Klaus Lang –Zwillingsgipfel

suess-map 2b
Zwillingsgipfel (2007, 122 MB, 8:02 min)

The music of the Austrian composer Klaus Lang ( not to be confused
with fellow Lang composers Bernhard or even David) is both very strange
and very beautiful. It’s a world where the tiniest gesture, the smallest
variation or nuance has great weight and presence. It’s no intellectual game
or posture though, but something, certainly for me, deeply affecting.
See what you think.
Bizarrely, I believe (and I’m open to correction) that “Zwillingsgipfel”
translates as “Twin Peaks”.

Ran Slavin – Organic Urbanic

organicurbanic
Organic Urbanic (2002, 14 MB, clip, 1:17 min)
“Organic Urbanic is a reality-fiction video based on an ambient
micro/macro cosmos of the urban-organic tapestry of the city.
The local and familiar transgresses into a dense textured
urban scape. The city is featured and filtered as a distorted
blue print image of itself.
The streets cars and buildings reveal an organic living machine-symbiotica.
Organic Urbanic amplifies what is already there. Among others, a complex
inner connectivity of city factors amplified and relocated.”

By Ran Slavin
Full duration: 9:00 min.

Eleanor Suess – Map 2b

suess-map 2b
Map 2b (1996, 33 MB, 1:29min)

We’ve got hold of a few movies spanning nearly 15 years from
Eleanor Suess who has staked out a very interesting position on the
borders of architecture and fine art (and specifically film/video art).
We’ll start with an early, and rather ravishing, handmade piece:

“Using a 16mm handmade film technique a DOLA/OS map of Perth
is transformed into a spatial surface. The territory of the drawing
is explored and navigated, the gridlines dominating the optical
soundtrack, marking the speed of the film as it passes in front
of the viewer

Ran Slavin – omni1.9

omni1.9
omni1.9 (2002-97, 18 MB, 1:28 min, excerpt)
“The idea behind this loop is to show the 360 degrees of choice. The mad culmination of wanting
to go to all directions at once. Inspired by the ceiling of the Geneva airport while in transit.
Shown also as a video installation of varying loop durations on a transparent two way screen.

Like a small vignette of digital nature, the small figures are continuously looping in a busy circular
motion with the urge to span in all directions at once.This stasis, a static dance, the body like a
scanner unable to decide, caught between indecision. A seemingly digital nature. The bodies
which are silhouettes of the artist, become small digital scanner probes.”

Video and audio: Ran Slavin
Original: 6:33min/variable/2002-97

Ran Slavin – Everything Is Urgent

EverythingIsUrgent
Everything Is Urgent (2008, 4 MB, 42 sec (Excerpt)

Ran Slavin
confronts the human figure in conjunction with the annoying barking of a dog. 4 figures, 2 young men and women, stand in front of an unknown audience, in front of a void and bark ferociously.
Driven away from systematic and social norms, the human barking figures attack us from within the digital domain, outward.
They present an uncompromising hybrid human, a cross between man and animal. Do they try to warn us, scare us like an omen or blame us? We see a human but hear an animal. Like a shout of desperation of a person who can no longer use his voice.
2008, 4:12 min. Single or 4 channel installation

Garrett Lynch performs Trav-erse

trav-erse_short
Trav-erse short (2011, 96 MB, 1:58 min)

This is shaping up to be Furtherfield fortnight & whyever not?
Here’s some footage I took there last Friday night, at the very entertaining
launch of the Art is Open Source/REFF – Roma Europa Fake Factory publication
& exhibition, (GO, if you’re in London) of a splendid performance by
Garrett Lynch of his Trav-erse, where he uses custom Max/MSP created software to
grab audio from an analogue world band receiver, manipulate and remix it.
I was struck both by the simplicity of the idea and the effectiveness of
its execution – a neat concept but also an excellent ear at work.
The sound from my stills cam video was unusable (shame, it sounded great
there) so in the latter section I’ve dubbed on sound from
an earlier performance of the piece in Cardiff, Wales in 2008.

Kev Flanagan

Duchamp's Fountain
Duchamp’s Fountain (2011, 93MB, 1:59 min, silent)

Fascinating bit of footage from Kev Flanagan arising out
of a piece of work by Rob Myers (together with Curt Cloninger one
of the two smartest people I know).
The whole thing sparked an interesting discussion on the Furtherfield
(see Monday’s post) originated Netbehaviour list this week.

