
In Repair – One Song, One Day (2005, 119MB, 18:42 min.)
John Mayer interview and studio footage, wherein he explains the writing
process in the studio of the song In Repair from the album Continuum.
With Steve Jordan and Charlie Hunter.

In Repair – One Song, One Day (2005, 119MB, 18:42 min.)
John Mayer interview and studio footage, wherein he explains the writing
process in the studio of the song In Repair from the album Continuum.
With Steve Jordan and Charlie Hunter.

Documentation from 1993-2008 (2008, 220MB, 35:12 min.)
This video is kind of long but worth every penny of it.
Best of the show, Daisy Bell (2008) at the end of the reel.
From the impressive and beautiful Jennifer Steinkamp.

lev_interview_1 (2003, 2MB, 2:12 min.)

lev_interview_2 (2003, 2MB, 2:08 min.)

lev_interview_3 (2003, 2.5MB, 2:14 min.)

lev_interview_4 (2003, 2.7MB, 1:45 min.)
A 4 part interview on Soft Cinema with Lev Manovich –
the Mecca of new media arts.
DEAF 03, Rotterdam.
Also: “On Database Driven Movies”.

threshold (2007, 4.4MB, 2:56 min.)
This body of work by John F. Simon was shown in September 2007
in a solo show at the Gering & Lopez Gallery in New York City.
Playing between instinct and idea, this series of large-scale compositions
combine laser cut Formica and LCD screens with endlessly changing software.
Each composition merges the physicality of the material world with the fluid
inner world of code. The LCD screen functions simultaneously as a visual element
of the surface and a window into the system’s evolution.

Movies with Grandma Joy (2008, 27.3MB, 5:39)
“Grandma is serious about going to the movies.
She hates to miss the previews and she watches all of the credits.”
From the absolutely charming vlog,
Movies with Grandma Joy
A performance to camera taken to its extreme with the power of digital editing,
Voice ignites a conflict between an object of desire and its uncomfortable voice.
Refusing to be passive, this female collapses the psychoanalytic good breast and
bad breast into a paradoxical creature that defies expectations. It is a witness to the
complexities of subjectivity and relationships – and of being in the world.
by Cinzia Cremona.

Regardless (2007, 14MB, 3:37 min.)
A woman calls you from inside a monitor and asks you to touch her.
Yes, you. This call is for you. A presence in a box requests contact in
a game of vulnerability, seduction and power. It is a call for contact now,
but it is also a call to reflect on relationships, strength and weakness,
ethics. How do you respond to vulnerability? What do you offer?
What do you ask for? What do you take?
by Cinzia Cremona.

(un)covering (2002, excerpt, 13MB, 2:39 min.)
“Using 6 metres of fabric, the artist engages the viewer in a highly
personal act, playing on notions of the gaze. The artist maintains
a strong gaze of her own looking beyond the audience.
The performance becomes a drawing as the fabric becomes a line
that fills the space.”
Excerpt from a 5 min. single channel video loop by Farheen HaQ.

Solo Show (2006, 25MB, 6:22 min.)
Solo Show takes the viewer on a short trip in a complicit game of art making.
The image overlaps the body of the viewer with that of the artist. As the frame
moves from place to place, formats and titles are recalled in an attempt to
uncover the dynamics of making meaning by calling things art.
by Cinzia Cremona.