By Pleix.

Simulacra (2004,10MB, 1:17 min.)
By Suk & Koch.

Anamorph (2001,40MB, 3:29 min.)

Short Film about Nothing (Realtime. 3:40 min.)
Template Cinema– is a networked installation by –
Thomson & Craighead.
It generates lo-fi movies made from existing data
appropriated in realtime from the world wide web.
Watch a sample movie.

Single Serving Sites (2008, 30MB, 4:44 min.)
The Rocketboom Institute for Internet Studies presents its findings
on Single Serving Sites

Blind Voodle #1 (2009, 57.4MB, 6:25 min)

Blind Voodle #2 (2009, 31.6MB, 3:35 min)
Oneiric gorgeousness from the magnificent Sam Renseiw.

Movies with Grandma Joy (2008, 27.3MB, 5:39)
“Grandma is serious about going to the movies.
She hates to miss the previews and she watches all of the credits.”
From the absolutely charming vlog,
Movies with Grandma Joy

QuantumMatter (2005, 3.7 MB 31 sec.)

QuantumSpace(2005, 3MB, 40 sec.)

QuantumLife (2005, 3.3MB, 27 sec.)
A series of moving images from Charlene Rule.
By Mica Scalin.

Mr. Robot (2004, 2.8MB, 2:31 min.)

Scotch and Soda (2005, 4.4MB, 2:10 min.)
Eugene Mirman is a comedian, writer, and film maker based in
New York City. Eugene has appeared on several TV shows, including
Late Night With Conan O

My Funny Valentine (2006, 15.1MB, 2:55 min)
Video by Michael Szpakowski.
The singer is his daughter, Anna Szpakowska.
(Michael playing the piano).
..once again a happy Valentine’s Day to all from us at DVblog.org

Squeeze 1, from Mica (2005, 820KB, 36 sec.)

Squeeze 2 (2005, 1MB, 36 sec.), from Charlene Rule.

Squeeze 3 (2005, 680KB, 36 sec.), from Leslye James.
These videos are from the Squeeze project,
the original videoblog remix game.
Squeeze began in December, 2004 and developed
organically through several individual vlogs.
By Mica.

Commercial Spots (2006, 8.4MB)
Archive sutff from the Sporkworld stable, this time from Millie Niss & it has
all the hallmarks that make Sporkworld work such an unalloyed pleasure.
Manifestly bullshit free, apparently straightforward but with onion like layers,
this one wonderfully highlights Niss

mouth study (2005, 7.8MB, 3:40 min)
Using footage from the ‘cutting edge cinema‘ thing
we posted here before Lewis LaCook,
created an utterly exuberant & assured piece of appropriation
video with 186,000 ideas per second.

rb_06_apr_26 (2006, 26.5MB, 4:33 min.)
Sublimity & wit from Amanda Congdon.
from rocketboom, April 26, 2006.

A holiday wish – Carl Weaver (2005, 2.3MB, 0:43)
Carl Weaver is a renaissance man – photographer,
writer, doer of many things. He also has a dry humor
and delivery most of us would kill for. In 2005, he
called to wish his friend Dwayne a merry Christmas.
We similarly extend holiday greetings and well wishes
to you, from everyone here at DVblog.

Earth to Earth (2005, 23MB, 3:22 min.)
“This film was made according to the hardcore rules of Straight8, which gives
filmmakers a single roll of Super8, forcing them to edit in camera and shoot
every shot as a first take. You submit the exposed cartridge plus a separately
recorded soundtrack and hope that the two match up. Luckily ours turned out
OK and it was selected one of the straight8 Cannes finalists in 2005.
The idea came from having a crappy DVD player which kept skipping and I was
overcome by an incredible desire to drive a garden fork through the front of it –
you can see the result in the background.
We had great fun shooting the film, during which time it snowed heavily

Invisible People – Larry (2008, 48.6MB, 9:21)
Invisible People is a new project from Mark Horvath
that documents homelessness in Los Angeles. The
interviews are unedited, and it can honestly be hard
to watch some of them – but isn’t that the point?
The site comes with a warning:
Caution: some content may be offensive. Our hope is
you’ll get mad enough to do something.
This particular interview is one of my favorites, as Larry
is charismatic and Mark was able to capture that easily.
But I’d encourage you to go watch the others as well.
Mark himself is in a rough financial situation that might
soon land him back on the streets too.
Seems we are often our own best advocates.

Basin Street Blues (2003, 11.3 MB)
Couple of collaborations between artist & film-maker
Monkmus and turntablist Kid Koala found on the
generously-stocked-with-goodies video page of the
Ninja Tune site, these tracks are pure aural & visual delight.

Kinetocast – To Watch In Preparation For The Deep Fall (2006, 8.5MB, 1:25)

Kinetocast – To Watch For Help Getting Through (2007, 16.9MB, 2:55)
Two more from the endlessly delightful kinetocast,
conceptual pieces about existential moments.