Steven Ball – Aroundabout: Second Person Present

aroundabout
Aroundabout: Second Person Present (2011, 117MB, 4 min, silent)

Extracted from a longer work made for Steven Ball’s
Aroundabout blog

“I also showed it as part of a presentation of material from
Aroundabout I did at City Methodologies at the Slade,
where it was displayed looped continuously on a flat
screen monitor face up on the floor, while I ‘performed’
the blog with Powerpoint!”

Some of these expanded cinema folk do relish a challenge!

Even truncated & divorced from its performative context it stands
as a splendid bit of structural/formalist film/vid poetry.

Film by Samuel Beckett with Buster Keaton

buster_keaton
Film (1965, 68 MB, 17:28 min)

Samuel Beckett‘s only venture into the medium of cinema, Film was written
in 1963 and filmed in New York in the summer of 1964, directed by
Alan Schneider and featuring Buster Keaton. For the shooting Mr.
Beckett made his only trip to America. The film, which has no dialogue,
takes its basis Berkeley’s notion esse est percepti that is, to be is to be perceived.

KMA – ‘Flock’ in Liverpool

device activated
‘Flock’ in Liverpool (2008, 152MB, 2:44 min)

How many times do you read artists’ descriptions of their own work
and think ‘naaaaa…’ totally failing to recognise their stated ambitions
in what appears to you to be, at best, somewhat pedestrian and at
worst, a total disconnect from what they write.
This is the complete opposite of that, utterly living up to the makers’
stated intentions, and an absolute spine tingler to watch even through
the distance of video documentation.
Check out the KMA site for a complete description of the piece,
an ‘interactive light installation’ based around Swan Lake,
but not until you’ve watched this beautiful bit of documentary.
Particularly touching is the genuine joy in participation it evokes.

Very hard to pull off and very moving to see.

Morrisa Maltz – MoFone commercial

mofone_commercial
MoFone commercial (2011, 8MB, 1:31 min)

First of two pieces this week from the very talented Morrisa Maltz,
this one is a commercial for some kind of art-phone venture she seems
to be involved in.
Whilst I might pass on the product, I’m stuck dumb by the glorious
verve and insouciance of the ad.
It’s interesting – her personal work is very identifiable ( in a good way, I
hasten to add, and, as you’ll see later this week it moves onwards).
This is utterly different but also a really really neat bit of film-making,
suggesting deep reserves of skill and smarts as well as vision.

Henrik Capetillo: Moments – Illusions

moments, illusions
Moments-Illusions (2003, 44MB, 8:35 min)
Recommended to us by the estimable Sam Renseiw here’s work
by his fellow Copenhagen based artist Henrik Capetillo.
I’m assuming that since at one point this file flashes up
“PREVIEW VERSION” the actual piece is considerably higher res.
I’d love to see that version because what we get from this is
a bit of a tease – I think for this kind of digital drawing intervention
into real world footage to really work everything has to be nice and
crisp and seamless ( Rick Silva, for example, is a master at this). That said, it’s
still a haunting bit of work which lingers in the memory and makes one want more.

Omer Golan – Religion

omer_golan_religion
Religion (2010, 8 MB, 1:28 min.)

“‘Religion’ is based on a language text corpus containing about 140,000 words.
With Cycling74’s Max/Msp/Jitter, I created a virtual canvas for my video that is
covered with random text from the corpus. Then used this canvas to mask a clip
of animation that I’ve prepared for that purpose, allowing only text to appear where
pixels in the original animation were moving. My goal was to give the entire clip
random text textures that are aesthetic, recognizable and unreadable.”
By Omer Golan. Sound collage: Itamar Kav Tal.

The Summer of Van Torre – Human Dog

vantorre7
European Vacation (2005, 25.6 MB, 2:18 min.)

vantorre9
Morning Routine (2005, 44.3 MB, 4:34 min.)

The Summer of Van Torre was hugely popular in 2005 in video blogging circles.
The wepisodes recount the life of Jon VanTorre, each week bringing him closer
to total cardiac arrest with Ether Baths, Spider-Man Nightmares, and Meat Sandwiches.
The series (which began in 2001) was presented online in 05 by “Human Dog”.

