Everyone I can think of who has died (2009, 49MB, 6:24 min.)
Edward Picot is writing the names of all the
people he can think of who have died onto leaves,
then floating them down a stream near his house.
Everyone I can think of who has died (2009, 49MB, 6:24 min.)
Edward Picot is writing the names of all the
people he can think of who have died onto leaves,
then floating them down a stream near his house.
The Fish (date unknown, 754KB, 1:12 min)
The Fish
wade
through black jade.
Of the crow-blue mussel-shells, one keeps
adjusting the ash-heaps;
opening and shutting itself like
an
injured fan.
The barnacles which encrust the side
of the wave, cannot hide
there for the submerged shafts of the
sun,
split like spun
glass, move themselves with spotlight swiftness
into the crevices
Tea Tree (2008, 12.3MB, 2:24 min)
Waterball (2008, 20.9MB, 2:23 min)
Not that much to add to what we’ve said before.
More work, careful, modest, austere and somehow darkly
(& I don’t just mean the light or lack of) beautiful, from Kev Flanagan.
Transformation (2009, 15.5MB, 1:18 min)
Representation of Memory (2006, 75.4MB, 2:22 min)
Clearly there is something in the water in Athens, Georgia giving us,
as it has, John Michael Boling & Javier Morales, John Crowe,
Dan Osborne, Brantley Jones and now Ash Sechler.
Hmm – The School of Athens, Georgia.
There’s no common style but there is a certain sensibility which,
curiously, pervades the quiet meditative stuff as well as the more
out-there and bizarre – it’s a species of wryness combined with an
eye for the casually arresting, odd and beautiful.
It’s exemplified here in both these rather good pieces, though I particularly
like Representation of Memory.
moose and atv (2005, 2MB, 46 sec.)
springwater finale (2005, 6.5MB, 2:27 min.)
Final two pieces, chapters 7 & 8, from
Stapelia Ophelia (2005, 2.7MB, 1:23 min.)
‘The corpse flower’ in the window is getting louder, I can hardly
think. There is no running away from the smell, the sound is
deafening if you listen closely. The flowers keep coming back, I
cannot stop them. There is wind & rain as well, now, as I am seeing
the clip much later, the elements without which the day would be void.
Vogels (2003, 3.5MB, 1:01 min)
Overdrive(2003, 4.5MB, 1:12 min)
Two 2003 pieces from Dutch artist Gerben Kruk.
I like the way the quite in-your-face soundtrack in both cases
sets the tone for & structures our response to the visuals.
There’s a curious contradiction between the bucolic content of Vogels
and the sheer noisiness and velocity of it.
(AND NB THOSE SENSITIVE TO FLICKER SHOULD PROBABLY NOT
ATTEMPT TO WATCH IT) .
Kinetocast – To Watch In Preparation For The Deep Fall (2006, 8.5MB, 1:25)
Kinetocast – To Watch For Help Getting Through (2007, 16.9MB, 2:55)
Two more from the endlessly delightful kinetocast,
conceptual pieces about existential moments.