David Byrne Bike Cam NYC (2007, 17MB, 4:55 min.)
David Byrne biked to Town Hall for his
David Byrne Bike Cam NYC (2007, 17MB, 4:55 min.)
David Byrne biked to Town Hall for his
A video from my blog “My Year in Art”
documenting my interactions with artists and their work.
Paul Wirhun speaks about his work The Skull Project.
By Mica Scalin.
Future and the Dream (2009, 298MB, 53:36 min)
A 53 minute piece from the indispensable Robert Croma,
which was made for the 24 hours 24 artists webcast earlier this year.
It’s Croma’s obsessive – lapidary – attention to detail
(as well as, of course, bucket loads of talent and flair) on quite small
canvasses that makes him unique so it’s interesting to see how
effectively he pulls this one off.
For comparison here’s a recent, haunting, miniature:
West of the Great Altar of Zeus (Doron, 2009, 27MB, 1:51 min)
9 Third Avenue Haiku (Michael, 2008, 52.7MB, 4:32 min)
We normally avoid posting our own work but this
time we’re going to make an exception.
Doron & I have a joint show at HTTP gallery & we’d like to
invite any DVblog readers in the area to come
along to the private view, this Friday, 16th January.
(Details on the HTTP site linked above)
I’ve posted a piece by each of us (which should
give you a feel for whether you’d love or hate us) but the HTTP
show is going to be a little different from our usual work
so please come along, have a drink, take a look & say hello…
Mischa Kuball – Public Square (date unknown, 4.4MB, 2:41)
Do you miss the public square, the everyperson
common space? Yeah, so did Mischa Kuball. So
he made this. It’s quite fantastic. Enjoy.
New York Times Special Edition (2008, 16.2MB, 2:12 min)
Self-explanatory movie giving background & reaction
to the day before yesterday’s visionary prank ( &
how often do you hear those two words together?)
by those visionary pranksters The Yes Men.
More here.
Breathtaking & inspiring.
Pop Mantra Video Documentation #4 (2008, 51.7MB, 5:17 min)
Pop Mantra Video Documentation #7 (2008, 50.5MB, 5:41 min)
I like & admire Curt Cloninger for his steadfastness of belief in both his religion
& his artistic work.
He’s also one of the best writers about new media around at the moment.
In both theory & practice he’s curious, inventive, knowledgable, quirky and passionate.
Unlike many in this sphere he’s also not afraid to think aloud in public, to take risks.
Even, (quelle horreur!), to risk appearing uncool.
Recently he’s been making work away from the web, some of it performative
& very interestingly so.
Here (& I stress what you see here is the documentation, not the piece
itself -a fine, but important, distinction) he repeatedly sings & plays a
single phrase from a popular song, in this instance Radiohead’s Karma Police, for several hours.
For me there are number of interesting resonances – minimalism, shamanism,
the kinds of ‘test’ that occur in many religious belief systems, a losing, dissolving
of the self (In additon to the eponymous “mantra” ,there’s an echo too, I think, of Sufism);
but also there is the straightforward investigation*** of the mechanics of playing,
of performing (& there’s a fractal quality to the rather symmetric & crystalline
structure of popular song that makes this kind of extracting both possible & immediately
approachable -it’s a world familiar enough to welcome us in.)
The two extracts are from different ends of this marathon
( & selecting & typing that word just conjured another association –
the of the twenties & thirties).
I find this work fascinating.
Fascinating & affecting too.
*** It’s almost always a laughable misuse of the word to say ‘investigation’
in an art-speak context. Here it seems correct & natural.
MOON CRASH (2008, 58 MB, 4:42 min.)
“MOON CRASH is a 360 degree immersive experience using DJ sets
and mutant slides, painted live with video projections.
All visuals are painted on acetate using slide mounts, vitrail glass paint
and drops of water. The paints are solvent based and don
Sentimental Construction (2007, 25.4MB, 6:31 min)
Nathaniel Stern took a bit of a hammering in various quarters for this piece,
made on a residency in Croatia.
I think there’s an probably an element of you-had-to-be-there about this
although, that said, I think the video is rather magical &
does as good a job of summoning the kind of ephemeral spell this stuff can weave
as any I’ve seen.
Lastly it has to be said the reason Nathaniel is great is because
(1) he has a frightening amount of energy, more indeed, really, than his fair share –
he starts 5 ‘isms’ before breakfast
(2) he is bold, unafraid to risk looking ridiculous & therefore quite often as an artist
he goes to much more interesting places than most…
In general I’ll take a Nathaniel “failure” over quite a lot of folks’ “success”.
Knitpro (2005, 19.7MB, 3:18 min.)
Cat Mazza and Sabrina Gschwandtner speak about their piece
at the exhibition We Are All Together at Artist’s Space.
part of Performa 05.
BONUS VIDEO! –
Enclose (2005, 9.21MB, 2:27min.)
Artist Bea Camacho knits herself in.
From PresentSpace.
By Mica Scalin.