Wikipedia:Technologies of Cooperation (2005, 70 MB, 1:30 hr.)
Lecture at Stanford University on Wikipedia by founder Jimmy Wales.
Category Archives: collaboration
Drake Music Commission – Distant Interiors
Distant Interiors (2011, 87MB, 2:16 min)
Drake Music is an organisation initiating and enabling a whole spectrum
of activity around disability and the arts (particularly music
but other artforms too).
This could be worthy, condescending and dull. It is none of these.
In recent years, under the inspired leadership of Carien Meijer,
DM has ensured it is situated primarily as a very forward looking
arts organisation which happens to work closely with disabled artists
to enable new and fresh work to emerge.
It has encouraged collaborations between disabled and non-disabled artists
and, in a sense, works towards its own future disappearance not only
by using technology to level the playing field but also by aspiring not
to pity or the sideshow but to serious, top level, work.
This is their first online commission, a remote collaboration between
video artist Melanie Clifford, composer Ailís Ní Ríain and artist Rebecca Key.
I like the fact that it is so confident in its austere and beautiful
language and aims, not to charm us, but to engage us.
The spiky and beautiful music is particularly exhilarating.
Talking About DVblog
Electronic Village Galleries Talk 6th May 2011 (2011, 164MB, 32:14 min)
Gosh -where to start?
Awhile back we were approached to assemble a selection of
work from DVblog for screening at a gallery in the UK.
This reel then took on a bit of a life of its own, showing
at the museum of club culture in Hull, UK and at the Buffalo Literary Center, New York.
(of course ‘a life of its own’ is completely unfair – it got shown because real
human beings –Kerry Baldry and Martha Deed respectively – put work into making it happen.)
Then Kate Southworth, who is running a brilliant pilot project
involving showing digital work in village halls in Cornwall, in the extreme
south-west of the UK, asked if I’d be interested in curating something
and the reel immediately sprang to mind..
To cut a long story short it was shown at the second EVG event at
Zennor village hall on 7th May and I went down to talk (at some
length, I notice with a certain degree of horror)
about digital video on the net, DVblog in particular and about the
artists involved in this selection.
Here, for better or for worse, is my talk, filmed, heroically, given my
restless delivery style, by Delpha Hudson.
If you’d like to reconstruct the programme for yourself it’s below, with links to
the original DVblog posts.
And if you’d be interested in screening it, please get in touch!
(We also have a reel of silent work which has been screened with
musical accompaniment and is available for more such outings.)
Love is a Wave
Love is a Wave (2010, 17MB, 1:59 min)
Another video for Crystal Stilts by the
difficult-to-discover-any-details-about armyofkids.
As with the first we posted (also, apparently, by aok)
stylish and dashing both.
Eleanor Suess films Christopher McHugh
Painting 01 (1998-2001, 58MB, 2:51 min)
More from Eleanor Suess, this time an exploration of a painting
by UK artist Christopher McHugh.
She get’s the usual basics of this sort of thing – fidelity to McHugh’s wonderful colour
sense in particular – spot on, but, as I’m beginning to realise with all of Suess’s
work, there’s a good deal more to it than initially meets the eye.
(Which expression strikes a philosophical note when applied to two
predominantly visual practices)
It’s the modesty (in the best sense) of the that work does it.
The work refuses either to ingratiate or ambush.
We could do with more of this.
Interview with Ubermorgen.com at DAM Gallery Berlin
Interview with Ubermorgen (2011, 41 MB, 6:51 min)
In Berlin, DAM Gallery presented two projects by the artist duo Ubermorgen.com.
The show featured a temporary WOPPOW flagship store featuring fashion with bullet
holes as trademarks and the Deephorizon project that presents oil paintings that are
directly linked to the BP oil spill. On the occasion of the opening of the exhibition,
VernissageTV met with ubermorgen.com
More from Doodlebug
Food Terror (2008, 73MB, 4:36 min)
More from Manchester’s Doodlebug.
This one is particularly splendid and
meal times will never be the same again.
Here’s the text Michael Barnes-Wynters sent me but
I don’t really know what it means:
Doodlebug Presents…25/10/08 at Contact feat.
Ronald fraser-munro’s RFM-UNPLUCKED. manc. poet
amanda milligan’s ‘mz.milly does…’ debut outting
with ‘On Becoming a Human Being’ (AV mix).
a sneak preview of Urbis’s Black Panther artist
Emory Douglas expo. French guerilla photgrapher
JR’s ‘Women are Heroes’ plus Terrorist’s FOOD TERROR mix.
I think we’re watching that last item.
Anyway, it’s great.
More soon.
Michael Barnes-Wynters – Control #1
Control #1 [Seeking Kind in Human] (2009, 114MB, 4:52 min)
Michael got in touch via a mutual friend to tell me about what
seems to be an incredibly thriving live art scene in Manchester, UK.
To my shame, this is the first time I’ve come across it, so I’m going to
make up for this a little by posting three vids from Doodlebug, the
creative arts platform he founded.
This first is a performance by Michael himself with Sophie Yesilyurt.
It’s very powerful. What strikes me is how these performative things achieve
a huge effect, often with very simple means. I think those of us working
primarily in moving image have a good deal to learn from them.
More soon.
George Spencer films Robert Roth
Robert Roth Reads from ‘Health Proxy’ (2011, 76 MB, 6:30min)
I can’t be objective aboutRobert Roth – he’s a dear friend and his
tremendous & utterly singular book Health Proxy ( Buy it here)
would most definitely be my choice for that desert island.
In this little movie, odd and charming both, by fellow writer
George Spencer, he reads an extract from it, twice.
Ran Slavin – Everything Is Urgent
Everything Is Urgent (2008, 4 MB, 42 sec (Excerpt)
Ran Slavin
confronts the human figure in conjunction with the annoying barking of a dog. 4 figures, 2 young men and women, stand in front of an unknown audience, in front of a void and bark ferociously.
Driven away from systematic and social norms, the human barking figures attack us from within the digital domain, outward.
They present an uncompromising hybrid human, a cross between man and animal. Do they try to warn us, scare us like an omen or blame us? We see a human but hear an animal. Like a shout of desperation of a person who can no longer use his voice.
2008, 4:12 min. Single or 4 channel installation