Morgan Schwartz – Toaster (2001, 7.3MB, 3:30)
From Morgan Schwartz.
Category Archives: documentary arts
<em>'Ce soir je vous propose'</em> -<br> transcendence from <em>Dan Canyon</em>
3 of 7(2002, 74.7MB, 4:00 min)
Two (from a series of seven) heartbreakingly beautiful, lump-in-the-throat-evocative
lyric poems about being young, disguised as music video/documentaries.
Dan Canyon is a natural filmmaker. He so is.
What more to say, except nice to see Blackheef pronounced correctly?
Barry McGee at Deitch Projects
Africalls
Africalls Trailer (2008, 23.3MB, 1:57 min)
If this rather lovely trailer is anything to go by then Africalls
the movie proper, by director Pere Ortin Andres, will display a pretty high level of visual
sensitivity to its subject matter -art & artists from urban centers of Africa.
(And I can’t help feeling something visually so good is also going to be truthful &
meticulous in its account of the artists and their context. A hunch, but I bet I’m not wrong.)
Apparently it’s tied in with a book & exhibition too. Strikes me all three would be well worth
catching/booking.
Here’s the website.
David Yun
David Yun – A Taste of Home (2007, 4.9MB, 2:19)
When David Yun went home to care for his terminally
ill mother, he found himself as disconnected and
alienated from his small hometown as he had always
been. Clip from Yun’s seven and a half minute video.
Beautiful footage and a voice-over that never becomes
too precious or pretentious.
Strangely (or perhaps not), I have family from
that exact small town, Livonia, Michigan, USA, a Detroit
suburb.
Lee Walton – Experientialism
Me and Rubyfruit
Sadie Benning – Me and Rubyfruit (1990, 24.9MB, 5:40)
Classically beautiful and poignant video-diary-esque
early work from the innovative Sadie Benning. Me
and Rubyfruit, a reinterpretation of Rita Mae Brown’s
Rubyfruit Jungle, finds Benning lamenting the limitations
of being a young lesbian woman in modern culture.
Roughly sixteen when she made this piece, it was shot
on a Fisher-Price Pixelvision 2000 camera, making the
intense grainy footage all the more raw.
Young-Hae Chang Heavy Industries
Young-Hae Chang Heavy Industries at the New Museum (2008, 62.5MB, 2:48 min)
If you don’t know them, you should; Young-Hae Chang Heavy Industries
have been responsible for some of the most spine tingling & evocative work
on the net in the last ten years,
This documentary, lifted from the indispensable Rhizome, gives a good bares bones historical
account of them in the context of a show earlier this year at the New Museum.
I didn’t see the show & whilst I’m pleased they’re getting this wider exposure I wonder
if there isn’t something quite particular about the way their work presents in a browser
(preferably, in my view, with headphones on, ie. as submerged in these delicious
& fractured quasi narratives as only the net experience will allow).
Then, it is visceral and immediate.
On the evidence here, there seems to have been something
a little more diffuse about this multiple screen installation.
I don’t know; it’s a surmise; I’d be happy to be told I’m wrong.
It raises interesting questions, though, about the transplanting of work
from browser to gallery.
MOON CRASH by Claudia Tomaz and Kevin Walsh
MOON CRASH (2008, 58 MB, 4:42 min.)
“MOON CRASH is a 360 degree immersive experience using DJ sets
and mutant slides, painted live with video projections.
All visuals are painted on acetate using slide mounts, vitrail glass paint
and drops of water. The paints are solvent based and don