Here is an interview (2005, 67.5 MB, 13 min.) by Josh Leo with writers & directors
Jon VanTorre, Michael Schwartz and Chris Weagel.

Thomas Bayrle – (b)alt

balt
(b)alt (1997, 2 MB, 22 sec.)

“Thomas Bayrle has been pursuing the concept of developing ‘superstructures’
from encapsulated image patterns since the 1960s. He uses it for drawings,
photocopy-montages or film animations, at first needing to work painstakingly
by hand. It is now possible to process images like this more or less automatically
by computer. Thomas Bayrle meets his grandson in the computer-animated video
‘(b)alt’ and uses interconnecting, superimposed image patters to address the
sequence of human generations sensually as well as metaphorica”

Chris Caines – Mathematics

mathematics
Mathematics (2010, 163MB, 10:40 min)

There’s a wonderful deadpan quality to this piece from Chris Caines,
which captures dream logic perfectly (and satisfyingly –
I was worried about bathos and I needn’t have.)
It looks and sounds rather sumptuous too.
I do wonder if it couldn’t have moved just a tad quicker…

Annie Abrahams

mathematics
Mutant #2 (2010, 64MB, 4:04 min)

Annie Abrahams is a singular and compelling voice, her singularity
ironically copper-bottomed by her willingness to embrace the network
& collaboration thereon fearlessly, inquisitively and to always
striking effect. This piece is described as a video arising out of
the second session of a
“Telematic Performance / Experiment investigating communication and
relational dynamics in a dispersed group.”

and it’s bewitching.
The pages documenting it bear the motto
“Communication is never clean, smooth and transparent”
True – and to turn that truth into crystalline & affecting art is a little miracle.

Ethernet Orchestra Networked Improvisation Live on FBi Radio, Sydney

mathematics
Ethernet Orchestra on FBi Radio (2010, 92MB, 11:48 min)

More from the splendid Ethernet Orchestra with:
in Sydney, Australia – Roger Mills (Processed Trumpets), Bukhchuluun Ganburged (Mongolian Horse fiddle and throat singing) and Yavuz Uydu (Turkish Oud and Bendir)

in Londrina, Brazil – Chris Vine (Guitar)

and in Braunschweig, Germany – Martin Slawig (Laptop Electronics and Max/MSP processing).

All of it great, though I’m particularly a sucker for the throat singing.

Curt Cloninger –TOM

see me
See Me (2011, 57MB, 6:11 min)

feel me
Feel Me (2011, 11MB, 1:03 min)

Two parts of a rather good new work –
TOM (an instrumental rock opera remix in four parts)
by Curt Cloninger, of whom we are fans.
He remixes the 1975 film of the Who’s rock opera Tommy to striking effect.
I can’t imagine crossing the road to see the original, even for free, but
here Curt’s sense of beauty, drama and balance – which have served him
well in a number of works and projects involving remix/appropriation, notably
his fantastic playdamage project –
redeem banality to something genuinely affecting.
More next week.

Marc Garrett & Ruth Catlow – At Winter Equinox We Burn the Sun

the mouse escapes
At Winter Equinox We Burn the Sun (2010, 37MB, 3:48 min)

And by way of wishing a Happy New Year to all, here’s a tremendous piece from my friends
Marc Garrett & Ruth Catlow, the movers behind the indispensable Furtherfield.org & the Netbehaviour list.
Here they ritually burn a copy of the evil Murdoch’s UK organ The Sun & accompany this
with music both apposite and well executed.
I think this is shot very well. I don’t mean in a boring technical sense – who gives a? –
but that it is utterly alive, especially those beautiful final, almost vertical, shots.
There’s a delicious play here too on folkishness which treads a fine line in avoiding
being itself folksy.
Further – here’s a practical demonstration of how political art doesn’t have to
be dour or ploddingly earnest and indeed can summon a visceral beauty.
There’s a dialogue (or, perhaps better, an argument) between this celebration of the beauty
of the world, betokened in this scene and what passes therein, and the real ugliness and
anti-humanity of the paper and its contents.
Great Great Great.

The Mouse Escapes , Complete.

the mouse escapes
The Mouse Escapes (2010, 56MB, 11:06 min)

After we posted the trailer for this the other week, director Simon
Mclennan
was kind enough to let us post the whole movie, so here it is (and quirky, and poetic and imaginative as it promised to be, it is.)

