Category Archives: documentary arts
Zach Kmiec – mmmff

Mmmff Activities Workshop 2006: Call for entries (2006, 10.1MB, 1:58)

Mmmff Activities Workshop 2006 (2006, 13.8MB, 3:44)
Here’s the setup:
Jennifer Proctor taught a videoblogging class at the
University of Iowa in 2006. Every student set up
his/her own videoblog and made vloggy goodness.
Then, many abandoned their work, though I’d
personally expect nothing less.
While I knew one of the students in the class
(UI is one of my alma maters), a guy I didn’t
know – mmmff – caught my attention more.
Using a cell phone I’m pretty sure he just found
somewhere, Zach then made collage videos of the
five seconds or less the phone would capture in every go.
In the first video, the premise of the phone and
its limitations are introduced, and in the second
follow-up piece, the plan – to make a compilation
of activities you can do in 5 seconds or less – is executed.
It’s pretty much the opposite of boring, predictable,
talk-to-your-camera vids that litter so many hosting
services these days.
This is video functioning within constraints.
It’s also wildly hilarious.
Some of the very best random and weird videoblog
work I’ve ever seen.
Protest Films

Alex Pearl – Protest Film Nottingham (2006, 7.6MB, 1:36)
Protest films…usually films about people protesting
something unjust in the world.
Or, perhaps you meant Protest Films, the conceptual
robot-banner-waving collection of videos wherein
little machines “protest,” more generally speaking.
This is the first from the long-running,
Arts Council-supported series from artist
and renaissance man Alex Pearl.
If you’d like to participate or create your own
Clockwork Protest, visit the blog and email Alex
for a protest kit.
John Baldessari – I Will Not Make Any More Boring Art

John Baldessari – I Will Not Make Any More Boring Art (1971, 135.3MB, 13:13)
One of my favorite older pieces from legendary artist
John Baldessari. Commissioned in ’71 to make an
installation piece, Baldessari couldn’t make the trip
and instructed students to write on the walls in his
place. Inspired by their results – that they covered
the gallery with this phrase – he made this video,
following his usual path of pointing out irony in art.
Look for follow-up pieces like “Teaching A Plant The
Alphabet” if you have the time. Classic.
Via the indispensable UbuWeb
The Blackest Spot by Jody Zellen

Blackest Spot (2008, 18MB, 2:17 min.)
A new installation by Jody Zellen at LA’s Fringe gallery.
The Blackest Spot is an interactive installation that uses Elias Canetti’s
seminal text “Crowds and Power” as its point of departure. Viewers step
on floor mounted triggers to change images and sounds within the space.
3 from Kinetocast

Kinetocast – To Watch While Smelling Summer (2007, 8.2MB, 1:30)

Kinetocast – To Watch With Any Spectacle (2007, 8MB, 1:21)

Kinetocast – To Watch Feeling Betrayed (2006, 2.7MB, 0:35)
Three from the wildly amusing, all too infrequently updated kinetocast.
All based on the idea that these short videos can be watched as they
are labeled appropriate to time or event, this entire videoblog is fairly
genius conceptual work. Also worth checking out from Mack McFarland,
The Portland That Was….
More of these to come…
Johannes Nyholm – Puppetboy

Puppet Boy (clip) (2008, 5MB, 1:04 min.)
For more than a decade, the artist and music video director Johannes Nyholm
has been working on animated films about the little clay figure, Puppet Boy.
In a claustrophobic chamber drama, the frustrated puppet is engaged in an endless
battle against the agonies of everyday life. Nyholm
Konono No 1

Konono No 1 Promotional Video (2005, 14MB, 4:20 min)
I was a bit wary of the rather glib “Congotronics” marketing
surrounding the absolutely fantastic music coming from Konono No 1
and other bands (including the Kasai All Stars) from Kinshasa,
Democratic Republic of the Congo*** – there’s so often a touch
(or more) of paternalism in these things as western rock luminaries
find some beautiful flower of music and well intentionedly but stupidly
trample and traduce it as they make it “palatable” for western consumers.
However I was completely won over by this article, which makes clear
producer Vincent Kenis’s deep knowledge of and devotion to the music
and its performers.
Furthermore it’s the kind of scholarly yet readable account of something
that one so often yearns to find on the net & so rarely does.
Watch the vid then read the article.
I bet you end up buying some of the music.
*** the much trumpeted comparison with avant-rock &c is marketing horseshit of the highest order of course – why the hell should two things that have developed in virtually completely separate social, political, economic & cultural circumstances be comparable in any meaningful sense simply because they share common surface features? Worse still, the comparison could be taken to imply that this music was somehow evolving towards the condition of western avant-rock..euurgh!
Tough Enough

Lukas Blakk – Tough Enough (2006, 11.4MB, 3:41)
Lovely, poignant film from Lukas Blakk,
who always says such honest things,
even if she’s mostly too busy to post anymore.
Curt Cloninger -<em> Pop Mantra</em>

Pop Mantra Video Documentation #4 (2008, 51.7MB, 5:17 min)

Pop Mantra Video Documentation #7 (2008, 50.5MB, 5:41 min)
I like & admire Curt Cloninger for his steadfastness of belief in both his religion
& his artistic work.
He’s also one of the best writers about new media around at the moment.
In both theory & practice he’s curious, inventive, knowledgable, quirky and passionate.
Unlike many in this sphere he’s also not afraid to think aloud in public, to take risks.
Even, (quelle horreur!), to risk appearing uncool.
Recently he’s been making work away from the web, some of it performative
& very interestingly so.
Here (& I stress what you see here is the documentation, not the piece
itself -a fine, but important, distinction) he repeatedly sings & plays a
single phrase from a popular song, in this instance Radiohead’s Karma Police, for several hours.
For me there are number of interesting resonances – minimalism, shamanism,
the kinds of ‘test’ that occur in many religious belief systems, a losing, dissolving
of the self (In additon to the eponymous “mantra” ,there’s an echo too, I think, of Sufism);
but also there is the straightforward investigation*** of the mechanics of playing,
of performing (& there’s a fractal quality to the rather symmetric & crystalline
structure of popular song that makes this kind of extracting both possible & immediately
approachable -it’s a world familiar enough to welcome us in.)
The two extracts are from different ends of this marathon
( & selecting & typing that word just conjured another association –
the of the twenties & thirties).
I find this work fascinating.
Fascinating & affecting too.
*** It’s almost always a laughable misuse of the word to say ‘investigation’
in an art-speak context. Here it seems correct & natural.

