Archive for September, 2010
Krummholz Formation (2010, 112MB, 16:48 min)
It’s always a pleasure to post new work from Rick Silva here
and this piece is no exception.
His work has been heading somewhere strange, gripping
and utterly his own for some time now.
I find this loyalty to a very personal vision both admirable
and exemplary. I’m fascinated to see whether further development
along this path is possible or whether there will at some point be a sharp
change of direction.
(Once again with this piece I really want to see it
in a gallery -nobody is more adept or at home at work for the net than Silva
but I can’t help feeling that this work needs space and distance…)
From Xerox to Xerox (2010, 20MB, 8 secs)
Copy of a copy using 133 different Xerox machines…
No idea whether it’s meant to be ravishing but it is.
Ravishing. Delicate, blink-and-you-miss-it & ravishing.
From Jasper Elings.
10-10-second Monologue (2008, 7 MB, 1:41 min.)
“This is a 10×10 second excerpt/adaptation of a longer monologue
I did last fall. The theme is unrequited Love.
We have all been there… ”
By Lee Ann Harrington .
War Criminal (2003 -2010, 22MB, 3:18 min)
When I first saw this piece from Nigel Ayers I assumed, quite wrongly, he
was involved with some heavy duty image manipulation in the cause of a
kind of conceptualist ‘activism’ (and I sat scratching my head at just how difficult it
must have been to get that image onto so many moving figures).
DOH! The facts are much weirder and much, much better…
Great stuff! Hats off! Not worthy, not worthy!
Let Nigel explain…
Dream Sequence (2006, 5 MB, 2:31 min.)
Dream Sequence (2006, 7 MB, 3:20 min.)
“Installation view and detail images of Dream Sequence from the solo exhibition
‘Directed Dreaming’ at Postmasters, New York, March 2006.
Two parallel discs feature images from dreams that rotate slowly while the camera
remains fixed. Our sleeping selves are superimposed by way of a mirror, and the
resulting dream sequences are projected onto the wall.”
by – Jennifer and Kevin McCoy.
First Line (2002, 165kb, 7 secs)
Second Line (2002, 224kb, 10 secs)
If I remember rightly Eryk Salvaggio posted a link to this tiny piece
on the Rhizome list in 2002, at a time when the Rhizome Artbase was
still rejecting some embryonic video or video like works as ‘not net-idiomatic’.
The post was something of an epiphany for me and I suspect
when the history of online video comes to be written this work,
together with the Manovich Little Movies, will loom large
(As beginning to find a way towards precisely a ‘net-idiomatic’
Also: I thought then (and I still think now) it is wonderful work.
Here’s what Salvaggio said about it at the time:
these are short films which work in their original digital formats
as 30 to 60 second mpeg files. The idea was to stay “egoless”
as in the nature of a haiku, and so there is no design – the films
and the files are presented by whatever defaults your browser
uses. The first, “Unfinished Mpeg Haiku,” is a short 30 seconds
of an airplane’s vapor trails across the sky, the second, a 30
second loop of a bird hopping on industrial machinery.
The third line is not represented, but is intended to be the
viewer’s response, ie. dismissal, understanding, happiness,
sadness- whatever meaning the viewer makes.
Travelling (2004, 185 MB, 11:33 min)
Carefully made & delicious to watch travelogue
(although I think it conflates a number of different trips,
so in one sense it’s about travel itself as much as place)
from French artist Christophe Gendre.