Monochrom – The Earth Has Been Destroyed

The Earth Has Been Destroyed
The Earth Has Been Destroyed (2010, 194MB, 5:06 min)

Something new from the splendidly sideways Austrian art/mischief wranglers
Monochrom is always welcome and this piece is no exception.
Absurd ( Popcorn for Chrissakes!!), just about hanging together,
but hanging together artfully nonetheless; even a little bit chilling too.

Other Monochrom stuff on DVblog.

Peter Campus – Three Transitions

three_transitions
Three Transitions (1973, 7 MB, 1:32 min.)

Peter Campus presents three introspective self-portraits that incorporate his dry humor.
Campus uses basic techniques of video technology and his own image to create
succinct, almost philosophical metaphors for the psychology of the self, articulating
transformations of internal and external selves, illusion and reality.

The Smith Family

#1
#1 (2007, 1MB, 56 secs)

#2
#1 (2007, 1MB, 57 secs)

In 2007 I ran a little competition on my site centred aound
a musical setting I had made of a tiny poem by my friends and
collaborators Robert Roth & Carletta Joy Walker for
their magazine “And Then”.

I invited remixes, either musical or visual, of the song and
these two pieces, both utterly barking & delicately poetic at one
and the same time, came winging their way from the Smith Family
in Germany.
Wonderful!

Tony Oursler – "Spaced" at Margo Leavin Gallery

margo_leavin_06
Spaced (2006, 28 MB, 3:31 min.)

Documentation from Tony Oursler‘s exhibition at the Margo Leavin Gallery.
The works mixrs video and physical objects, poetic texts and actual music
gleaned from the recordings of deep space by NASA.

Lumière et Son Bow Out

checkout art fairs
Checkout Art Fairs (2010, 8MB, 1:07 min.)

Blotting Paper
Blotting Paper (2010, 13MB, 1:06 min.)

I hadn’t realized that the splendid Lumière et Son project, which
we’ve raved about here before, was a time limited thing
but, sadly, yes & they’ve posted their last, which we repost here
above.
We’ve grabbed a few more, which we’ll post in the near future, but
do yourselves a favour and go & wallow in their site now…

Patrick Lichty #4

Blown Away
Blown Away(2003, 3MB, 52 secs)

Mental Profiling
Mental Profiling (2003, 7MB, 2:15min)

 the new saint of louisiana
The New Saint of Louisiana (2003, 4MB, 41 secs)

Three more from Patrick Lichty.
Again- hard to believe these were made seven long digital years* ago.
Not a lot to add, except I approve his taste for Tuvan throat singing.

*Digital years a bit like dog years, of course.

Elodie Pong – ADN/ARN

sfs_trailer
Trailer for ADN/ARN (2003, 30 MB, 4:04 min.)

ADN/ARN was an interactive installation addressed to one person at the time,
filmed with 8 surveillance cameras, in which each visitor was invited to confide and then contractually sell a personal secret. The initial system took place in Lausanne at CIRCUIT Centre d’art contemporain.

More Showstudio

beasting
Beasting (2008, 3MB, 31 secs)

blackball
Blackball (2008, 10MB, 1:21 min)

God, I dislike this work! It’s the combination of the stellar
degree of smug self-congratulation with a faux experimentalism/pretension
to art similarly typified by the ludricous “creative” moniker
attached to exponents of advertising.
But..but..again – like some ads, not many, some – there’s
something to be learned here, especially from Beasting
which manages to be both deeply, Zoolanderishly, risible
(the branded underpants) but also generate a kind of deep,
myth-related frisson.
All the more vexing that somewhere here is real talent.

So…we hold our noses and post…

Enough! Six months, at least, before any more of this.
I’m going out for some air.

The Little Artists – Lick Yourselves

lick yourself
Lick Yourselves (2005, 64MB, 6:27 min, silent)

The Little Artists are a UK collaborative duo, most famous/notorious
for their re-renderings of iconic artworks in the childrens’ construction toy
LEGO.
This brief description doesn’t do them justice – their work is rich & complex
& they make hay, playfully but profoundly too, with all sorts of contemporary
obsessions – remix &appropriation, branding, celebrity & not least the idea of
artistry/creativity itself.