Mmmff Activities Workshop 2006: Call for entries (2006, 10.1MB, 1:58)

Mmmff Activities Workshop 2006 (2006, 13.8MB, 3:44)
Here’s the setup:
Jennifer Proctor taught a videoblogging class at the
University of Iowa in 2006. Every student set up
his/her own videoblog and made vloggy goodness.
Then, many abandoned their work, though I’d
personally expect nothing less.
While I knew one of the students in the class
(UI is one of my alma maters), a guy I didn’t
know – mmmff – caught my attention more.
Using a cell phone I’m pretty sure he just found
somewhere, Zach then made collage videos of the
five seconds or less the phone would capture in every go.
In the first video, the premise of the phone and
its limitations are introduced, and in the second
follow-up piece, the plan – to make a compilation
of activities you can do in 5 seconds or less – is executed.
It’s pretty much the opposite of boring, predictable,
talk-to-your-camera vids that litter so many hosting
services these days.
This is video functioning within constraints.
It’s also wildly hilarious.
Some of the very best random and weird videoblog
work I’ve ever seen.

What Is – The Cupcake – or – King of the Hill (2005, 11.1MB, 2:58)
Very funny war film spoof from defunct vlog What Is.

The Journey(2008, 30.8MB, 3:12 min)
Like a modern day Dante Robert Croma manages to squeeze
poetry even from a rush hour journey on the London Underground.
Beautiful. Beautiful & elegant & telling.

Random Show – Always on Time (2005, 4.4MB, 2:22)
Oh, how I loved this video. And how I still do.
If you don’t get it, look up the Ja Rule/Ashanti version.
From the now defunct Random Show.

Lincoln (2008, 69MB, 7:36 min)
Typically exquisite bit of work from poet of the video
& occasional contributor here, Brian Gibson.

Kinetocast – To Watch While Smelling Summer (2007, 8.2MB, 1:30)

Kinetocast – To Watch With Any Spectacle (2007, 8MB, 1:21)

Kinetocast – To Watch Feeling Betrayed (2006, 2.7MB, 0:35)
Three from the wildly amusing, all too infrequently updated kinetocast.
All based on the idea that these short videos can be watched as they
are labeled appropriate to time or event, this entire videoblog is fairly
genius conceptual work. Also worth checking out from Mack McFarland,
The Portland That Was….
More of these to come…

Lukas Blakk – Tough Enough (2006, 11.4MB, 3:41)
Lovely, poignant film from Lukas Blakk,
who always says such honest things,
even if she’s mostly too busy to post anymore.
Utterly ravishing Lumière from the never predictable,
always interesting, Rupert Howe.
On that summery note, we’re going to take a rest in the sunshine.
We love doing DVblog, but the daily deadline definitely takes
its toll after a bit.
We’ll be getting ready to hit the ground running again around 16th Sept.
& we’ll still keeping our eyes peeled for the new, for the weird &
(best of all!) for the wonderful.
Have a great summer!
Brittany, Doron, Michael.

Thibaut Is Singing On Oberstein Road (2008, 15.5MB, 2:36 min)

Rules of Engagement (2008, 18.1MB, 2:15 min)
Tremendous work from Robert Croma.
The Iraq piece is harrowing but you should watch it nonetheless.
The Thibaut piece is simply exhilarating.
I was trying to figure out what exactly makes this work so outstanding.
I don’t think it’s just the fact that it is technically so good (although it is).
It’s to do with Croma’s taste, judgement & instinct, or at least how he
deploys these to tell us something, or rather to intuit-to-us something
about being a human being.
You couldn’t make a rule of it, for that would render it inert & mechanical,
but, loosely, in these two pieces, it seems to me to lie in a going-beyond
-the-expected – a process with its heart in the little codas which open
out the pieces in a quite extraordinary way.
So the Iraq piece, though supremely well done, is initially not a
million miles away from much other remix type work, but it is the final
calling-to-attention, the framing, of the gait of one of the people
whom we have just seen obliterated that re-doubles its horror
but also creates the tiniest ground for hope in the inescapable
(thanks to Croma) clear recognition of our common humanity.
A similar process occurs in the Thibaut piece
– its potency initially seems to reside in the simplicity of the
camera exploring the still, the conjunction of the new and old
imaging technology and the simple & moving fact of evocation
of time passed.
It’s beautiful; and many would have been tempted to leave it there.
The final section is a risk – it could have have the opposite effect
to what it actually does; it could have closed off, made pat.
Here perhaps the technical fluency does play a defining role but the
effect is the exact opposite of closure -we’re left, once again, in a very
different way, filled with a sense of the mystery & complexity & possibility
(& the fragility) of being human.