Bob Ross came to prominence as the creator of ‘The Joy of Painting’,
a program on public television in the US. Here are a couple of great parodies
that poke fun at Bob and his calm and enduring nature.
Top is from Dutch filmmaker Miron Bilski (from the viral video award)
Bottom is from artists Max Kotelchuck and Peter Nowogrodzki.
Neste vídeo há uma grande delicadeza, uma fragilidade,
que não deve levar a pensar que essa peça de Regina Pinto
é de alguma forma ocasional ou menos artística.
Em vez disso, esse é o trabalho de um artista maduro,
sem nada a provar, e com a enorme liberdade que isso traz.
Um estudo de todo o corpo de seu trabalho evidencia
amplamente tudo isso e mostra quão profundamente
consistente e coerente ele se apresenta.
Poder-se-ia ainda acrescentar o quanto ele nos emociona,
o quanto é estranho e muito bonito.
There’s a delicacy, a fragility, about this piece
that shouldn’t lead one to think that Regina Célia Pinto’s
work is in any way casual or artless.
Rather, this is the work of a mature artist with
nothing to prove and the enormous freedom that brings.
A study of the whole body of her work
amply bears this out.
It shows just how consistent and deeply considered
it is and, one should add, how affecting, how strange
and how very beautiful.
More from Eleanor Suess, this time an exploration of a painting
by UK artist Christopher McHugh.
She get’s the usual basics of this sort of thing – fidelity to McHugh’s wonderful colour
sense in particular – spot on, but, as I’m beginning to realise with all of Suess’s
work, there’s a good deal more to it than initially meets the eye.
(Which expression strikes a philosophical note when applied to two
predominantly visual practices)
It’s the modesty (in the best sense) of the that work does it.
The work refuses either to ingratiate or ambush.
We could do with more of this.
“The first in a series of re-interpretations of Late Medieval Northern
European religious paintings, DefaultPropeties(); is a non-interactive,
animated recreation of the baptism scene from the Triptych of
Jean des Trompes by Gerard David from 1505 using current game
development technology and visual styles.”
By Brody Condon.
Worth every second of the download for this extraordinary
piece from young UK artist Liz Sterry, a digital arts student at the design school
in Writtle, Essex, UK*.
It’s an astonishingly assured bit of conceptual gorgeousness.
I’m particularly taken with..what’s the word.. the ..um..rightness of judgement
with which it was shot and assembled – on the surface thrown together
but everything combining so easily & elegantly to create something of
logic, power and great beauty.