Monument (If it Bleeds It Leads) – Caleb Larsen

Monument
Monument (2006, 3MB, 1:53 min)

Monument, a computer program continuously scans the headlines
of 4,500 English-language news sources around the world, looking
for people who have been reported killed. Each time it finds an article,
an algorithm determines the number of deaths, and instructs a ceiling-mounted
mechanism built from Legos to drop one yellow BB per person.
by Caleb Larsen.

Fast Moving Animals

Port
Port (2005, 3.8MB, 1 min.)

Beautiful slow moving images accompanied by complex
layered sound collages from the videoblog fast moving animals in 2005.

Window
Window (2005, 5.4MB, 2 min.)

Tunnel
Tunnel (2005, 5MB, 1:19 min.)

The WhetherMan

Whetherman1
03.07.06 (2006, 5.3MB, 1:54 min.)

Whetherman2
03.12.06 (2006, 3.7MB, 1:08 min.)

Whetherman3
03.17.06 (2006, 3.8MB, 1:13 min.)

Back in 2006, when video blogging just started, Andrew Schneider
was the funniest person on the internet.
From Astoria, Queens, it’s the whether|man.

Jose Carlos Casado – 3D Animation work

Inside v.07
Inside.v04 (2001, 6.7MB, 1:51 min)

Newbody v.01e
Newbody.v01e (2004, 14.5MB, 3:32 min)

Two short animations from the series ‘Meat’ by Jose Carlos Casado.
Ideas of potential new forms, clones, and artificially
produced offspring are touched upon in ‘Inside.v04’
‘Newbody.v01e’ is kind of Hieronymus Bosch does the Olympics,
the stuff of nightmares & transcendent beauty too . The score, by
Sophocles Papavasilopoulos, is also a small masterpiece:
complex, yet self-effacingly serving the totality.

Hey Ya – OutKast

HeyYa
Hey Ya (2003, 80MB, 7:36 min)

“Hey Ya!” was a 2003 number-one single recorded by André 3000 of the
hip-hop duo OutKast.
The song’s music video, directed by Bryan Barber, features a performance,
styled in the manner of TV’s black and white era (although it’s in color).
It won the MTV Video Music Awards in 2004 for Video of the Year.

Videoblogging

videoblogging
Experiment (2006, 3.3MB, 1:20 min.)

2006: Michael Verdi takes a stand and stakes out
some videoblogging territory.

Laser Tag – The Graffiti Research Lab

laser tag
laser tag (2006, 17.6MB, 4 min.)

The Graffiti Research Lab is dedicated to outfitting graffiti writers,
artists and protestors with open source tools for urban communication.

The Ice Cream Lift – Kristen Baumlier

Ice_Cream_Lift
Ice Cream Lift (2003, 6.3MB, 2:07 min)

“In 1996, I started working on a project idea to change the
aesthetics of exericise. I became a “fitness guru” and made my
own 55-minute workout video where all 12 workouts used food as
exercise equipment. The music in the video is from bands that I knew
in CA, or bands that I listened to while working in my studio.”

Kristen Baumlier from Buns of Butter.

The Cinema Effect: Realisms at Caixa Forum Madrid, Spain

cinema_effect_caixaforum
The Cinema Effect (2011, 44 MB, 5:28 min)

An exhibition that reflects on the influence and impact of cinema in constructing
our visual culture, highlighting how cinematographic language has taken on various
artistic forms including video and installation art. The show features work by Julian Rosefeldt,
Isaac Julien, Runa Islam, Kerry Tribe, Paul Chan, Omer Fast, Mungo Thomson and Ian Charlesworth.

The show has been curated by Kerry Brougher, Anne Ellegood, Kelly Gordon, and Kristen Hileman.
from VernissageTV.

Joshua Fishburn – Layers. Machinima

joshua_fishburn_layers
Layers (2007, 23 MB, 5:23 min)

“Layers is a mashup narrative machinima created with footage from Metal
Gear Solid 3: Snake Eater (PS2), Military footage from an Apache Helicopter
in Iraq (Public Domain/Department of Defense), and Shadow of the Colossus
(PS2). Recorded almost entirely through a sniper scope from the game, it
extends the conversation about the relationship between increasingly
sophisticated military technology and the drive towards visual realism in
videogames. What happens to the relationship between killer and victim
when they are separated by real and virtual distances? Adding the layer
of virtuality through the videogame complicates this relationship even further.”

by Joshua Fishburn.