This video stems from their 2005 show based on the work of Mark Quinn, the casting-
his-head-out-of-his-own-frozen-blood guy, and the show featured them dressing
up as ice cream salespeople and flogging fruit flavour ice lolly replicas of
the Quinn piece.
The vid is a minimal, leisurely and ever so slightly disturbing account of
one of these slowly melting.

Tony Oursler – “Bell Deep” from “Fairy Tales Forever”

belldeep
Bell Deep (2005, 3 MB, 22 sec.)

Excerpt from Tony Oursler work from the group exhibition – “Fairy Tales Forever”
at the Aarhus Kunstmuseum museum in Denmark in 2005.
The exhibition was a tribute to Hans Christian Andersen
on the occasion of his 200th birthday.

Patrick Lichty Season – #3

The New Miranda
The New Miranda (2003, 38MB, 2:17 min)

blooper - voodoo chicks
Blooper – Voodoo Chicks (200?, 1MB, 16 secs)

 the engines of truth
The Engines of Truth (2000?, 20MB, 5:08 min)

Our Patrick Lichty season resumes after quite the longest break ever,
partly because I misplaced the files he so generously gave us
in 2007.
Looking through these again it comes home very forcefully what
a significant role Lichty played in the development of a new language of art video,
one contemporaneous with the birth pangs and development of net art & later to
feed centrally into online art practice.
The pieces still impress as hugely imaginative and sometimes challenging
and apart from their physical size and compression don’t appear time worn
at all. In fact, in many ways they seem amazingly prescient, perhaps
even ahead of their time.
More soon.

Elodie Pong

050_268_elodie_pong
Secret 050 (2007, 8 MB, 1:03 min.)

And one more.
See original post. Secret from “Secrets For Sale”, a film which reveals the radical
ADN/ARN experience, an interactive installation addressed to one
person at the time, in which each visitor was invited to confide and
then contractually sell a personal secret.
Project by Elodie Pong.

“Double Fantasy” by Jennifer and Kevin McCoy

double_fantasy1
Double Fantasy (2006, 3 MB, 1:27 min.)

double_fantasy2
Double Fantasy (2006, 4 MB, 2 min.)

“Installation view and detail images of Double Fantasy 3 (Career) which was shown at the Armory Show in New York, March 2006. Each side of the sculpture has a model of a childhood career fantasy for each of us. Cameras project large scale images of it onto the wall, accompanied by a soundtrack.”
by Jennifer and Kevin McCoy.

More Jon Rafman

You, the World and I
You, the World and I (2010, 67MB, 6:10 min)

Another piece from Jon Rafman, and whilst it’s made with the same dexterity,
wit and inventiveness as all his work this one doesn’t quite hit me in the
same place as the others we’ve posted.
(Don’t get me wrong – this piece would garner unstinting praise were
it from most other people – it’s just that Rafman sets the bar high for himself).
It’s something to do with the closure-as-a-story.
It’s a bit too neat. The found material seems deployed as an aid to
story-telling rather than dripping with the glorious uncertainty and
ambiguity that chartacterised some other earlier work.
(An analogy: the difference between a Rauschenberg Combine
and a picture in shells at a seaside gift shop. Not that extreme here, of course)
None of which is meant to imply that it isn’t worth at least 12:20 min of your time…

Marina Abramovic & Ulay: Relation Work (1976 – 1979)

relation_in_space
Relation in Space (1976, 2 MB, 26 sec.)

expansion_in_space
Expansion in Space (1977, 5 MB, 1:18 min.)

In “Relation in Space” (1976) Marina Abramovic & Ulay ran around the room – two
bodies repeatedly move past each other. They collide at great speed like two planets,
mixing male and female energy into a third component called

Lev Manovich – Little Movies #2

manovich #3
A Single Pixel (1994-98, 2MB, 43 secs)

manovich #4
Classical Cinema I (1994-98, 1MB, 34 secs)

Original post

Lev Manovich – Little Movies #1

manovich #2
On the Ephemeral Nature of Little Movies (1994-98, 3MB, 1:05 min)

manovich #1
Binary Code (1994-98, 2MB, 52 secs)

I mentioned the Manovich Little Movies in the post I did the
other week on Eryk Salvaggio’s ‘Unfinished Mpeg Haiku’.
In the course of writing that I went to Manovich’s site to look at them
& was surprised to find that their page was in some disarray
and the movies themselves had been removed.
Nor could I find them either in the version archived on the Rhizome Artbase.

