Jamie Allen – Killing Lena


Killing Lena

Killing Lena (2007, 37.42MB, 2:13 min.)

Jamie Allen sent us a link to this Processing-utilizing piece
of work by him after having seen the post we did on Processing recently.
He explains it very clearly & cogently on his site so I’m just going to lift his text:

The “first lady of the internet,” was Playboy’s Miss November 1972.
Her turn-offs include “Men who wear shorts with white socks and black shoes.”
Lena’s issue was the most widely circulated issue of Playboy ever, selling 7,161,561 copies.

A single scanned image of Lena’s Playboy appearance subsequently took up favor
amongst digital imaging researchers. It has been used as a comparative standard
in hundreds, perhaps thousands, of image compression tests, publications and shoot-outs.

“Killing Lena” is a rendered video series in which Lena’s most famous photo is repeatedly
exposed to the compression algorithms she unwittingly helped to develop.
The videos presented are compression pornography, the suggestion of a
“compressivist art”, and a poetic digital demise.

Not much to add, dear viewer, except to observe the close kinship with
Alvin Lucier’s tremendous sound piece “I am Sitting in A Room”

Holographic Wainscoting


The Butter Skin Outtakes

The Butter Skin Outtakes (2006, 12MB, 1:16 min.)


Haloweb

Haloweb (2006, 14.2MB, 2:04 min.)

Work from Carl Burton, trading as holographicwainscoting.
I love this stuff. It’s strange but not simply strange, you know,
not just something you grin or raise an eyebrow at and then move on.
There’s substance & there’s an austere lyricism (if that ‘s not too much of an oxymoron)
to the substance too.
We’re going to do three posts on this work & you’ll see an interesting evolution
from the first two to the final one.

Mark Napier at bitforms gallery nyc

smoke
smoke (excerpt) (2007, 7MB, 56 sec.)

‘A symbol of the human desire to monumentalize ideas in physical form,
the Empire State Building is a subject of Mark Napier‘s artwork in the past four years.
This icon of American hegemony is key to exploring shifting structures of power,
specifically the transition from steel to software as the medium of power in our time.’

In Smoke, a generative software installation projected on the bitforms gallery wall.
Images from the show –here.

Internet Explorer or Firefox ?

firefox_explorer
rb_05_dec_02 (2005, 31MB, 4:45 min)

We at DVblog like Firefox of course !!
Classic piece of videoblogging from Rocketboom. (2005)

A Panopticon in Burnley

A Panopticon in Burnley
A Panopticon in Burnley (2007, 20.9MB, 1:45 min)

Great short by Giles Perkins about a piece of public art by
Tonkin Liu
situated on a hillside outside Burnley, UK.
I love Giles’s Super 8 work (folk might remember
his catalogue of British seaside bathing huts here last year, don’t
know whether we’ve re-posted it yet, but we will,
gentle viewer, we will) & there’s an added bonus in the sound
of those beautiful Lancashire vowels – ‘uor ouwses’ – on the soundtrack.
Delicious!

Film

Film
Film (2005, 1.6MB, 17 sec loop)

“It’s Prelinger Archive footage of 1920s London.
Method:
(1) Make a virtual ‘film strip’, a long jpeg.
(2) Make a virtual ‘projector’ for this in Director.
(3) Export it all to QuickTime & Bob’s your uncle.”

from scenes of provincial life.

Kari Altmann – CDR (Listen)

CD(R) Listen
CDR (Listen) (2007, 13.75MB, 1:20 min)

Says Kari Altmann:

‘This is the webvideo version. In real life it also lives as a
looping video installation with headphones (that play nothing).
This piece is meant to encourage you to question the notion
of listening and hearing. When experiencing it some people
crave audio, some people hear imprints, memories, and echoes of it,
and some people “see” it or “feel” it. The headphones that are
expected to play audio or music are actually used to close you
off to outside noises and force you to truly listen to the piece
and process it within your own headspace. Many people already
think audiovisually, while many others still divide the two in
their own terms. What do you hear?’

Eyebeam: open city

opencity
Open City (2007, 26.2 MB, 4:27 min)

Open City: Tools for Public Action was an exhibition and series of public programs
at Eyebeam that focus on the ingenuity of graffiti writers, artists, protesters,
pranksters & hackers attempting to reclaim the public realm.
Here’s work from 11 of the artists featured in the exhibition.
From the Graffiti Research Lab.

Sounding the Body: Larsener & Sondheim

luke larsener
from star w (2005, 3.1MB, 1:40 min.)

watched wire
watched wire (2006, 6.1MB, 2:15 min)

Compelling sound stuff from two different sources.
First a piece from projectsinge.net,
a kind of feedback carillon & the movement that
it engenders/engenders it totally absorbing –
comedic, touching, strange.
Secondly, work by Alan Sondheim, who needs
no introduction here. More delicate & austere
than the Larsener piece, it provides a sharp &
fascinating contrast in the, one would have hitherto
thought, relatively easily exhausted, genre of
“work-made-by-having-microphones-or
-other-devices-attached-to-one’s-body.”

‘Messa di Voce’ by Golan Levin and Zach Lieberman

Messa di Voce
Messa di Voce (2003, 12.3MB, 2:40 min)

Messa di Voce (Ital., “placing the voice”) is an audiovisual performance
in which the speech, shouts and songs produced by two abstract vocalists are
radically augmented in real-time by custom interactive visualization software.
by Golan Levin & Zach Lieberman.