being is also,
quite simply, austerely & melancholically gorgeous.

Jason Miller – Fall Was Kind

fall was kind
Fall Was Kind (2009, 40 MB, 2:57 min)

Well, we’re a season out, but it somehow feels altogether
appropriate to feature this bit of tranquil & melancholy loveliness
on a holiday day like today.

(Made, BTW, by yet another School of Athens alumnus, Jason Miller)

We’re going to take a short break ourselves now, but we’ll be back,
batteries fully re-charged, on January 4th.

We wish everone a happy & peaceful holiday season.