Roel Wouters – zZz – Grip

Grip
Grip (2007, 101 MB, 4:13 min.)

Grip is a video clip for the band zZz.
It is a one take, top shot video with trampoline gymnasts simulating
video effects, and has been recorded live as part of the opening “Nederclips”,
a showcase of Dutch videoclips at the Stedelijk Museum.
The important criteria were that the audience at the opening would be able to
witness the whole shoot, and that the videoclip would be added to the exhibition
immediately after the shoot.
The project developed by Roel Wouters.

New Media in the Marketplace – Listen to the Podcast

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New Media in the Marketplace (2011, 37 MB, 52 min)

“Over the years, we’ve found that a number of the artists we support in our Emerging Fields category have questions about how they can better market and exhibit their work. They have questions about pricing and editioning; changing formats; what it is that they are actually selling when they offer a work for sale; what their obligations to representatives and collectors are after a sale; and whether or not they should even participate in an art market that is, in their eyes, more sympathetic and better able to represent works in more conventional or established media.

On November 2, Creative Capital hosted a webinar for grantees to explore some of these issues and answer specific questions from artists working in new media. The panelists were Jason Salavon (2000 Visual Arts), Karolina Sobecka (2009 Emerging Fields), Stephen Vitiello (2006 Emerging Fields) and Marina Zurkow (2001 Visual Arts). Sean Elwood, Creative Capital’s Director of Programs & Initiatives, served as the facilitator.”

LISTEN TO THE PODCAST FROM THIS DISCUSSION

Podcast from The Lab.

Celia Cooley – Occupy DC Interviews 10/10/2011

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Occupy DC Interviews 10/10/2011 (2011, 73MB, 58 sec)

Demonstrating what we all might have said rhetorically, but really demonstrating it –
that a smart seven year old (with a little tech help from her parents)
can do a better job than any of the official media, Celia Cooley interviews
Occupy DC participants in a piece that both delights and makes one fiercely
proud to be one of the 99%.
Great job.

Joan Brossa – Fi

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Fi (2011, 51MB, 9:57 min)

Joan Brossa, the Catalan poet, artist, performer and polymath,
who died in 1998, deserves to be more widely
known in the rest of the world.
I’ve often thought his work, in particular the visual
poems, prefigured much of the art of the early days
of the net (but mostly better: terser, wittier, riskier –
I think Brossa would have loved the net).
This elegant & delightful performance ( ‘Fi’ is Catalan
for ‘End’, in this context The End) was recorded
in Barcelona eight months before his death.

It requires a little patience; the reward being that
it can be viewed many more than one time, so it
seems like an appropriate thing to leave you with
over the summer.
Remember we’re always delighted to look at new work,
so if you’re making moving image yourself,
or you happen across great stuff don’t hesitate
to send us links.

We’re back on Monday, September the 26th – in
the meantime we wish you all a happy and relaxing summer.

Talking About DVblog

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Electronic Village Galleries Talk 6th May 2011 (2011, 164MB, 32:14 min)

Gosh -where to start?
Awhile back we were approached to assemble a selection of
work from DVblog for screening at a gallery in the UK.
This reel then took on a bit of a life of its own, showing
at the museum of club culture in Hull, UK and at the Buffalo Literary Center, New York.
(of course ‘a life of its own’ is completely unfair – it got shown because real
human beings –Kerry Baldry and Martha Deed respectively – put work into making it happen.)
Then Kate Southworth, who is running a brilliant pilot project
involving showing digital work in village halls in Cornwall, in the extreme
south-west of the UK, asked if I’d be interested in curating something
and the reel immediately sprang to mind..

To cut a long story short it was shown at the second EVG event at
Zennor village hall on 7th May and I went down to talk (at some
length,
I notice with a certain degree of horror)
about digital video on the net, DVblog in particular and about the
artists involved in this selection.
Here, for better or for worse, is my talk, filmed, heroically, given my
restless delivery style, by Delpha Hudson.
If you’d like to reconstruct the programme for yourself it’s below, with links to
the original DVblog posts.

And if you’d be interested in screening it, please get in touch!
(We also have a reel of silent work which has been screened with
musical accompaniment and is available for more such outings.)

JimPunk, 2010: T

Michael Barnes-Wynters – Control #1

Control #1
Control #1 [Seeking Kind in Human] (2009, 114MB, 4:52 min)

Michael got in touch via a mutual friend to tell me about what
seems to be an incredibly thriving live art scene in Manchester, UK.
To my shame, this is the first time I’ve come across it, so I’m going to
make up for this a little by posting three vids from Doodlebug, the
creative arts platform he founded.
This first is a performance by Michael himself with Sophie Yesilyurt.
It’s very powerful. What strikes me is how these performative things achieve
a huge effect, often with very simple means. I think those of us working
primarily in moving image have a good deal to learn from them.
More soon.

Klaus Lang –Zwillingsgipfel

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Zwillingsgipfel (2007, 122 MB, 8:02 min)

The music of the Austrian composer Klaus Lang ( not to be confused
with fellow Lang composers Bernhard or even David) is both very strange
and very beautiful. It’s a world where the tiniest gesture, the smallest
variation or nuance has great weight and presence. It’s no intellectual game
or posture though, but something, certainly for me, deeply affecting.
See what you think.
Bizarrely, I believe (and I’m open to correction) that “Zwillingsgipfel”
translates as “Twin Peaks”.

Trisha Brown Interviewed

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Interview with Trisha Brown (2007, 11 MB, 3:06)

Anyone in or near London should absolutely get to see the
“Laurie Anderson, Trisha Brown & Gordon Matta-Clark –
Pioneers of the Downtown Scene, New York 1970s”
show,
currently at the Barbican. It’s fantastic!
I was particularly lucky to be there when a performance of the
Trisha Brown ‘walking on walls’ piece happened (worth
ringing in advance to see what performances are on and when)
I knew it would be interesting but, somewhat to my surprise,
I was immediately & intensely emotionally engaged by it too, finding
it lump-in-the-throat-&-tear-in-the-eye moving…
Although we’re concentrating here on Trisha Brown with an interview
conducted in 2007 at the Documenta 12 event (and after you’ve
watched that, the Guardian has a nice audio slideshow about the
walking on walls piece), all three artists shine in this show.
It’s all great but particularly interesting are the rooms of drawings
related to their various performance practices.