It seems a shame for them not to be available -they’re historical
(and in many ways amazingly presecient) documents at the least,
although I find them – especially the last one – gripping and touching too.

Then I remembered the wonderful Wayback Machine and I found them
there, all snug and safe and sound.
Also, some TEXT by Lev about the Little Movies project.

Tony Oursler – EVOL 1984

evol
EVOL (1984, 25 MB, 2:36 min.)

“Tony Oursler is known for his fractured-narrative handmade video tapes including
The Loner, 1980 and EVOL 1984. These works involve elaborate sound tracks,
painted sets, stop-action animation and optical special effects created by the artist.
The early videotapes have been exhibited extensively in alternative spaces and museums..
His early installation works are immersive dark-room environments with video, sound,
and language mixed with colorful constructed sculptural elements. In these projects,
Oursler experimented with methods of removing the moving image from the video monitor
using reflections in water, mirrors, glass and other devices..” – from wikipedia

Jon Rafman – Woods of Arcady

woods of arcady
Woods Of Arcady (2010, 44MB, 3:56 min)

The Song of the Happy Shepherd

William Butler Yeats (1865-1939)

The woods of Arcady are dead,
And over is their antique joy;
Of old the world on dreaming fed;
Grey Truth is now her painted toy;
Yet still she turns her restless head:
But O, sick children of the world,
Of all the many changing things
In dreary dancing past us whirled,
To the cracked tune that Chronos sings,
Words alone are certain good.
Where are now the warring kings,
Word be-mockers? — By the Rood,
Where are now the warring kings?
An idle word is now their glory,
By the stammering schoolboy said,
Reading some entangled story:
The kings of the old time are dead;
The wandering earth herself may be
Only a sudden flaming word,
In clanging space a moment heard,
Troubling the endless reverie.

Then nowise worship dusty deeds,
Nor seek, for this is also sooth,
To hunger fiercely after truth,
Lest all thy toiling only breeds
New dreams, new dreams; there is no truth
Saving in thine own heart. Seek, then,
No learning from the starry men,
Who follow with the optic glass
The whirling ways of stars that pass–
Seek, then, for this is also sooth,
No word of theirs–the cold star-bane
Has cloven and rent their hearts in twain,
And dead is all their human truth.
Go gather by the humming sea
Some twisted, echo-harbouring shell,
And to its lips thy story tell,
And they thy comforters will be,
Rewording in melodious guile
Thy fretful words a little while,
Till they shall singing fade in ruth
And die a pearly brotherhood;
For words alone are certain good:
Sing, then, for this is also sooth.

I must be gone: there is a grave
Where daffodil and lily wave,
And I would please the hapless faun,
Buried under the sleepy ground,
With mirthful songs before the dawn.
His shouting days with mirth were crowned;
And still I dream he treads the lawn,
Walking ghostly in the dew,
Pierced by my glad singing through,
My songs of old earth’s dreamy youth:
But ah! she dreams not now; dream thou!
For fair are poppies on the brow:
Dream, dream, for this is also sooth.

*******************************************

Extraordinary piece from Jon Rafman
(and William Butler Yeats).
It’s stumbling across things like this
that makes it all more than worthwhile.

“Eternal Return” by Jennifer and Kevin McCoy

eternal_return
Eternal Return (2006, 4 MB, 1:54 min.)

“Eternal Return” installed at the exhibition Stop Motion at the Edith Russ Haus,
is a remake of a scene from the musical movie The Gay Divorcee.
The piece was reworked to allow a large video projection for the exhibition.”
by – Jennifer and Kevin McCoy.

Ethernet Orchestra – Distant Presences

sam_r
Ethernet Orchestra -Distant Presences (2010, 55MB, 6:42 min)

Delicate but nonetheless ravishing beauty from the improvisation-across-the-net,
(Brazil/Sydney/Germany on this occasion) outfit Ethernet Orchestra
That our hats come off in the face of their technical achievement should go almost
without mention -this cannot have been easy to do; but to make something so devoid of
gimmickry and so entrancing too…well, I’m lost for wo